Jasmine Sambac
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A Cup of Tea in the Verandah Perfume Oil
Add to cartWhilst I was residing at Maulmain I saw a ghost with my own eyes in broad daylight, of which I could make an affidavit. I had an old schoolfellow, who was afterwards a college friend, with whom I had lived in the closest intimacy. Years, however, had passed away without our seeing each other. One morning I had just got out of bed, and was dressing myself, when suddenly my old friend entered the room. I greeted him warmly, told him to call for a cup of tea in the verandah, and promised to be with him immediately. I dressed myself in all haste, and went out into the verandah, but found no one there. I could not believe my eyes. I called to the sentry, who was posted at the front of the house, but he had seen no strange gentlemen that morning, The servants also declared that no such person had entered the house. I was certain I had seen my friend. I was not thinking about him at the time : yet I was not taken by surprise, as steamers and other vessel were frequently arriving at Maulmain. A fortnight afterwards, news arrived that he had died, six hundred miles off, almost the very time I saw him at Maulmain. It is useless to comment upon this story. To this day I have never doubted that I really saw the ghost of my deceased friend.
Banbury Advertiser, 18 July 1878
A fragrance steeped in wistful melancholy and the ache of near-forgotten longing. Black tea and bergamot shimmer in the glow of sunlit amber as cypress boughs cast lingering shadows. The heart blooms softly with jasmine sambac and tender orris. -
Faiza, The Lady of Serpents Perfume Oil
Add to cartUpon the next stage, a primitive cage has been erected. It is made of heavy, dark sticks bound with strips of deep brown leather. The stage is as dark as pitch, and from the shadows, you hear soft hissing, spitting, and an ominous chorus of weird rattling sounds. You approach with some trepidation, and peer between the bars. Your attention is seized by writhing forms on the straw bottom of the cage. As your eyes adjust to the gloom, you realize that the floor is seething with serpents, dark and colorful, languid and large, swift and small. You hear a sultry chuckle, and you see bright, unblinking emerald eyes staring at you from the corner of the cage. A woman crawls through the snakes, her scaled body as sinuous and lissome as the creatures that share her home. She reaches towards you languorously with her sharp-clawed hands and sighs.
A sensual blend of twisting, exotic, serpentine oils: black amber, oakmoss, green sandalwood, bergamot, jasmine sambac, gardenia, orange pulp, black cardamom, vanilla, blackberry, black musk, blackened vanilla husk, white honey, ti leaf, and ginger.
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Hazy Moon Cats Perfume Oil
Add to cartPale Moon, Cats in Season: cats as courtesans gliding through the Yoshiwara pleasure district.
Sandalwood incense, dusky violet petals, mauve orris root, sweet labdanum, jasmine sambac, frankincense, and ti leaf. -
I Sit and Sew Perfume Oil
Add to cartI sit and sew – a useless task it seems,
My hands grown tired, my head weighed down with dreams –
The panoply of war, the martial tred of men,
Grim-faced, stern-eyed, gazing beyond the ken
Of lesser souls, whose eyes have not seen Death,
Nor learned to hold their lives but as a breath –
But – I must sit and sew.I sit and sew – my heart aches with desire –
That pageant terrible, that fiercely pouring fire
On wasted fields, and writhing grotesque things
Once men. My soul in pity flings
Appealing cries, yearning only to go
There in that holocaust of hell, those fields of woe –
But – I must sit and sew.The little useless seam, the idle patch;
Why dream I here beneath my homely thatch,
When there they lie in sodden mud and rain,
Pitifully calling me, the quick ones and the slain?
You need me, Christ! It is no roseate dream
That beckons me – this pretty futile seam,
It stifles me – God, must I sit and sew?
– Alice Moore Dunbar-NelsonSilk threads unraveling: sheer vanilla and violet leaf with jasmine sambac, white musk, and tea leaf.
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Melisande, the Puppet Mistress Perfume Oil
Out of StockBehind the diminutive stage, the puppet mistress stands, a pale and grinning Professor, the Lady of Chaos. Her hands are tangled in web-like strings; a swazzle peeks through her violet lips. Behind her, you see a wavering image, with all the vague haziness of a mirage: a leaping coyote, a flame-haired and scarred Norseman, a glittering golden spider, a laughing monkey, a leering satyr, a shadowy flutist, and an African youth dressed in black and red.
Jasmine sambac, dark musk, violet water, vanilla bean and mimosa.
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Playful Abalone Divers Perfume Oil
Add to cartLotus petals, jasmine sambac, orris root, coconut, clove, and honey.
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Resembling the Passion of Love Perfume Oil
Add to cartThe vampire is prone to be fascinated with an engrossing vehemence, resembling the passion of love, by particular persons. In pursuit of these it will exercise inexhaustible patience and stratagem, for access to a particular object may be obstructed in a hundred ways. It will never desist until it has satiated its passion, and drained the very life of its coveted victim. But it will, in these cases, husband and protract its murderous enjoyment with the refinement of an epicure, and heighten it by the gradual approaches of an artful courtship. In these cases it seems to yearn for something like sympathy and consent. In ordinary ones it goes direct to its object, overpowers with violence, and strangles and exhausts often at a single feast.
All-consuming, relentless desire – deceptively luscious, murderously brooding, and blindingly sensual: blood musk, black cherry, crimson amber, 21-year aged patchouli, golden saffron, jasmine sambac, and black rose. -
Shipwreck Graveyard Perfume Oil
Add to cartSeaweed-wrapped planks of red oak, white pine, and cedar coated in thick algae, a tangle of hemp rope, cast iron cannons thick with rust, all enveloped in a ghostly gasp of white musk, bergamot, ambrette, and jasmine sambac.
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The Hound and the Milk-White Doe Perfume Oil
Out of StockThe Lady Sybil of Bernshaw Tower, a fair maid of high rank but evil repute, turned into a white doe after making a strange compact with the devil. Rich, young, and beautiful, her desires were still unsatisfied and she longed for supernatural powers, so that she might take part in the witches’ Sabbath. At this time, Lord William of Hapton Tower (a member of the Townley family) was a suitor for Lady Sybil’s hand, but his proposals did not meet with her approval. In despair, he decided to consult a famous Lancashire witch called Mother Helston, who promised him success on All Halloween. In accordance with her instructions he went hunting and at a short distance from the Eagle’s Crag, a milk-white doe started from behind the thicket, and he found it impossible to capture the animal. His hounds were wearied and he returned to the Crag, almost determined to give up the chase, when a strange hound joined his pack. Then a fresh start was made, and the strange hound, Mother Helston’s familiar, captured the white doe. That night an earthquake shook Hapton Tower to its foundations and in the morning the white doe appeared as the fair Lady Sybil, who had been fleeing from her suitor in animal shape. Thus Lord William married the heiress of Bernshaw Tower, but a year later she renewed her diabolical practices and not until she lay near death was it possible for Lord William to have the devil’s bond cancelled, which he did by enlisting the holy offices of a neighboring priest. After her death Bernshaw Tower was deserted and tradition says that on All Halloween, the hound and the milk-white doe meet on the Eagle’s Crag, where Lady Sybil lies buried, and are pursued by a spectre huntsman in full chase.
Graceful, regal, elegant, and cursed: golden sandalwood and liquidambar, cardamom, coconut milk, jasmine sambac, white petal rosewater, and labdanum.