Illyria
The Shakespearean Collection.
Black Phoenix Alchemy Lab’s olfactory paean to the characters from Shakespeare’s plays.
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
$6.25 – $25.00
Malevolent, dark and shadowy: sinuous black musk, wet leather and vetiver.
Illyria
The Shakespearean Collection.
Black Phoenix Alchemy Lab’s olfactory paean to the characters from Shakespeare’s plays.
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
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Now with more snoot. All the sugared incense you can shake a wing at with double the leather and a dollop of thick, inky black musk.
Carrying bouquet, and handkerchief, and gloves,
Proud of her height as when she lived, she moves
With all the careless and high-stepping grace,
And the extravagant courtesan’s thin face.
Was slimmer waist e’er in a ball-room wooed?
Her floating robe, in royal amplitude,
Falls in deep folds around a dry foot, shod
With a bright flower-like shoe that gems the sod.
The swarms that hum about her collar-bones
As the lascivious streams caress the stones,
Conceal from every scornful jest that flies,
Her gloomy beauty; and her fathomless eyes
Are made of shade and void; with flowery sprays
Her skull is wreathed artistically, and sways,
Feeble and weak, on her frail vertebrae.
O charm of nothing decked in folly! they
Who laugh and name you a Caricature,
They see not, they whom flesh and blood allure,
The nameless grace of every bleached, bare bone,
That is most dear to me, tall skeleton!
Come you to trouble with your potent sneer
The feast of Life! or are you driven here,
To Pleasure’s Sabbath, by dead lusts that stir
And goad your moving corpse on with a spur?
Or do you hope, when sing the violins,
And the pale candle-flame lights up our sins,
To drive some mocking nightmare far apart,
And cool the flame hell lighted in your heart?
Fathomless well of fault and foolishness!
Eternal alembic of antique distress!
Still o’er the curved, white trellis of your sides
The sateless, wandering serpent curls and glides.
And truth to tell, I fear lest you should find,
Among us here, no lover to your mind;
Which of these hearts beat for the smile you gave?
The charms of horror please none but the brave.
Your eyes’ black gulf, where awful broodings stir,
Brings giddiness; the prudent reveller
Sees, while a horror grips him from beneath,
The eternal smile of thirty-two white teeth.
For he who has not folded in his arms
A skeleton, nor fed on graveyard charms,
Recks not of furbelow, or paint, or scent,
When Horror comes the way that Beauty went.
O irresistible, with fleshless face,
Say to these dancers in their dazzled race:
“Proud lovers with the paint above your bones,
Ye shall taste death, musk scented skeletons!
Withered Antinoüs, dandies with plump faces,
Ye varnished cadavers, and grey Lovelaces,
Ye go to lands unknown and void of breath,
Drawn by the rumour of the Dance of Death.
From Seine’s cold quays to Ganges’ burning stream,
The mortal troupes dance onward in a dream;
They do not see, within the opened sky,
The Angel’s sinister trumpet raised on high.
In every clime and under every sun,
Death laughs at ye, mad mortals, as ye run;
And oft perfumes herself with myrrh, like ye
And mingles with your madness, irony!
A gloriously elegant representation of Lady Death. Dry, bone-white orris, black musk, serpentine patchouli and our murkiest myrrh.
Upon the next stage, a primitive cage has been erected. It is made of heavy, dark sticks bound with strips of deep brown leather. The stage is as dark as pitch, and from the shadows, you hear soft hissing, spitting, and an ominous chorus of weird rattling sounds. You approach with some trepidation, and peer between the bars. Your attention is seized by writhing forms on the straw bottom of the cage. As your eyes adjust to the gloom, you realize that the floor is seething with serpents, dark and colorful, languid and large, swift and small. You hear a sultry chuckle, and you see bright, unblinking emerald eyes staring at you from the corner of the cage. A woman crawls through the snakes, her scaled body as sinuous and lissome as the creatures that share her home. She reaches towards you languorously with her sharp-clawed hands and sighs.
A sensual blend of twisting, exotic, serpentine oils: black amber, oakmoss, green sandalwood, bergamot, jasmine sambac, gardenia, orange pulp, black cardamom, vanilla, blackberry, black musk, blackened vanilla husk, white honey, ti leaf, and ginger.
Twin islands near Newfoundland, now lost, that were believed to be gateways to Hell. The scent is of wet, dark greenery, carnivorous flowers, volcanic gas, and the hot black musk of the demons and wild beasts that populated the islands.
yashendwirh –
Heavy, deep, dark leather scent both in the bottle and on the skin. Slightly smoky. Would be very easy to layer with something spicy or a sweet floral. Definitely something I would wear walking alone at night, it’s quite an empowering scent evon though the through isn’t too strong. Walk silently and carry a big stick.
Katie –
Very heavy and masc. Upon application, the vetiver stands out most, but as it dries, the leather takes over. This smells like something that Arthur on Peaky Blinders would wear- it’s a brute-force scent. Even on a male-identified person, I like something a little sweeter, but if you’re looking for a battle axe in scent form, here it be!
Kujo –
I purchased this imp because it was listen in the best beloved section and I was instantly attracted to the description. It is definitely a masculine scent. I could see myself wearing this to a business meeting where I wanted to be seen a powerful & strong. It is not timid. It is not one that would personally wear day to day. A mature, sexy, wizard who smokes cigarettes.
Hellokoi –
A very sharp black leather, ashy vetiver, and powdery black musk.
Elizabeth –
This one is really interesting. When I first put it on, it smelled of musk and leather. The best way to describe it was “sex dungeon.” I was so confused. I liked it, but it was more aggressive than what I’m usually into. After it lingered, the vetiver came out. I can still smell the vetiver on my skin a good 7 or 8 hours later. The staying power is great. I’ve really never smelled anything like it, and my sniffer has been around the block and then some. Iago is so alluring that I bought a whole bottle the day after acquiring an imp ear. I want to let my olfactory freak flag fly. Thanks BPAL!
werewolfgal –
A lovely deep warm smokey scent. On my skin the leather smell almost reads like horses, a good musky animal scent. Initially the leather comes on very strong as does the vetiver and comes off kind of like beef jerky (the only reason I’m docking a point)after a half hour this mellows into the cruel, dangerous and alluring smell I want Iago to be and has a very light floral property hiding in the vetiver. Absolutely fantastic!
Luca Turin –
Scents are amazing in that they stir emotions and and even call forth memories, images and passions and for all of those reasons, I love Iago. There is something sinister, sophisticated, intelligent and elitist about Iago and the vetiver has much to do with that. There is nothing flowery or sweet about it. It is a glorious, dark, shadowy scent with a touch of lightning; like a being from a Gustave Moreau painting just stepped into our reality. Highly recommended. I am about to make my fourth purchase of it.
Nuri –
I’ve come to understand that I don’t my skin does not respond well to the vetiver in PBAL products. It reads like stale cigarette smoke on me. I’m not really getting black musk or leather just a heaviness. Not a winner for me but if vetiver works for you the scent may be completely different.