Moss

  • ‘Tis Strange Perfume Oil

    “Macbeth ruled during a time when the old gods were not yet forgotten. Almost no one could read and their memories and stories reached back into the deepest shadows.

    When the imagination stretches backwards as well as forwards it creates a sort of slide, or ladder. Like the children’s game! Time is much thicker. There is a substance about it that allows beings to gain purchase.”

    Both bog and castle, moor and battlefield, chivalry and nightmare: scarred leather armor, moss-covered stone, shadows upon shadows, and billows of black incense.

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    Baba Yaga Perfume Oil

    Then suddenly the wood became full of a terrible noise; the trees began to groan, the branches to creak and the dry leaves to rustle, and the Baba Yaga came flying from the forest. She was riding in a great iron mortar and driving it with the pestle, and as she came she swept away her trail behind her with a kitchen broom.

    Spell-soaked herbs and flowers, cold iron, broom twigs, bundles of moss and patchouli root, and moth dust.

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    Caterpillar Perfume Oil

    Heavy incense notes waft lazily through a mix of carnation, jasmine, bergamot, and neroli over a lush bed of dark mosses, iris blossom, deep patchouli and indolent vetiver.

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  • Circe Individiosa Perfume Oil

    Circe Invidiosa, John William Waterhouse. 1892
    “The colors in this painting are so lush and beautiful that they defy description. I have always thought that tipping dish of poison, the shade of crushed emeralds and mantis wings, must be the precise color of our heart’s blood when we are in the venomous throes of enraged, envious desire.”

    Salt-spray dotting an azure cove, its waters swirling with noxious poisons and venom drawn from dreadful roots: a cascade of blackcurrant and crystalline blue-green waters infused with theriac accord, bruised henbane accord, white gardenia, pear, cedarwood, emerald mosses, tuberose, and bitter almond.

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  • cold moon

    Cold Moon 2024 Perfume Oil

    The mists that slept on the river’s brim.
    Went up like the wings of the cherubim.

    The water-lilies so cold and fair
    Were tangled with tresses of bright brown hair.

    The osiers bent with a quiet grace
    over a form with a still, white face.

    The river flow’d with a desolate moan,
    And dead leaves fell on the cold grey stone.
    – Sarah T. Bolton


    A mist-shrouded river, laden with sorrow: water lilies, wild plum, carrot seed, jasmine petals, and yellow bergamot pouring over moss-covered stones.

     

    Art by Drew Rausch!

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  • Crossroads Perfume Oil

    The forks of the road: an in-between place, sacred and tangibly magickal in innumerable cultures and faiths. This scent is dark with mystery, taut with power. A chill twilit garden of blooms over dry earth and mosses, heavily laden with incense and offertory herbs.

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  • DIE WUNDERBLUME

    Die Wunderblume Perfume Oil

    Alexander Rothaug
    Thick blankets of moss embracing river-smoothed stones, a cascade of shimmering amber, and heady white petals.

    Out of Stock
  • Elf Perfume Oil

    Pale golden musk, honeycomb, amber, parma violet, hawthorne bark, aspen leaf, forest lily, life everlasting, white moss, and a hint of wild berry.

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  • Girl holding a snake

    Girl Holding a Snake – Innocence Perfume Oil

    Karl Wilhelm Diefenbach

    Vanilla cream engulfed in dark, lush mosses, balsamic woods, and deep green incense tar.

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  • good luck good luck i say

    Good Luck! Good Luck! I Say Perfume Oil

    Good  Luck! Good Luck! I say

    Be yours this

    NEW YEAR’S DAY

    May 2024 bring us all good fortune, prosperity, good health, safety, peace, and mercy.

     

    A sugared cherry chypre with red labdanum, moss, and roasted chestnut.

    Out of Stock
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    Imp Pack: Moss Perfume Oil

    Baba Yaga
    Spell-soaked herbs and flowers, cold iron, broom twigs, bundles of moss and patchouli root, and moth dust.

    Bayou
    Spanish moss, evergreen and cypress with watery blue-green notes and an eddy of hothouse flowers and swamp blooms.

    Bruised Violet Compound
    Crushed violets, red currant, patchouli root and spanish moss.

    Caterpillar
    Heavy incense notes waft lazily through a mix of carnation, jasmine, bergamot, and neroli over a lush bed of dark mosses, iris blossom, deep patchouli and indolent vetiver.

    Fae
    A brilliant, ethereal scent: white musk, bergamot, heliotrope, peach and oakmoss.

    Jazz Funeral
    Bittersweet bay rum, bourbon, and a host of funeral flowers with a touch of graveyard dirt, magnolia and Spanish Moss.

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  • L'YERRES, EFFET DE PLUIE

    L’Yerres, effet de pluie Perfume Oil

    Gustave Caillebotte

    Horse chestnut leaves, rain-kissed, drift gently on the moss-green river’s flow.

    Out of Stock
  • MONASTERY GARDEN IN THE SNOW - january art 2024 WEB

    Monastery Garden in the Snow Perfume Oil

    Carl Friedrich Lessing
    Curls of monastic incense, moss-stained stone, snow-laden cypress, medicinal herbs buried deep in winter soil, and glittering icicles splintering from a gargoyle’s frozen scream.

    Out of Stock
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    Parthenope Perfume Oil

    Honeysuckle, orris, moss, musk, benzoin, oakmoss, and star jasmine.

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  • Ranger Perfume Oil

    Untamed wilderness: buckskin accord with Terebinth pine, Russian birch, black ironwood, elder bark, hay, armoise, juniper, patchouli, galangal root, Spanish moss, and cabreuva.

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    Robin Goodfellow Perfume Oil

    Now the hungry lion roars,
    And the wolf behowls the moon;
    Whilst the heavy ploughman snores,
    All with weary task fordone.
    Now the wasted brands do glow,
    Whilst the screech-owl, screeching loud,
    Puts the wretch that lies in woe
    In remembrance of a shroud.
    Now it is the time of night
    That the graves all gaping wide,
    Every one lets forth his sprite,
    In the church-way paths to glide:
    And we fairies, that do run
    By the triple Hecate’s team,
    From the presence of the sun,
    Following darkness like a dream,
    Now are frolic: not a mouse
    Shall disturb this hallow’d house:
    I am sent with broom before,
    To sweep the dust behind the door.

    Dark musk, moss-covered wood, ragwort, heather, and sage.

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  • rose buds mushrooms and moss
  • ruins of karnstein

    Ruins of Karnstein Perfume Oil

    “It was a bad family, and here its bloodstained annals were written,” he continued. “It is hard that they should, after death, continue to plague the human race with their atrocious lusts.”

    Palatial grandeur in ruins, its decrepit majesty poised in the liminal space between decay and beauty. A haunting memory of all-consuming desire: the rich, earthy depth of oud, vetiver, and moss, grounded in the untamed wilds of the forest, echoing the ancient stones that remain.

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    The Apothecary Perfume Oil

    Tea leaf with three mosses, green grass, a medley of herbal notes, and a drop of ginger and fig.

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    The Kangaroo Perfume Oil

    Kanagaroo, Kangaroo!
    Thou Spirit of Australia,
    That redeems from utter failure,
    From perfect desolation,
    And warrants the creation
    Of this fifth part of the Earth,
    Which would seem an after-birth,
    Not conceiv’d in the Beginning
    (For GOD bless’d His work at first,
    And saw that it was good),
    But emerg’d at the first sinning,
    When the ground was therefore curst; —
    And hence this barren wood!

    Kangaroo, Kangaroo!
    Tho’ at first sight we should say,
    In thy nature that there may
    Contradiction be involv’d,
    Yet, like discord well resolv’d,
    It is quickly harmonized.
    Sphynx or mermaid realiz’d,
    Or centaur unfabulous,
    Would scarce be more prodigious,
    Or Pegasus poetical,
    Or hippogriff — chimeras all!
    But, what Nature would compile,
    Nature knows to reconcile;
    And Wisdom, ever at her side,
    Of all her children’s justified.

    She had made the squirrel fragile;
    She had made the bounding hart;
    But a third so strong and agile
    Was beyond ev’n Nature’s art;
    So she join’d the former two
    In thee, Kangaroo!
    To describe thee, it is hard:
    Converse of the camélopard,
    Which beginneth camel-wise,
    But endeth of the panther size,
    Thy fore half, it would appear,
    Had belong’d to some “small deer,”
    Such as liveth in a tree;
    By thy hinder, thou should’st be
    A large animal of chace,
    Bounding o’er the forest’s space; —
    Join’d by some divine mistake,
    None but Nature’s hand can make —
    Nature, in her wisdom’s play,
    On Creation’s holiday.

    For howsoe’er anomalous,
    Thou yet art not incongruous,
    Repugnant or preposterous.
    Better-proportion’d animal,
    More graceful or ethereal,
    Was never follow’d by the hound,
    With fifty steps to thy one bound.
    Thou can’st not be amended: no;
    Be as thou art; thou best art so.

    When sooty swans are once more rare,
    And duck-moles the Museum’s care,
    Be still the glory of this land,
    Happiest Work of finest Hand!

    – Barron Field

    Wild grass, mosses, lemon myrtle, cinnamon myrtle, and bush nut.

    Out of Stock
  • THE STORM

    The Storm Perfume Oil

    Pierre-Auguste Cot
    Rain-dappled moss, golden silk, and sheer, gossamer vanilla.

    Out of Stock
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    Wererat-Infested Sewer Home & Linen Spray

    Moist, moss-crusted stone, stagnant, silty wastewater, wererat musk, and wet leather.

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