Musk - Black

  • Aeronwen

    Fig, dark myrrh, amber, redwood, nutmeg, tarragon, black musk, and sweet orange.

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  • Arachnina, The Spider Girl

    You move towards the first stage on your right, and as you walk, you feel something brush across your cheek. Something about the softness of the phantom caress makes your skin crawl, and you flinch involuntarily. At that moment, the Spider Girl strides haughtily onto the platform, her stiletto heels clicking a strange staccato as she walks. Her body is wrapped in skin-tight strips of black PVC, and the gleaming vinyl glistens in stark contrast to the alabaster skin on her six pale, white arms. She gestures to the rafters above with a graceful flick of her blood-red nails. In dread, your eyes are drawn skyward: above her, in a gossamer snare, web-shrouded bodies twist and struggle.

    A swirling, hypnotic perfume of black currant, poppy, red and black musk, lilies, nicotiana, tobacco tar, and patchouli.

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  • Black Forest

    This is the captured scent of a cold, moonless night, lost deep within the darkest wood. Haunting and desolate, this scent evokes images of fairy tale tragedy and half-remembered nightmares. Thick, viscous pine with ambergris, black musk, juniper and cypress.

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  • Carnaval Diabolique

    Straight from the twisted alleys of Dis, by way of the City of Angels: opium smoke, lemon flower, heliotrope, tuberose, black musk, vanilla, coconut, apricot flower.

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  • Conjunction of Mars and Saturn

    Daemonorops, star thistle, wild tobacco, and asafoetida intensified by hemlock accord, black musk seed, mortuary cypress, and black gum leaf.

    [Label illustration: Adolf Vogel]

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  • Dance of Death

    Carrying bouquet, and handkerchief, and gloves,
    Proud of her height as when she lived, she moves
    With all the careless and high-stepping grace,
    And the extravagant courtesan’s thin face.

    Was slimmer waist e’er in a ball-room wooed?
    Her floating robe, in royal amplitude,
    Falls in deep folds around a dry foot, shod
    With a bright flower-like shoe that gems the sod.

    The swarms that hum about her collar-bones
    As the lascivious streams caress the stones,
    Conceal from every scornful jest that flies,
    Her gloomy beauty; and her fathomless eyes

    Are made of shade and void; with flowery sprays
    Her skull is wreathed artistically, and sways,
    Feeble and weak, on her frail vertebrae.
    O charm of nothing decked in folly! they

    Who laugh and name you a Caricature,
    They see not, they whom flesh and blood allure,
    The nameless grace of every bleached, bare bone,
    That is most dear to me, tall skeleton!

    Come you to trouble with your potent sneer
    The feast of Life! or are you driven here,
    To Pleasure’s Sabbath, by dead lusts that stir
    And goad your moving corpse on with a spur?

    Or do you hope, when sing the violins,
    And the pale candle-flame lights up our sins,
    To drive some mocking nightmare far apart,
    And cool the flame hell lighted in your heart?

    Fathomless well of fault and foolishness!
    Eternal alembic of antique distress!
    Still o’er the curved, white trellis of your sides
    The sateless, wandering serpent curls and glides.

    And truth to tell, I fear lest you should find,
    Among us here, no lover to your mind;
    Which of these hearts beat for the smile you gave?
    The charms of horror please none but the brave.

    Your eyes’ black gulf, where awful broodings stir,
    Brings giddiness; the prudent reveller
    Sees, while a horror grips him from beneath,
    The eternal smile of thirty-two white teeth.

    For he who has not folded in his arms
    A skeleton, nor fed on graveyard charms,
    Recks not of furbelow, or paint, or scent,
    When Horror comes the way that Beauty went.

    O irresistible, with fleshless face,
    Say to these dancers in their dazzled race:
    “Proud lovers with the paint above your bones,
    Ye shall taste death, musk scented skeletons!

    Withered Antinoüs, dandies with plump faces,
    Ye varnished cadavers, and grey Lovelaces,
    Ye go to lands unknown and void of breath,
    Drawn by the rumour of the Dance of Death.

    From Seine’s cold quays to Ganges’ burning stream,
    The mortal troupes dance onward in a dream;
    They do not see, within the opened sky,
    The Angel’s sinister trumpet raised on high.

    In every clime and under every sun,
    Death laughs at ye, mad mortals, as ye run;
    And oft perfumes herself with myrrh, like ye
    And mingles with your madness, irony!

    A gloriously elegant representation of Lady Death. Dry, bone-white orris, black musk, serpentine patchouli and our murkiest myrrh.

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  • Desire

    The overwhelming agony of passion crystallized into a singularly dark and magnetic blend: bittersweet neroli, black patchouli and black musk, gilded by apple, bergamot, blood red rose, teak, and vanilla.

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  • Dracul

    Named in honor of Vlad III, Tepes, of the Order of the Dragon. Black musk, tobacco, fir, balsam of peru, cumin, bitter clove, crushed mint, and orange blossom.

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  • Dragon’s Heart

    A scent pulsing with vitality, warmth and insurmountable strength: dragon’s blood resin, red and black musks, a throb of fig and a sliver of black currant.

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  • Faiza, The Lady of Serpents

    Upon the next stage, a primitive cage has been erected. It is made of heavy, dark sticks bound with strips of deep brown leather. The stage is as dark as pitch, and from the shadows, you hear soft hissing, spitting, and an ominous chorus of weird rattling sounds. You approach with some trepidation, and peer between the bars. Your attention is seized by writhing forms on the straw bottom of the cage. As your eyes adjust to the gloom, you realize that the floor is seething with serpents, dark and colorful, languid and large, swift and small. You hear a sultry chuckle, and you see bright, unblinking emerald eyes staring at you from the corner of the cage. A woman crawls through the snakes, her scaled body as sinuous and lissome as the creatures that share her home. She reaches towards you languorously with her sharp-clawed hands and sighs.

    A sensual blend of twisting, exotic, serpentine oils: black amber, oakmoss, green sandalwood, bergamot, jasmine sambac, gardenia, orange pulp, black cardamom, vanilla, blackberry, black musk, blackened vanilla husk, white honey, ti leaf, and ginger.

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  • Ghûlheim

    Ghouls do not build. They are parasites and scavengers, eaters of carrion. The city they call Ghûlheim is something they found, long ago, but did not make. No one they call knows (if anyone human ever knew) what kind of creatures it was that made those buildings, who honeycombed the rock with tunnels and towers, but it is certain that no-one but the ghoul-folk could have wanted to stay there, or even to approach that place.

    Even from the path below Ghûlheim, even from miles away, Bod could see that all of the angles were wrong — that the walls sloped crazily, that it was every nightmare he had ever endured made into a place, like a huge mouth of jutting teeth. It was a city that had been built just to be abandoned, in which all the fears and madnesses and revulsions of the creatures who built it were made into stone. The ghoul folk had found it and delighted in it and called it home.

    A dark and disjointed scent: smoke and black musk, bladderwrack, opopponax, galangal, and pepper.

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  • Haunted

    A mournful, poignant scent, thick with foreboding. Soft golden amber darkened with a touch of murky black musk.

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  • Hyakki Yagyō

    Demonic black musk, inky myrrh, black coconut, champaca blossom, and smoky clove bud.

    Out of Stock
  • Iago

    Malevolent, dark and shadowy: sinuous black musk, wet leather and vetiver.

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  • Incubus

    As if, with beasts’ eyes, angels led
    The way, I slip back to your bed,
    Quiet as a hooded light,
    Hushed by the shadows of the night.

    And then, my dark one, you shall soon
    Embrace the cold beams of the moon,
    Around a fresh grave, the chilling hiss
    Of serpent coiled shall be my kiss.

    When morning shows his livid face
    Your bed shall feel my empty place,
    As cold as death, till fall of night.

    Others take tenderness to wife:
    Dread gives away your youth and life
    To me, to be bride of fright.

    Spectral white musk and the heart-stopping chill of sheared mint, fanned by caramel-touched body heat, and the diabolical sensuality of black musk, nicotiana, and sage.

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  • Jiaolong

    Sugared coffee bean, black musk, and sugar cane.

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  • Knucklebones

    You hear a clatter on the ground behind you, and a small bleached bone smacks against your foot. Cloaked in shadows between the tents, three men crouch playing knucklebones. Distress clouds the face of one of the men, while another bursts into a wicked smile and the last one sighs in relief. Scooping up his winnings and shaking his head, the victor makes a soft ‘tsk’ noise as he reaches towards the loser’s chest, positioning his hand over the man’s heart. Pressing forward, his hand moves through cloth, flesh, muscle, and bone to extract the beating organ. Tossing the heart onto the ground, he says to you, “Mind handing me those bones, buddy? I’ve got a game to run here.”

    Black musk, bay rum, lime fougere, orange blossom water, gin, and tobacco.

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  • Mad Hatter

    A gentlemen’s lavender-citron cologne unhinged by the feral pungence of black musk and a paroxysm of pennyroyal.

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  • Mr. Croup

    ‘A fox and a wolf’, thought Richard, involuntarily. The man in front, the fox, was a little shorter than Richard. He had lank, greasy hair, of an unlikely orange color, and a pallid complexion; as Richard opened the door, he smiled, widely, and just a fraction too late, with teeth that looked like an accident in a graveyard.

    Pompous and predatory: tonka bean, black musk, bourbon geranium, and crushed porcelain.

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  • Qandisa

    The Moroccan Goddess of Carnal Desire. Dwelling in fresh-water springs and rivers, she is doom: her embrace drives men mad with mindless lust. Sacrifices are made to the Lady of Lust on the Summer Solstice in the hopes of placating her passions and driving her red-tinged gaze away. Black musk, blackened saffron, lemon peel, and vetiver draped over thick honey.

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  • Shattered Silence

    Unearthly howls reverberate in the shadows of a darkened wood: black cedar, yew berries, juniper and frost-crusted moss, crushed beneath a shaggy spectral black musk.

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  • Stoned Griffin Alchemy Lab

    If we’d known sixteen years ago which direction the legislative wind would end up blowing, things might have gone very differently for BPAL. Stoned Griffin is like a distant cousin of Black Phoenix who never quit his college band, and tells you the same three stories at every Lunacy event (but they’re really good ones).

    Kush, fiery red patchouli, myrrh, and sweet black musk.

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  • Streets of Detroit

    Black musk accord, Ethiopian myrrh, and motor oil.

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  • The Great He-Goat

    Francisco Goya

    Haitian vetiver, Egyptian amber, carnation, black musk, pomegranate, patchouli, and smoked ginger.

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  • The Hag

    The Hag is astride,
    This night for to ride;
    The Devill and shee together:
    Through thick, and through thin,
    Now out, and then in,
    Though ne’r so foule be the weather.

    A Thorn or a Burr
    She takes for a Spurre:
    With a lash of a Bramble she rides now,
    Through Brakes and through Bryars,
    O’re Ditches, and Mires,
    She followes the Spirit that guides now.

    No Beast, for his food,
    Dares now range the wood;
    But husht in his laire he lies lurking:
    While mischiefs, by these,
    On Land and on Seas,
    At noone of Night are working,

    The storme will arise,
    And trouble the skies;
    This night, and more for the wonder,
    The ghost from the Tomb
    Affrighted shall come,
    Cal’d out by the clap of the Thunder.

    Black musk, bay leaves, galangal, bourbon vetiver, blackcurrant, and rum.

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  • The Isles of Demons

    Twin islands near Newfoundland, now lost, that were believed to be gateways to Hell. The scent is of wet, dark greenery, carnivorous flowers, volcanic gas, and the hot black musk of the demons and wild beasts that populated the islands.

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  • The Legerdemain

    The twilight in between the stage performer and the Magus; the sleight of hand trick transforms into true sorcerous skill: black silken musk, dark clove, guiac wood, black pepper, frankincense, and cardamom.

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