A Pantomime of Deviltry and Debauch in Seven Acts
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
$32.00
Vast open tents have been erected further down the lane. Ornately carved wooden poles support swaths of drooping black lace and blood-crusted burgundy velvet. Grapevines and ivy creep over the beams in the tent and curl like cocoons around bodies that hang upside-down in the caliginous gloom of the tents. Within the shadows, pale figures recline on divans covered in moldering, frayed fabric. As you pass, a feral, white-haired man hoists a tall-stemmed crystal glass of deep red liquid in a toast to you.
Blood accord, bitter clove, English ivy, Tempranillo grape, red currant, oak, leather, blackberry leaf, and ginger lily.
A Pantomime of Deviltry and Debauch in Seven Acts
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
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Named in honor of Vlad III, Tepes, of the Order of the Dragon. Black musk, tobacco, fir, balsam of peru, cumin, bitter clove, crushed mint, and orange blossom.
Where Hinzelmann had been standing stood a male child, no more than five years old. His hair was dark brown, and long. He was perfectly naked, save for a worn leather band around his neck. He was pierced with two swords, one of them going through his chest, the other entering at his shoulder, with the point coming out beneath the rib-cage. Blood flowed through the wounds without stopping and ran down the child’s body to pool and puddle on the floor. The swords looked unimaginably old.
The little boy stared up at Shadow with eyes that held only pain.
And Shadow thought to himself, of course. That’s as good a way as any other of making a tribal god. He did not have to be told. He knew.
You take a baby and you bring it up in the darkness, letting it see no one, touch no one, and you feed it well as the years pass, feed it better than any of the village’s other children, and then, five winters on, when the night is at its longest, you drag the terrified child out of its hut and into the circle of bonfires, and you pierce it with blades of iron and of bronze. Then you smoke the small body over charcoal fires until it is properly dried, and you wrap it in furs and carry it with you from encampment to encampment, deep in the Black Forest, sacrificing animals and children to it, making it the luck of the tribe. When, eventually, the thing falls apart from age, you place its fragile bones in a box, and you worship the box; until one day the bones are scattered and forgotten, and the tribes who worshipped the child-god of the box are long gone; and the child-god, the luck of the village, will be barely remembered, save as a ghost or a brownie: a kobold.
Shadow wondered which of the people who had come to northern Wisconsin 150 years ago, a woodcutter, perhaps, or a mapmaker, had crossed the Atlantic with Hinzelmann living in his head.
And then the bloody child was gone, and the blood, and there was only an old man with a fluff of white hair and a goblin smile, his sweater-sleeves still soaked from putting Shadow into the bath that had saved his life.
The luck of the tribe: black pine pitch and gouts of blood, darkness and bonfires that cast long shadows.
“There was a reason he hid me in Lakeside, wasn’t there? There was a reason nobody should have been able to find me here.”
Hinzelmann said nothing. He unhooked a heavy black poker from its place on the wall, and he prodded at the fire with it, sending up a cloud of orange sparks and smoke. “This is my home,” he said, petulantly. “It’s a good town.”
Perfect wholesomeness: green grass, summer daisies, spring daffodils, and bake sale cookies bought with blood and terror, all frozen beneath a sheet of thick black ice.
“Take it, then,” the Tsar said, “and bid her do it for me.” The old woman brought the linen home and told Vasilissa the Tsar’s command: “Well I knew that the work would needs be done by my own hands,” said Vasilissa, and, locking herself in her own room, began to make the shirts. So fast and well did she work that soon a dozen were ready. Then the old woman carried them to the Tsar, while Vasilissa washed her face, dressed her hair, put on her best gown and sat down at the window to see what would happen. And presently a servant in the livery of the Palace came to the house and entering, said: “The Tsar, our lord, desires himself to see the clever needlewoman who has made his shirts and to reward her with his own hands.”
Vasilissa rose and went at once to the Palace, and as soon as the Tsar saw her, he fell in love with her with all his soul. He took her by her white hand and made her sit beside him. “Beautiful maiden,” he said, “never will I part from thee and thou shalt be my wife.”
So the Tsar and Vasilissa the Beautiful were married, and her father returned from the far-distant Tsardom, and he and the old woman lived always with her in the splendid Palace, in all joy and contentment. And as for the little wooden doll, she carried it about with her in her pocket all her life long.
She herself had cheeks like blood and milk and grew every day more and more beautiful.
Creamy skin musk and blushing pink musk with soft sandalwood, white amber, dutiful myrrh, and star jasmine.
BanxeXx –
Oof, I may need a back up of this one! This is such a tantalizing scrumptious blend. I’ve only worn it twice, but I can’t stop smelling it, something in it keeps me coming back for more. Very berry/grape forward. I detect some floral notes and the leather. I’m hoping the blood accord surfaces as well.
Natalie –
Wasn’t sure about this at first, as can be the case with many BPAL scents. A little age can do so much!
In the bottle: it really does smell like a dark alcove reserved for vampires.
Wet: you smell each note in quick succession. Mostly the blood accord and wine, but there’s definitely some spice and dirt and green and floral flitting about.
Dry down: ginger lily and grape! Not like grape gum, but real grape. Juicy and bright. The blood accord and wine and spice provide a beautiful foundation for the sweet grape and floral.
A lovely, dark, feminine scent. Heady and complex. Another win for BPAL!