Shakespeare

  • Antony

    The embodiment of Classic masculinity. A warrior’s scent: the green hills and grasses of the battlefields, the resinous incense from the prayers to his Gods, and a touch of the musky leather of his armor. Ambergris and frankincense with sage, and basil.

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  • Iago

    Malevolent, dark and shadowy: sinuous black musk, wet leather and vetiver.

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  • Juliet

    Sweet pea with stargazer lily, calla lily, heliotrope, honeysuckle, white musk and a touch of fresh pear.

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  • Katharina

    A strong, willful blend with a soft, utterly lovely soul: white musk with a trickle of bright, sharp apricot and orange blossom.

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  • Lady Macbeth

    The essence of ambition, covetousness and manipulation: sweet Bordeaux wine, blood red currant, thyme and wild berries.

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  • Oberon

    Orchid, white musk, and bergamot wafting over juniper berries, with a gentle touch of soft, earthy patchouli.

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  • Othello

    Arabian musk with two roses and a bevy of Middle Eastern and Indian spices.

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  • Tamora

    Amber, heliotrope, golden sandalwood, peach blossom and vanilla bean.

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  • The Apothecary

    Tea leaf with three mosses, green grass, a medley of herbal notes, and a drop of ginger and fig.

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  • Titania

    A nocturnal bounty of fae dew-kissed petals and pale fruits: white grape, white peach, iced pear, musk rose, sweet pea, moonflower and snapdragon.

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  • Titus Andronicus

    Dark musk and black amber with frankincense, red sandalwood, neroli and bergamot.

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  • Yorick

    Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now?

    Grave dirt, bone, decay, angel’s trumpet, and moldering scraps of shroud: the essence of finality.

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