Beeswax

  • A view from the window

    A View From the Window Perfume Oil

    Nelson Shanks
    Crimson and ash-green velvet, leatherbound books, a scattering of ink-dribbled papers, beeswax, dried flowers, faded pipe smoke, mahogany, and oak suffused with warm beams of golden amber and dusted with pale sandalwood.

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  • All Souls’ Day (Hedwig Cemetery)

    All Souls’ Day (Hedwig Cemetery) Perfume Oil

    Franz Skarbina
    Ancient cypresses surrounding clusters of purple hyacinth, fallen leaves, and crosses crafted from white roses. A splash of rosewater, an immortelle hung on a tear-streaked marble tomb, nightshade berries, smoked lilac, warm beeswax, and a snuffed candle.

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  • an onnagata and his lover

    An Onnagata and His Lover Perfume Oil

    Beeswax, rice powder, white amber, and cherry blossom chypre.

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  • Golden Tobacco and Beeswax
  • GUTTERING CANDLE

    Guttering Candle Perfume Oil

    Rivulets of beeswax, a blackened wick, and a shuddering gust of smoke

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  • Half-Elf Perfume Oil

    White sandalwood, beeswax, white tea leaf, oud, and a hint of sophisticated urban musk.

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    Ibis and Jacquel’s Funeral Parlor Home & Linen Spray

    Ibis and Jacquel was a small, family-owned funeral home: one of the last truly independent funeral homes in the area, or so Mr. Ibis maintained. “Most fields of human merchandising value nationwide brand identities,” he said. Mr. Ibis spoke in explanations: a gentle, earnest lecturing that put Shadow in mind of a college professor who used to work out at the Muscle Farm and who could not talk, could only discourse, expound, explain. Shadow had figured out within the first few minutes of meeting Mr. Ibis that his expected part in any conversation with the funeral director was to say as little as possible. “This, I believe, is because people like to know what they are getting ahead of time. Thus, McDonald’s, Wal-Mart, F. W. Woolworth (of blessed memory): store brands maintained and visible across the entire country. Wherever you go, you will get something that is, with small regional variations, the same.”

    “In the field of funeral homes, however, things are, perforce, different. You need to feel that you are getting small-town personal service from someone who has a calling to the profession. You want personal attention to you and your loved one in a time of great loss. You wish to know that your grief is happening on a local level, not on a national one. But in all branches of industry-and death is an industry, my young friend, make no mistake about that-one makes ones money from operating in bulk, from buying in quantity, from centralizing one’s operations. It’s not pretty, but it’s true. Trouble is, no one wants to know that their loved ones are traveling in a cooler-van to some big old converted warehouse where they may have twenty, fifty, a hundred cadavers on the go. No, sir. Folks want to think they’re going to a family concern, somewhere they’ll be treated with respect by someone who’ll tip his hat to them if he sees them in the street.”

    Mr. Ibis wore a hat. It was a sober brown hat that matched his sober brown blazer and his sober brown face. Small gold-rimmed glasses perched on his nose. In Shadow’s memory Mr. Ibis was a short man; whenever he would stand beside him, Shadow would rediscover that Mr. Ibis was well over six feet in height, with a cranelike stoop. Sitting opposite him now, across the shiny red table, Shadow found himself staring into the man’s face.

    “So when the big companies come in they buy the name of the company, they pay the funeral directors to stay on, they create the apparency of diversity. But that is merely the tip of the gravestone. In reality, they are as local as Burger King. Now, for our own reasons, we are truly an independent. We do all our own embalming, and it’s the finest embalming in the country, although nobody knows it but us. We don’t do cremations, though. We could make more money if we had our own crematorium, but it goes against what we’re good at. What my business partner says is, if the Lord gives you a talent or a skill, you have an obligation to use it as best you can. Don’t you agree?”

    “Sounds good to me,” said Shadow.

    “The Lord gave my business partner dominion over the dead, just as he gave me skill with words. Fine things, words. I write books of tales, you know. Nothing literary. Just for my own amusement. Accounts of lives.” He paused. By the time Shadow realized that he should have asked if he might be allowed to read one, the moment had passed. “Anyway, what we give them here is continuity: there’s been an Ibis and Jacquel in business here for almost two hundred years. We weren’t always funeral directors, though. We used to be morticians, and before that, undertakers.”

    “And before that?”

    “Well,” said Mr. Ibis, smiling just a little smugly, “we go back a very long way…”

    Egyptian embalming compound: beeswax and fir resin, myrrh, natron salt, cassia, palm wine, lichen, henna, and camphor.

    Out of Stock
  • Lightning Strikes Literature Perfume Oil

    The incendiary moment when a human hand snatches fire from the gods of creativity and channels it onto the page: a lightning storm stirred with beeswax candle smoke, yellowing notebooks, and pools of India ink.

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  • No. 93 Engine Perfume Oil

    Beeswax candles reflect flickering light onto a brass-coated boiler engraved with the words “Solve Et Coagula”. The gargantuan boiler sends torrents of steam into rigid pipes that exert force onto innumerable pistons and turbine blades. The motion is harnessed to propel energy into gargantuan cogs and gears that move liquid metals, herbs, and resins into a series of alembics.

    Balm of Gilead, benzoin, frankincense, balsam of peru, beeswax, saffron, galbanum, calamus, hyssop, mastic, lemon balm, and white sage.

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    Quintessence of Dust Perfume Oil

    “What a piece of work is a man!”
    “What is this quintessence of dust?”

    The passing: beeswax and smoke, yellowed paper and well-worn leather books, droplets of spilled ink, faded incense, blood-tinged salty tears, and the metal of the knife that skewers that illiterate zombie philistine’s portrait.

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    The Witch Queen Perfume Oil

    On a rocky mountain pass, on the southernmost slopes of Mount Belly, the witch-queen reined in her goat-drawn chariot and stopped and sniffed the chilly air.

    The myriad stars hung cold in the sky above her.

    Her red, red lips curved up into a smile of such beauty, such brilliance, such pure and perfect happiness that it would have frozen your blood in your veins to have seen it. “There,” she said. “She is coming to me.”

    And the wind of the mountain pass howled about her triumphantly, as if in answer.

    Wild plum, red musk, tuberose, calla lily, heliotrope, pimento, ylang ylang and beeswax beneath a dark haze of sinister purple-hued incense smoke.

    Out of Stock
  • Vigil for the Harvest Suitors Perfume Oil

    Power of the Witch lies in her respect and direct communication with nature. She may choose to give favor to those who can see her wisdom as authentic and beneficial.

     

    Beeswax, bone, broomcorn, and lilac.

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  • wolf moon 2024 WEB

    Wolf Moon 2024 Perfume Oil

    A fable in scent: bone-white sandalwood aged with beeswax and balsam, crushed grass and juniper berries, ambrette seed, and lupine musk.

    Art by Drew Rausch!

    Out of Stock
  • beeswax pine needle WOLF-MOON-LUNACY-DUETS-2024-WEB

    Wolf Moon: Beeswax & Pine Needle Perfume Oil

    2024’s duet scents are designed to flatter, compliment, or enhance different aspects of the Lunacy blend that they are born from. They can be worn alone or layered with their siblings and their parent Lunacy.

    Out of Stock