LIMITED EDITION BLENDS
No imp’s ears are available for Limited Edition scents.
Presented in an amber apothecary glass vial.
Note: only 5ml bottles are offered in our limited edition scents. Please check the BPAL forum for stock updates. No samples can be requested for any limited edition scents, as they are not taken into consideration or assimilated into stock when the limited edition oils are made. Simply put: there are none to give. If you request a sample of a limited edition scent, we will swap for a random “permanent” scent.
The spirits of the land, the spirits of place. They are the protectors of nature and those who operate within their boundaries. In order to connect to these spirits, you have to examine and understand the native wildlife and flora, the weather patterns and topography, this history of the people that inhabited the land and the cosmology of the gods that smiled upon and smote its people. It is the essence of all that has lived and died there, it is the breath of the wind, the warmth of the soil, the bright burst of blood and the cool touch of thousands of years of morning dew, the echoes of a millennia of laughter, howls, screams, and scuttlings. It is the song of the land itself manifested into one energy, one soul; to propitiate it is to bring power and good fortune, but to anger or neglect spells ruin.
This is our multi-faceted series dedicated to the genii of Los Angeles, and we begin with the fluttering wings of LA’s psyche: butterflies.
If one wants to form a picture of the symbolic process, the series of pictures found in alchemy are good examples, though the symbols they contain are for the most part traditional despite their often obscure origin and significance… It also seems as if the set of pictures in the Tarot cards were distantly descended from the archetypes of transformation…
“The symbolic process is an experience in images and of images. Its development usually shows an enantiodromian structure like the text of the I Ching, and so presents a rhythm of negative and positive, loss and gain, dark and light. Its beginning is almost invariably characterized by one’s getting stuck in a blind alley or in some impossible situation; and its goal is, broadly speaking, illumination or higher consciousness, by means of which the initial situation is overcome on a higher level. As regards the time factor, the process may be compressed into a single dream or into a short moment of experience, or it may extend over months and years, depending on the nature of the initial situation, the person involved in the process, and the goal to be reached. The wealth of symbols naturally varies enormously from case to case. Although everything is experienced in image form, i.e., symbolically, it is by no means a question of fictitious dangers but of very real risks upon which the fate of a whole life may depend.”
– Carl Jung, Archetypes of the Collective Unconscious
The first of the four Temporal Rulers of the Major Arcana, who move and act within our world and our reality. Her hands, along with the Hierophant’s, the Empress’s, and the Emperor’s, turn the wheel of time. The Star Maiden, She Who Shines in the Darkness, High Priestess of Veiled Golden Isis, the Eternal Virgin. She is the Unutterable Truth, the Portal to the Mystery, the catalyst of the alchemical process of dissolution. This is Shekhinah, the presence and dwelling place of the feminine aspect of the Divine, the feminine manifestation of the presence of God, residing in the Temple in Jerusalem, the Tabernacle, and wherever [AB1] people are gathered together in prayer. She is the transformational spirit of God and the birthplace of prophecy. She is the Sabbath Bride, she is Sister Manfreda, she is Pope Joan, she is Veiled Isis, she is the Virgin Huntress, she is the female incarnation of Metatron.
Originally, the High Priestess was the Papesse, who was perceived as an allegory for the power of the Church, a heretical scapegoat, an incarnation of the Holy Spirit, or the herald of a new age. Later, she transformed into the virgin priestess, eternally pure, forever guarding the doorway to the mysteries.
Standing beside the Magician, together they represent binary principles of the universe: light and dark, action and stillness, exoteric and esoteric, knowledge and intuition. Where the Magician moves externally, controlling the forces of nature, the High Priestess turns inward, granting understanding of the mysteries of creation and the miracle of existence itself. She is the Moon, and the Hierophant is the Sun. She is the conduit between the archetypical and formative worlds, and she is the only guide capable of traversing the terrible wasteland that is the bleak desert of the soul[AB2] . She is intuition and the inner voice, opening your eyes to the potency and power of your dreams, your subconscious, and your imagination, granting insight into the myriad realities beyond the scope of your current understanding.
Is finding answers more important than finding peace? What price are you willing to pay for a chance to look behind the veil?
“Seduce us in seven!” we demanded, promising the winning story would be enshrined in a Limited Edition fragrance. The response was overwhelming — and downright filthy. Over eight hundred entries later, Lust found its new champion. The winning story, submitted via Twitter by @GeekDame, took flight in our perfumer’s imagination and resulted in the following myth-tinged tryst.
Congrats to the winner, and keep your quills sharp! #BPAL7wordstory is only getting started.
He breathed smoke across her pomegranate-stained lips.
O happy posterity, who will not experience such abysmal woe and will look upon our testimony as a fable.
On the 20th of Mach, 1345, it is believed that a triple conjunction of Saturn, Jupiter and Mars in Aquarius harbingered one of the most catastrophic pandemics in all of human history, resulting in the deaths of between 75 and 200 million people in Eurasia, and initiating a death culture that would last well into our time.
Austin Coppock – one of the most talented, eloquent astrologers of our age – shares his insight:
It is a contemporary conceit to believe that plague is no longer with us. The post WWII years saw the humans triumph over a host of age-old afflictions. Polio, whooping cough tuberculosis and more fell one-by-one to the scalpel of modern science. Yet these gains, taken for granted, grow smaller every year. Long slumbering diseases have been roused, and those which were scheduled for elimination have shown dogged resistance to humanity’s best efforts. Plague is thus not a thing of the past, but an everpresent horseman, keeping pace with human progress. Though we may have pulled into a small lead, we have by no means outrun this dark rider.
Those who came before us knew well that this rider was forever at their back, and thus lived in anticipation of his terrible arrival. It should thus be in no way shocking to find that astrologers throughout history have done their very best to predict the times at which the waves of pestilence would crash against our shore. In a report commissioned by King Phillip VI from the University of Paris’ Medical Faculty in 1348, the fault of the great plague was thought to lie in a rare conjunction of Saturn, Jupiter and Mars in Aquarius which had occurred some years earlier, in 1345. The report pointed to the malefic nature of the Great Conjunction which had occurred those few years earlier, and how it augured a disease both swift and terrible. But Medical Faculty of the University of Paris had the benefit of hindsight, and their retrospective spared no one.
Several hundred years later, in 17th century England, lived an astrologer somewhat more prescient. William Lilly, the “English Merlin” wrote in his 1665 Almanac “Here is approaching great fatality unto mankind…there may be feared some dangerous mortality, or plague to be at hand, inflicting destruction.” Furthermore, he wrote of “a sickly summer…during June, July or August..” Accompanied by the macabre illustration seen below, Mr. Lilly’s prediction was more than satisfied, for a plague swept the city of London at the appointed time, claiming one in six of its inhabitants.
Though rarely regarded with much reverence, the configuration of the heavens still proclaims the coming of afflictions terrible and cruel. When in August of 2014, Mars the Lesser Malefic and Saturn the Greater Malefic made their conjunction in the tropical sign of the Scorpio, a plague of sanguine horror spread about the lands of western Africa— Ebola.
Yet the planets did not speak of these terrible genesis, but instead their climax. Perhaps it is not the dire conjunctions which bring about such sicknesses, but instead merely direct our awareness to them. The sinister red light of Mars and the dull grave dirt glow of Saturn may indeed only seem evil to us in that they serve to illuminate the work of the horseman forever at our side.
One must wonder, then, what the heavens of this year are trying to communicate, for Mars and Saturn spend an unusual amount of together in 2016. They flirt for all of April, and then separate, only to be joined bodily over the Summer. They will do so against the red backdrop of Antares- the Heart of the Scorpio. Three eyed, like the oni of Japanese folkore, one can only wonder what this trio of eyes sees in our spring and summer months.
The Plagues will be expanded with a study of the art and cultural impact of the Black Death this spring.