Dead Blondes and Bad Mothers

  • Alien/Siren Perfume Oil

    “Women are defined from the outside, in terms of how they seem to men, rather than from the inside, as thinking, feeling subjects. They are not fellow people, not even a different or worse variety of person, but simply the opposite of men, and hence, the opposite of human.

    Which leads to the question of how you can have sex with something that isn’t human. In many myths, heterosexuality is portrayed as a kind of legalized bestiality, and attractive women are alluring, predatory, half-human monsters: fairy wives, snake-women, others whose beauty is a thin veneer over their dangerous and alien psyches.”

    A sebaceous, slick reptilian perfume: green and black vegetal musks, kelp, sea salt, blackened opoponax, violet leaf, Siamese red benzoin, davana, squid ink, and ambergris accord.

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  • Bluebeard’s Wife Perfume Oil

    “Bluebeard stories provide one of the few venues women have to talk about the pervasive nature of marital violence. Like the slashers, they convert private drama into public spectacle, giving women a language for their pain.”

    Red rose petals floating in brackish salt water.

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  • Dead Blonde Perfume Oil

    “Of course young women enjoy slashers. Adolescent girls have spent their lives absorbing our cultural disgust for womanhood, only to find themselves thrust into the middle of it, suddenly the butt of every joke. Their underlying anxieties are hit with a toxic sludge of predatory attention, sexual objectification, and impossible standards, growing to fifty times their natural size. It is not easy to become a monster. It is not fun to slip – suddenly and for the rest of your life – out of humanity and into womanhood. Girls are left reckoning with the fact that their social status, their human value, even their basic survival, are all suddenly contingent on men. Thus, at the exact moment they’re beginning to have sex and enter romantic relationships, girls watch stories in which a moment’s lapse in judgment, or a single instance of giving in to temptation, results and agony and annihilation – not because that’s what they want, but because it’s already happening, and they have precious few other ways to process it.”

    A wilting corsage of tea roses and white roses, bearing forensic traces of honeyed lip gloss and coconut oil suntan lotion.

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  • Haunted Housewife Perfume Oil

    “When mothers try to live the way our culture encourages us to, as almost literally selfless vehicles for others’ fulfillment, we become something else, something cold and hungry, something you wouldn’t want to see standing over your bed in the dark.”

    A thin, sorrowful, lonely scent: white musk and dust, elemi and white amber, carrot seed and opium tar accord.

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  • Mama Gein Perfume Oil

    “So there went Augusta, another woman crushed into nothing by a man’s world. It had happened to millions before her, and has happened to millions since.”

    Crushed baby’s breath dusted with baby powder.

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  • Possessed Teen Perfume Oil

    “This is the ideological force driving all those stories about toxic period blood and PMS-induced hauntings. In a culture where we’re trained to protect children and loathe women, the border zone between the two states is the subject of intense superstition and terror.”

    Skin musk and soap, smoldering with ash and exorcism incense.

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  • The Woman at the Edge of the Woods Perfume Oil

    “This is the primal threat in our earliest stories: a woman who lives on the outskirts of civilization, rejected by her community; a woman who is old, ugly, asexual; a woman who is, alternately, too beautiful, too sexual, too self-possessed; a woman who knows things others don’t know, and can do things others can’t do. When the loop of patriarchy closes, it can feel inescapable. Yet the way to freedom has been here, in our monster stories, all along. From the beginning, we’ve known that a woman who leaves society as we know it, who heads out to the dark and threatening spaces beyond the world we’ve built, will find not her death but her power.”

    A scent of power and wisdom, resilience and rage: a patchouli bramble embraced by creeping ivy and rose thorns, protecting a glade populated with mandrake root, yarrow and nettle, Roman chamomile, purple sage, elderberries, sweet myrrh, smoky vanilla husk, and willow branches.

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  • Woman as Dragon Perfume Oil

    “The archaic mother – the mother who reproduces without male permission for her own satisfaction – is the least human of the female monsters because she poses the most profound existential threat… The Mother is female bodily self-determination, full-fledged and uncontrollable, out of the ocean and stomping skyscrapers, turning the male world to rubble. She is what happens when the Furies come home.”

    A fiery red musk with crushed ginger root, black upturned soil, dragon’s blood resin, clove bud, pink peppercorn, tobacco absolute, red amber, patchouli, black oud, blood-caked tar, vetiver, and cedar.

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