KATANIYA, THE CLOCKWORK WOMAN

The sound of metal smashing metal jars your ears, and you follow the cacophony to the next stage. The backdrop is painted with streaks of lightning, and you see that an iron sign hangs above it, now broken, pounded into pieces, possibly by a hammer or mallet. Despite the damage, you can still make out the words that have been burned into its face:

Property of Pygmalion Industries, LLC

A slender, willowy blonde is facing the sign, looking up at it thoughtfully. She reaches up, and with unbelievable strength, speed, and fury, pounds the sign with her fists until it is an unrecognizable mess, and it falls to the ground with a thunderous crash. She turns, and you realize that this is no creature born of woman: she is half human, half machine. Her exposed stomach shows brass and copper gears, and her joints are girded with steel. You see that her hands are covered in blood as she reaches towards a large burlap sack on the floor, picks it up, and tosses it at your feet. It lands with a sickening wet splat. She locks her gaze on yours, and her hollow, mechanical voice murmurs, β€œI am no man’s property.”

Gentle flowers over hot metal, shocked to life.

5ml Perfume Oil
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Carnaval Diabolique

A Pantomime of Deviltry and Debauch in Seven Acts

ACT 3: THE 13-IN-1

Before you stands a tent, striped in orange and black canvas. The tent seems impossibly large; its tattered black banners snap in the chill wind. The Carny Talker slaps his cane upon a bare spot on the canvas wall, and a huge golden mouth bursts forth from the fabric forming a gleaming fanged entryway illuminated by flashing white bulbs. An ornate sign unfurls above the doorway, and in a florid script it reads, β€œThe Parliament of Monsters”. The Carny Talker grins at you malevolently, gestures at the gaping maw with his cane, and barks, β€œStep this way, my friends! Through this doorway you will find the most magnificent and mind-shattering marvels of the multiverse! Each and every one of these fantastic and fearsome freaks has committed their spirit, nay! β€” their very soul! β€” to an unlife of unrepentant sin and unwholesome debauchery! Not simply a common display of human and inhuman oddities, these are both the shunned and misbegotten children of nature, and those whose very visages show that they have willingly and – YES, eagerly! – walked the crooked path of turpitude! Their sins ARE their salvations, as you shall soon see, my friends, and these marvelous monstrosities present the tapestry of their depravity to you in all of its ghastly glory and sinister splendor! EACH is a Prometheus of perversity! THIS, and THIS ALONE, is the finest display of decadence and depredation in all the hells! Yours, for your education and elucidation, for a nominal entrance fee…”

He tips his hat, grins, and steps aside, gesturing for you to enter.

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