A Torch Steeped in Blood Perfume OilAdd to cart
Pine pitch and clove-tinged dragon’s blood resin.
Hinzelmann Perfume OilAdd to cart
Where Hinzelmann had been standing stood a male child, no more than five years old. His hair was dark brown, and long. He was perfectly naked, save for a worn leather band around his neck. He was pierced with two swords, one of them going through his chest, the other entering at his shoulder, with the point coming out beneath the rib-cage. Blood flowed through the wounds without stopping and ran down the child’s body to pool and puddle on the floor. The swords looked unimaginably old.
The little boy stared up at Shadow with eyes that held only pain.
And Shadow thought to himself, of course. That’s as good a way as any other of making a tribal god. He did not have to be told. He knew.
You take a baby and you bring it up in the darkness, letting it see no one, touch no one, and you feed it well as the years pass, feed it better than any of the village’s other children, and then, five winters on, when the night is at its longest, you drag the terrified child out of its hut and into the circle of bonfires, and you pierce it with blades of iron and of bronze. Then you smoke the small body over charcoal fires until it is properly dried, and you wrap it in furs and carry it with you from encampment to encampment, deep in the Black Forest, sacrificing animals and children to it, making it the luck of the tribe. When, eventually, the thing falls apart from age, you place its fragile bones in a box, and you worship the box; until one day the bones are scattered and forgotten, and the tribes who worshipped the child-god of the box are long gone; and the child-god, the luck of the village, will be barely remembered, save as a ghost or a brownie: a kobold.
Shadow wondered which of the people who had come to northern Wisconsin 150 years ago, a woodcutter, perhaps, or a mapmaker, had crossed the Atlantic with Hinzelmann living in his head.
And then the bloody child was gone, and the blood, and there was only an old man with a fluff of white hair and a goblin smile, his sweater-sleeves still soaked from putting Shadow into the bath that had saved his life.
The luck of the tribe: black pine pitch and gouts of blood, darkness and bonfires that cast long shadows.
In the Maze of Branches, the Pale Figure Appeared Perfume OilOut of Stock
Haitian vetiver, green cardamom, Himalayan cedar, iris pallida, pine pitch, oak galls, and incense smoke.
The Black Torches Perfume OilOut of Stock
Long shadows of raw myrrh, pine pitch, and incense smoke streaked against dry amber, yellow frankincense, and vanilla balsam.
The Illustrated Woman Perfume OilAdd to cart
Skin musk, smoky vanilla, pine pitch, patchouli, Indian resins, golden honey, and tobacco.
The Shimmering Mirror Perfume OilAdd to cart
Pine pitch brocade, amber incense smoke, Mysore sandalwood, myrrh, red benzoin, inky patchouli, and an oakmoss fougere.
The Witches Have a Fire Again Perfume OilAdd to cart
Smoldering spiced oak boughs and pine pitch crackling with golden sap.