Dawn: Maiden Perfume OilAdd to cart
Tea roses, honeysuckle, heliotrope, olive blossom, milk, and honey.
Defututa Perfume OilSelect Options
Good Gods, what a night that was,
The bed was so soft, and how we clung,
Burning together, lying this way and that,
Our uncontrollable passions
Flowing through our mouths.
If I could only die that way,
I’d say goodbye to the business of living.
Olive blossom, honey, smoky vanilla, cinnamon, jasmine, sandalwood, and champaca flower.
Eshe, A Vision of Life-In-Death Perfume OilAdd to cart
Moving counter-clockwise through the room, you come upon the next stage. The backdrop is shredded, and seems to have been torn in a fury. On the remaining half of the canvas, you can barely make out a faded illustration of the sun setting over a pyramid. On the center of the platform, an elaborate golden sarcophagus has been set upright and propped up towards the edge of the stage. Beside it, upon the ground, sits a hooded lantern. A woman’s image is painted on the front of the sarcophagus, and upon the gold limned body, a tale is being told in hieroglyphics: scenes of murder, carnage, and grotesque, mad passion. Although you do not know the language, the inscription upon the tomb translates within your mind, and the words burn behind your eyes as if they were written in blood and fire: “The Guardian will never part the veil for her soul. Mighty Sutekh, have pity on us all.” A thin, dark-skinned man wearing a linen loincloth climbs onto the stage. His form is frail and withered, he is impossibly old, yet his long, straight hair is as black as the night skies. With solemn, reverential gravity, he slowly moves the casket lid aside. Within the box, you see a skeletal figure wrapped in stained, ragged cloths, draped in a mauve cloth. The dark-skinned man bends low, and lights the lanterna magica. From within the glass, images begin to form, and glowing alchemical symbols cast their eerie light onto the mummy. As the lights touch the creature, the desiccated body swells, and with horrific, agonizing slowness, a woman’s form begins to appear within the wrappings. At her chest, the rotted wrappings burst, exposing sinew and the glinting white bones of her ribs. Her hands reach towards her face, and with a screech of agony and eons-long rage, she tears the gauze from her glittering black eyes.
The perfume of life-in-death: embalming herbs, black myrrh, white sandalwood, black orchid, paperwhites, olive blossom, tomb dust, and Moroccan jasmine.
Matthew 25:34-36 Perfume OilAdd to cart
Then the King will say to those on his right, ‘Enter, you who are blessed by my Father! Take what’s coming to you in this kingdom. It’s been ready for you since the world’s foundation. And here’s why:
I was hungry and you fed me,
I was thirsty and you gave me a drink,
I was homeless and you gave me a room,
I was shivering and you gave me clothes,
I was sick and you stopped to visit,
I was in prison and you came to me.’
Olibanum, labdanum, spikenard, cade, cardamom pod, and olive blossom.
Socrates Perfume OilAdd to cart
SOCRATES of Athens (c. 470 BCE – 399 BCE)
To Socrates, “the unexamined life is not worth living.” He did his examining publicly, by elenchus, which is italics for “the question-and-answer analysis of ideas.” (We still call this “the Socratic Method” and it still bugs people.)
Socrates portrayed himself as a “gadfly” to the torpid “great and noble steed” of the state, and powerful Athenians agreed, though they were not universally grateful.
Socrates also claimed he had a mystical inner voice (his daimonion) and it dissuaded him from such deeds as seeking high office. Ineluctably, this daimonion and his many other peculiarities were weaponized by Athenians of high office.
Despite his patriotic service – as soldier, as divinely-appointed nuisance of Athens – Socrates was tried, convicted of impiety and corruption of the youth, and sentenced to death by drinking Conium maculatum, which is italics for poisonous hemlock.
Socrates remained Socrates to the last.
…I had not the boldness or impudence or inclination to address you as you would have liked me to address you, weeping and wailing and lamenting, and saying and doing many things which you have been accustomed to hear from others, and which, as I say, are unworthy of me. But I thought that I ought not to do anything common or mean in the hour of danger: nor do I now repent of the manner of my defense, and I would rather die having spoken after my manner, than speak in your manner and live.
– Plato-s Apology
Inspired by anointing oils used in the philosopher’s time after partaking in public baths: orris root, ambergris accord, frankincense, olive blossom, black fig, and marjoram.