All-Father Perfume OilAdd to cart
Wednesday guided his wolfânow a huge and charcoal-gray beast with green eyesâover to Shadow. Shadowâs mount caracoled away from it, and Shadow stroked its neck and told it not to be afraid. Its tiger tail swished, aggressively. It occurred to Shadow that there was another wolf, a twin to the one that Wednesday was riding, keeping pace with them in the sand dunes, just a moment out of sight.
âDo you know me, Shadow?â said Wednesday. He rode his wolf with his head high. His right eye glittered and flashed, his left eye was dull. He wore a cloak with a deep, monklike cowl, and his face stared out from the shadows. âI told you I would tell you my names. This is what they call me. I am called Glad-of-War, Grim, Raider, and Third. I am One-Eyed. I am called Highest, and True-Guesser. I am Grimnir, and I am the Hooded One. I am All-Father, and I am Gondlir Wand-Bearer. I have as many names as there are winds, as many titles as there are ways to die. My ravens are Huginn and Muninn, Thought and Memory; my wolves are Freki and Geri; my horse is the gallows.â Two ghostly-gray ravens, like transparent skins of birds, landed on Wednesdayâs shoulders, pushed their beaks into the side of Wednesdayâs head as if tasting his mind, and flapped out into the world once more.
Oak leaves and ash, honey mead, wolf musk, a flutter of black feathers, and bronze fennel.
Alviss Perfume OilAdd to cart
The peculiar-looking man was of average height, but of an odd shape: Shadow had heard of men who were barrel-chested before, but had no image to accompany the metaphor. This man was barrel-chested, and he had legs like, yes, like tree trunks, and hands like, exactly, ham hocks. He wore a black parka with a hood, several sweaters, thick dungarees, and, incongruously, in the winter and with those clothes, a pair of white tennis shoes, which were the same size and shape as shoeboxes. His fingers resembled sausages, with flat, squared-off fingertips.
âThatâs some hum you got,â said Shadow from the driverâs seat.
âSorry,â said the peculiar young man, in a deep, deep voice, embarrassed. He stopped humming.
âNo, I enjoyed it,â said Shadow. âDonât stop.â
The peculiar young man hesitated, then commenced to hum once more, his voice as deep and reverberant as before. This time there were words interspersed in the humming. âDown down down,â he sang, so deeply that the windows rattled. âDown down down, down down, down down.â
Thick, tangled, and strong: ash and oak, elm and pine, reaching down, down, and deeper down into earth.
Bast Perfume OilAdd to cart
There was a girl. He had met her somewhere, and now they were walking across a bridge. It spanned a small lake, in the middle of a town. The wind was ruffling the surface of the lake, making waves tipped with whitecaps, which seemed to Shadow to be tiny hands reaching for him.
â Down there, said the woman. She was wearing a leopard-print skirt, which flapped and tossed in the wind, and the flesh between the top of her stockings and her skirt was creamy and soft and in his dream, on the bridge, before God and the world, Shadow went down to his knees in front of her, burying his head in her crotch, drinking in the intoxicating jungle female scent of her. He became aware, in his dream, of his erection in real life, a rigid, pounding, monstrous thing as painful in its hardness as the erections heâd had as a boy, when he was crashing into puberty.
He pulled away and looked upward, and still he could not see her face. But his mouth was seeking hers and her lips were soft against his, and his hands were cupping her breasts, and then they were running across the satin smoothness of her skin, pushing into and parting the furs that hid her waist, sliding into the wonderful cleft of her, which warmed and wetted and parted for him, opening to his hand like a flower.
The woman purred against him ecstatically, her hand moving down to the hardness of him and squeezing it. He pushed the bedsheets away and rolled on top of her, his hand parting her thighs, her hand guiding him between her legs, where one thrust, one magical push . . .
Now he was back in his old prison cell with her, and he was kissing her deeply. She wrapped her arms tightly around him, clamped her legs about his legs to hold him tight, so he could not pull out, not even if he wanted to.
Never had he kissed lips so soft. He had not known that there were lips so soft in the whole world. Her tongue, though, was sandpaper-rough as it slipped against his.
âWho are you? he asked.
She made no answer, just pushed him onto his back and, in one lithe movement, straddled him and began to ride him. No, not to ride him: to insinuate herself against him in series of silken-smooth waves, each more powerful than the one before, strokes and beats and rhythms that crashed against his mind and his body just as the wind-waves on the lake splashed against the shore. Her nails were needle-sharp and they pierced his sides, raking them, but he felt no pain, only pleasure, everything was transmuted by some alchemy into moments of utter pleasure.
He struggled to find himself, struggled to talk, his head now filled with sand dunes and desert winds.
âWho are you? he asked again, gasping for the words.
She stared at him with eyes the color of dark amber, then lowered her mouth to his and kissed him with a passion, kissed him so completely and so deeply that there, on the bridge over the lake, in his prison cell, in the bed in the Cairo funeral home, he almost came. He rode the sensation like a kite riding a hurricane, willing it not to crest, not to explode, wanting it never to end.
A desert wind alight with myrrh and golden amber, cardamom and honey, bourbon vanilla and cacao.
The Blood Must Flow Perfume OilAdd to cart
âIt is only a gesture,â he said, turning back to Shadow. âBut gestures mean everything. The death of one dog symbolizes the death of all dogs. Nine men they gave to me, but they stood for all the men, all the blood, all the power. It just wasnât enough. One day, the blood stopped flowing. Belief without blood only takes us so far. The blood must flow.â
âI saw you die,â said Shadow.
âIn the god business,â said the figureâand now Shadow was certain it was Wednesday, nobody else had that rasp, that deep cynical joy in words, âitâs not the death that matters. Itâs the opportunity for resurrection. And when the blood flows . . .â
Three days on the tree, three days in the underworld, three days to find your way back: ash, oak, and elm; vetiver, dragonâs blood resin, and cypress; frankincense, copal, and chamomile.
The Carousel Perfume OilAdd to cart
Calliope music played: a Strauss waltz, stirring and occasionally discordant. The wall as they entered was hung with antique carousel horses, hundreds of them, some in need of a lick of paint, others in need of a good dusting; above them hung dozens of winged angels constructed rather obviously from female store-window mannequins; some of them bared their sexless breasts; some had lost their wigs and stared baldly and blindly down from the darkness.
And then there was the carousel.
A sign proclaimed it was the largest in the world, said how much it weighed, how many thousand lightbulbs were to be found in the chandeliers that hung from it in Gothic profusion, and forbade anyone from climbing on it or from riding on the animals.
And such animals! Shadow stared, impressed in spite of himself, at the hundreds of full-sized creatures who circled on the platform of the carousel. Real creatures, imaginary creatures, and transformations of the two: each creature was different. He saw mermaid and merman, centaur and unicorn, elephants (one huge, one tiny), bulldog, frog and phoenix, zebra, tiger, manticore and basilisk, swans pulling a carriage, a white ox, a fox, twin walruses, even a sea serpent, all of them brightly colored and more than real: each rode the platform as the waltz came to an end and a new waltz began. The carousel did not even slow down.
âWhatâs it for?â asked Shadow. âI mean, okay, worldâs biggest, hundreds of animals, thousands of lightbulbs, and it goes around all the time, and no one ever rides it.â
âItâs not there to be ridden, not by people,â said Wednesday. âItâs there to be admired. Itâs there to be.â
A place of power and possibility, of gods diabolical and celestial: glowing amber and heady cinnamon, the green of growing things and the white of thunderclaps, sweet myrrh and sacred styrax, forest moss and blood-soaked battlefields, papyrus and clay, rose petals, wildflowers, abbatoirs, and honey.
The Center Perfume OilAdd to cart
âWhat is the word for it? The opposite of sacred?â
âProfane,â said Shadow, without thinking.
âNo,â said Czernobog. âI mean, when a place is less sacred than any other place. Of negative sacredness. Places where they can build no temples. Places where people will not come, and will leave as soon as they can. Places where gods only walk if they are forced to.â
âI donât know,â said Shadow. âI donât think there is a word for it.â
âAll of America has it, a little,â said Czernobog. âThat is why we are not welcome here. But the center,â said Czernobog. âThe center is worst. Is like a minefield. We all tread too carefully there to dare break the truce.â
Peeling paint, faded wallpaper and threadbare carpets, flickering neon, candlewax, and a fading whiff of Jack Daniels.
Chad Perfume OilAdd to cart
âEverything okay here?â said a cop inside.
Shadowâs first, automatic instinct was to say Yup, everythingâs just fine and jimdandy thank you officer. But it was too late for that, and he started to say, âI think Iâm freezing. I was walking into Lakeside to buy food and clothes, but I underestimated the length of the walkââhe was that far through the sentence in his head, when he realized that all that had came out was âF-f-freezing,â and a chattering noise, and he said, âSo s-sorry. Cold. Sorry.â
The cop pulled open the back door of the car and said, âYou get in there this moment and warm yourself up, okay?â Shadow climbed in gratefully, and he sat in the back and rubbed his hands together, trying not to worry about frostbitten toes. The cop got back in the driverâs seat. Shadow stared at him through the metal grille. Shadow tried not to think about the last time heâd been in the back of a police car, or to notice that there were no door handles in the back, and to concentrate instead on rubbing life back into his hands. His face hurt and his red fingers hurt, and now, in the warmth, his toes were starting to hurt once more. That was, Shadow figured, a good sign.
The cop put the car in drive and moved off. âYou know, that was,â he said, not turning to look at Shadow, just talking a little louder, âif youâll pardon me saying so, a real stupid thing to do. You didnât hear any of the weather advisories? Itâs minus thirty out there. God alone knows what the windchill is, minus sixty, minus seventy, although I figure when youâre down at minus thirty, windchillâs the least of your worries.â
âThanks,â said Shadow. âThanks for stopping. Very, very grateful.â
âWoman in Rhinelander went out this morning to fill her bird feeder in her robe and carpet slippers and she froze, literally froze, to the sidewalk. Sheâs in intensive care now. It was on the TV this morning. Youâre new in town.â It was almost a question, but the man knew the answer already.
âI came in on the Greyhound last night. Figured today Iâd buy myself some warm clothes, food, and a car. Wasnât expecting this cold.â
âYeah,â said the cop. âIt took me by surprise as well. I was too busy worrying about global warming. Iâm Chad Mulligan. Iâm the chief of police here in Lakeside.â
The scent of a steaming mug of hot chocolate.
Dead Words on a Dead Frequency Perfume OilAdd to cart
âYouâre dead, Mad Sweeney,â said Shadow. âYou take what youâre given when youâre dead.â
âAye, that I shall,â sighed the dead man sitting in the back of the hearse. The junkie whine had vanished from his voice now, replaced with a resigned flatness, as if the words were being broadcast from a long, long way away, dead words being sent out on a dead frequency.
Tinny eucalyptus and elemi against a flat black backdrop of opoponax.
The Drink of Heroes, the Drink of the Gods Perfume OilAdd to cart
The drink was a tawny golden color. Shadow took a sip, tasting an odd blend of sour and sweet on his tongue. He could taste the alcohol underneath, and a strange blend of flavors. It reminded him a little of prison hooch, brewed in a garbage bag from rotten fruit and bread and sugar and water, but it was sweeter, and far stranger.
âOkay,â said Shadow. âI tasted it. What was it?â
âMead,â said Wednesday. âHoney wine. The drink of heroes. The drink of the gods.â
Shadow took another tentative sip. Yes, he could taste the honey, he decided. That was one of the tastes. âTastes kinda like pickle juice,â he said. âSweet pickle-juice wine.â
âTastes like a drunken diabeticâs piss,â agreed Wednesday. âI hate the stuff.â
Nine glory-twigs dipped in golden mead.
The Drunkard’s Dream Perfume OilAdd to cart
The drunk in the graveyard raised his bottle to his lips. One of the gravestones flipped over, revealing a grasping corpse; a headstone turned around, flowers replaced by a grinning skull. A wraith appeared on the right of the church, while on the left of the church something with a half-glimpsed, pointed, unsettlingly birdlike face, a pale, Boschian nightmare, glided smoothly from a headstone into the shadows and was gone. Then the church door opened, a priest came out, and the ghosts, haunts, and corpses vanished, and only the priest and the drunk were left alone in the graveyard. The priest looked down at the drunk disdainfully, and backed through the open door, which closed behind him, leaving the drunk on his own.
The clockwork story was deeply unsettling. Much more unsettling, thought Shadow, than clockwork has any right to be.
âYou know why I show that to you?â asked Czernobog.
âThat is the world as it is. That is the real world. It is there, in that box.â
Red currant and labdanum with opoponax, vetiver, grave moss, white sandalwood, and khus.
Eat the Strawberries Perfume OilAdd to cart
Still, there was a tale he had read once, long ago, as a small boy: the story of a traveler who had slipped down a cliff, with man-eating tigers above him and a lethal fall below him, who managed to stop his fall halfway down the side of the cliff, holding on for dear life. There was a clump of strawberries beside him, and certain death above him and below. What should he do? went the question.
And the reply was, Eat the strawberries.
The Forgettable God Perfume OilAdd to cart
He had stood beside the man as he got into the car, had opened and closed the door for him, and was unable to remember anything about him. He turned around in the driverâs seat and looked at him, carefully noting his face, his hair, his clothes, making certain he would know him if he met him again, and turned back to start the car, to find that the man had slipped from his mind. An impression of wealth was left behind, but nothing more.
A faint impression of scent, a memory slipping like water through a sieve.
Fuck You, Said the Raven Perfume OilAdd to cart
âHey,” said Shadow. “Huginn or Muninn, or whoever you are.”
The bird turned, head tipped, suspiciously, on one side, and it stared at him with bright eyes.
“Say ‘Nevermore,'” said Shadow.
“Fuck you,” said the raven.â
Glossy black, rough, and gravelly: violet-gilded opoponax, black patchouli, myrrh, and oak leaf.
Hinzelmann Perfume OilAdd to cart
Where Hinzelmann had been standing stood a male child, no more than five years old. His hair was dark brown, and long. He was perfectly naked, save for a worn leather band around his neck. He was pierced with two swords, one of them going through his chest, the other entering at his shoulder, with the point coming out beneath the rib-cage. Blood flowed through the wounds without stopping and ran down the childâs body to pool and puddle on the floor. The swords looked unimaginably old.
The little boy stared up at Shadow with eyes that held only pain.
And Shadow thought to himself, of course. Thatâs as good a way as any other of making a tribal god. He did not have to be told. He knew.
You take a baby and you bring it up in the darkness, letting it see no one, touch no one, and you feed it well as the years pass, feed it better than any of the villageâs other children, and then, five winters on, when the night is at its longest, you drag the terrified child out of its hut and into the circle of bonfires, and you pierce it with blades of iron and of bronze. Then you smoke the small body over charcoal fires until it is properly dried, and you wrap it in furs and carry it with you from encampment to encampment, deep in the Black Forest, sacrificing animals and children to it, making it the luck of the tribe. When, eventually, the thing falls apart from age, you place its fragile bones in a box, and you worship the box; until one day the bones are scattered and forgotten, and the tribes who worshipped the child-god of the box are long gone; and the child-god, the luck of the village, will be barely remembered, save as a ghost or a brownie: a kobold.
Shadow wondered which of the people who had come to northern Wisconsin 150 years ago, a woodcutter, perhaps, or a mapmaker, had crossed the Atlantic with Hinzelmann living in his head.
And then the bloody child was gone, and the blood, and there was only an old man with a fluff of white hair and a goblin smile, his sweater-sleeves still soaked from putting Shadow into the bath that had saved his life.
The luck of the tribe: black pine pitch and gouts of blood, darkness and bonfires that cast long shadows.
The Intangibles Perfume OilAdd to cart
âYouâve been troubled?â
âYes. Good word. Troubled. Yes. Like a home for troubled teens. Funny. Yes.â
âAnd what exactly is troubling you?â
âWell, we fight, we win.â
âAnd that is a source of trouble? I find it a matter of triumph and delight, myself.â
âBut. Theyâll die out anyway. They are passenger pigeons and thylacines. Yes? Who cares? This way, itâs going to be a bloodbath.â
âAh.â Mr. World nodded.
He was following. That was good. The fat kid said, âLook, Iâm not the only one who feels this way. Iâve checked with the crew at Radio Modern, and theyâre all for settling this peacefully; and the intangibles are pretty much in favor of letting market forces take care of it. Iâm being. You know. The voice of reason here.â
âYou are indeed. Unfortunately, there is information you do not have.â The smile that followed was twisted and scarred.
Gods of the Stock Market, of securities and trades, of trade and upheaval, debt, fortune, and risk: chaotic synthetic notes, bubbling aldehydes, and the electric green of market euphoria.
Mithras Perfume OilAdd to cart
ââ¦You run into Mithras yet? Red cap. Nice kid.â
âNo, I donât think so.â
âWell . . . Iâve never seen Mithras around here. He was an army brat. Maybe heâs back in the Middle East, taking it easy, but I expect heâs probably gone by now. It happens. One day every soldier in the empire has to shower in the blood of your sacrificial bull. The next they donât even remember your birthday.â
Oblations of milk, oil, honey, and blood.
Murder for Murder, Blood for Blood Perfume OilAdd to cart
âSo. I got to say it, because nobody else here will. We are at the center of this place: a land that has no time for gods, and here at the center it has less time for us than anywhere. It is a no-manâs-land, a place of truce, and we observe our truces, here. We have no choice. So. You give us the body of our friend. We accept it. You will pay for this, murder for murder, blood for blood.â
Black oudh, patchouli, opoponax, black pepper, and blackened cacao.
Only a Sip Perfume OilAdd to cart
Shadow began to feel headachy. There was a pounding quality to the starlight, something that resonated with the pulse in his temples and his chest. At the bottom of the next hill he stumbled, opened his mouth to say something and, without warning, he vomited.
Wednesday reached into an inside pocket, and produced a small hip flask. âTake a sip of this,â he said. âOnly a sip.â
The liquid was pungent, and it evaporated in his mouth like a good brandy, although it did not taste like alcohol. Wednesday took the flask away, and pocketed it. âItâs not good for the audience to find themselves walking about backstage. Thatâs why youâre feeling sick. We need to hurry to get you out of here.â
Orange peel, rosemary oil, peppermint, and cloves.
Roadside Attractions Perfume OilAdd to cart
âSo what is this place?â asked Shadow, as they walked through the parking lot toward a low, unimpressive wooden building.
âThis is a roadside attraction,â said Wednesday. âOne of the finest. Which means it is a place of power.â
âItâs perfectly simple,â said Wednesday. âIn other countries, over the years, people recognized the places of power. Sometimes it would be a natural formation, sometimes it would just be a place that was, somehow, special. They knew that something important was happening there, that there was some focusing point, some channel, some window to the Immanent. And so they would build temples or cathedrals, or erect stone circles, or . . . well, you get the idea.â
âThere are churches all across the States, though,â said Shadow.
âIn every town. Sometimes on every block. And about as significant, in this context, as dentistsâ offices. No, in the USA, people still get the call, or some of them, and they feel themselves being called to from the transcendent void, and they respond to it by building a model out of beer bottles of somewhere theyâve never visited, or by erecting a gigantic bat house in some part of the country that bats have traditionally declined to visit. Roadside attractions: people feel themselves being pulled to places where, in other parts of the world, they would recognize that part of themselves that is truly transcendent, and buy a hot dog and walk around, feeling satisfied on a level they cannot truly describe, and profoundly dissatisfied on a level beneath that.â
Plaster, paint, glass, and plastic surrounding a thrumming core of sacred frankincense.
Sam Perfume OilAdd to cart
Tap. Tap. Tap.
Shadow opened his eyes, and, groggily, sat up. He was freezing, and the sky outside the car was the deep luminescent purple that divides the dusk from the night.
Tap. Tap. Someone said, âHey, mister,â and Shadow turned his head. The someone was standing beside the car, no more than a darker shape against the darkling sky. Shadow reached out a hand and cranked down the window a few inches. He made some waking-up noises, and then he said, âHi.â
âYou all right? You sick? You been drinking?â The voice was highâa womanâs or a boyâs.
âIâm fine,â said Shadow. âHold on.â He opened the door, and got out, stretching his aching limbs and neck as he did so. Then he rubbed his hands together, to get the blood circulating and to warm them up.
âWhoa. Youâre pretty big.â
âThatâs what they tell me,â said Shadow.
âWho are you?â
âIâm Sam,â said the voice.
âBoy Sam or girl Sam?â
âGirl Sam. I used to be Sammi with an i, and Iâd do a smiley face over the i, but then I got completely sick of it because like absolutely everybody was doing it, so I stopped.â
âOkay, girl Sam. You go over there, and look out at the road.â
âWhy? Are you a crazed killer or something?â
âNo,â said Shadow, âI need to take a leak and Iâd like just the smallest amount of privacy.â
âOh. Right. Okay. Got it. No problem. I am so with you. I canât even pee if thereâs someone in the next stall. Major shy bladder syndrome.â
Nag champa incense, patchouli, and freshly-soaped skin.
The Silver Dollar Perfume OilAdd to cart
His fingers closed around the Liberty dollar in his pocket, and he remembered Zorya Polunochnaya, and the way she had looked at him in the moonlight. Did you ask her what she wanted? It is the wisest thing to ask the dead. Sometimes they will tell you.
Gilded iris and Siamese benzoin, silvery-white musk, white tea leaf, and bergamot.
The Small Brown Cat Perfume OilAdd to cart
The small brown cat opened her eyes and stretched to her feet. She padded across the kitchen floor and pushed at Shadowâs boot with her head. He put down his left hand and scratched her forehead and the back of her ears and the scruff of her neck. She arched, ecstatically, then sprang into his lap, pushed herself up against his chest, and touched her cold nose to his. Then she curled up in his lap and went back to sleep. He put his hand down to stroke her: her fur was soft, and she was warm and pleasant in his lap; she acted like she was in the safest place in the world, and Shadow felt comforted.
Warm brown fur, cardamom-infused bourbon vanilla, and a touch of cedarwood.
The Sun’s Treasure Perfume OilAdd to cart
âHave you remembered how I do my little coin trick?â he asked Shadow with a grin.
âI have not.â
âIf you can guess how I did it,â said Mad Sweeney, his lips purple, his blue eyes beclouded, âIâll tell you if you get warm.â
âItâs not a palm is it?â asked Shadow.
âIt is not.â
âIs it a gadget of some kind? Something up your sleeve or elsewhere that shoots the coins up for you to catch?â
âIt is not that neither. More whiskey, anybody?â
âI read in a book about a way of doing the miserâs dream with latex covering the palm of your hand, making a skin-colored pouch for the coins to hide behind.â
âThis is a sad wake for Great Sweeney who flew like a bird across all of Ireland and ate watercress in his madness: to be dead and unmourned save for a bird, a dog, and an idiot. No, it is not a pouch.â
âWell, thatâs pretty much it for ideas,â said Shadow. âI expect you just take them out of nowhere.â It was meant to be sarcasm, but then he saw the expression on Sweeneyâs face. âYou do,â he said. âYou do take them from nowhere.â
âWell, not exactly nowhere,â said Mad Sweeney. âBut now youâre getting the idea. You take them from the hoard.â
âThe hoard,â said Shadow, starting to remember.
âYou just have to hold it in your mind, and itâs yours to take from. The sunâs treasure. Itâs there in those moments when the world makes a rainbow. Itâs there in the moment of eclipse and the moment of the storm.â And he showed Shadow how to do the thing. This time Shadow got it.
Radiant amber and orange blossom, golden oudh, and saffron-threaded honey.
These Shabby Days Perfume OilAdd to cart
ââ¦Our kind of people, we areâ¦â He waved the cigarillo about, as if using it to hunt for a word, then stabbing forward with it. ââ¦exclusive. Weâre not social. Not even me. Not even Bacchus. Not for long. We walk by ourselves or we stay in our own little groups. We do not play well with others. We like to be adored and respected and worshipedâme, I like them to be tellinâ tales about me, tales showing my cleverness. Itâs a fault, I know, but itâs the way I am. We like to be big. Now, in these shabby days, we are small. The new gods rise and fall and rise again. But this is not a country that tolerates gods for long. Brahma creates, Vishnu preserves, Shiva destroys, and the ground is clear for Brahma to create once more.â
Memories of myrrh and gold, and the dying smoke of a snuffed cigarillo.
We Cared About Such Different Things Perfume OilAdd to cart
âI have a brother. They say, you put us together, we are like one person, you know? When we are young, his hair, it is very blond, very light, his eyes are blue, and people say, he is the good one. And my hair it is very dark, darker than yours even, and people say I am the rogue, you know? I am the bad one. And now time passes, and my hair is gray. His hair, too, I think, is gray. And you look at us, you would not know who was light, who was dark.â
âWere you close?â asked Shadow.
âClose?â asked Czernobog. âNo. How could we be? We cared about such different things.â
You would not know who was light, who was dark: iron and amber, gold-limned white musk and ink-gloomed dark musk.
++ BLACK PHOENIX TRADING POST: AMERICAN GODS ATMOSPHERE SPRAYS
â¦ rib cages and fire-eyed skulls stared and stuck and jutted from the flames, sputtering trace-element colors into the night, greens and yellows and bluesâwas flaring and crackling and burning hotly.
Sparks of red peppercorns, blue-white eucalyptus leaf, and daemonorops draco against smoldering red amber and a copper sulfate-green licks of flame.
âThere was a reason he hid me in Lakeside, wasnât there? There was a reason nobody should have been able to find me here.â
Hinzelmann said nothing. He unhooked a heavy black poker from its place on the wall, and he prodded at the fire with it, sending up a cloud of orange sparks and smoke. âThis is my home,â he said, petulantly. âItâs a good town.â
Perfect wholesomeness: green grass, summer daisies, spring daffodils, and bake sale cookies bought with blood and terror, all frozen beneath a sheet of thick black ice.
âWhat we need,â said Wednesday, suddenly, âis snow. A good, driving, irritating snow. Think âsnowâ for me, will you?â
âConcentrate on making those cloudsâthe ones over there, in the westâmaking them bigger and darker. Think gray skies and driving winds coming down from the arctic. Think snow.â
âI donât think it will do any good.â
âNonsense. If nothing else, it will keep your mind occupied,â said Wednesday, unlocking the car. âKinkoâs next. Hurry up.â
Snow, thought Shadow, in the passenger seat, sipping his hot chocolate. Huge, dizzying clumps and clusters of snow falling through the air, patches of white against an iron-gray sky, snow that touches your tongue with cold and winter, that kisses your face with its hesitant touch before freezing you to death. Twelve cotton-candy inches of snow, creating a fairy-tale world, making everything unrecognizably beautiful . . .
Snow, thought Shadow. High in the atmosphere, perfect, tiny crystals that form about a minute piece of dust, each a lacelike work of fractal art. And the snow crystals clump together into flakes as they fall, covering Chicago in their white plenty, inch upon inch . . .
Snow upon snow upon snow.