Orris

  • a cup of tea on the verandah

    A Cup of Tea in the Verandah Perfume Oil

    Whilst I was residing at Maulmain I saw a ghost with my own eyes in broad daylight, of which I could make an affidavit. I had an old schoolfellow, who was afterwards a college friend, with whom I had lived in the closest intimacy. Years, however, had passed away without our seeing each other. One morning I had just got out of bed, and was dressing myself, when suddenly my old friend entered the room. I greeted him warmly, told him to call for a cup of tea in the verandah, and promised to be with him immediately. I dressed myself in all haste, and went out into the verandah, but found no one there. I could not believe my eyes. I called to the sentry, who was posted at the front of the house, but he had seen no strange gentlemen that morning, The servants also declared that no such person had entered the house. I was certain I had seen my friend. I was not thinking about him at the time : yet I was not taken by surprise, as steamers and other vessel were frequently arriving at Maulmain. A fortnight afterwards, news arrived that he had died, six hundred miles off, almost the very time I saw him at Maulmain. It is useless to comment upon this story. To this day I have never doubted that I really saw the ghost of my deceased friend.

    Banbury Advertiser, 18 July 1878

    A fragrance steeped in wistful melancholy and the ache of near-forgotten longing. Black tea and bergamot shimmer in the glow of sunlit amber as cypress boughs cast lingering shadows. The heart blooms softly with jasmine sambac and tender orris.

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  • Ave Maria Gratia Plena Perfume Oil

    Was this His coming! I had hoped to see
    A scene of wondrous glory, as was told
    Of some great God who in a rain of gold
    Broke open bars and fell on Danae:
    Or a dread vision as when Semele
    Sickening for love and unappeased desire
    Prayed to see God’s clear body, and the fire
    Caught her brown limbs and slew her utterly:
    With such glad dreams I sought this holy place,
    And now with wondering eyes and heart I stand
    Before this supreme mystery of Love:
    Some kneeling girl with passionless pale face,
    An angel with a lily in his hand,
    And over both the white wings of a Dove.

    A pale, delicate, truly angelic blend. A scent created to emulate Adonis’ halo of beauty: fragile, distant, and radiant. Rosewood with Sicilian lemon peel, red Mysore sandalwood, pale musks, sweet mountain sage and a dusting of lily, night-blooming jasmine and orris.

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    Brusque Violet Perfume Oil

    `I never saw anybody that looked stupider,’ a Violet said, so suddenly, that Alice quite jumped; for it hadn’t spoken before.

    `Hold your tongue!’ cried the Tiger-lily. `As if you ever saw anybody! You keep your head under the leaves, and snore away there, till you know no more what’s going on in the world, that if you were a bud!’ 

    `Are there any more people in the garden besides me?’ Alice said, not choosing to notice the Rose’s last remark.

    `There’s one other flower in the garden that can move about like you,’ said the Rose. `I wonder how you do it — ‘ (`You’re always wondering,’ said the Tiger-lily), `but she’s more bushy than you are.’

    `Is she like me?’ Alice asked eagerly, for the thought crossed her mind, `There’s another little girl in the garden, somewhere!’

    `Well, she has the same awkward shape as you,’ the Rose said, `but she’s redder — and her petals are shorter, I think.’

    `Her petals are done up close, almost like a dahlia,’ the Tiger-lily interrupted: `not tumbled about anyhow, like yours.’

    `But that’s not your fault,’ the Rose added kindly: `you’re beginning to fade, you know — and then one can’t help one’s petals getting a little untidy.’

    Violet petal, violet leaf, osmanthus, orris, mint, and opoponax.

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    Cytherea Perfume Oil

    White sandalwood, patchouli, white amber, orris, bourbon vanilla, champaca flower, and kush.

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  • Dance of Death Perfume Oil

    Carrying bouquet, and handkerchief, and gloves,
    Proud of her height as when she lived, she moves
    With all the careless and high-stepping grace,
    And the extravagant courtesan’s thin face.

    Was slimmer waist e’er in a ball-room wooed?
    Her floating robe, in royal amplitude,
    Falls in deep folds around a dry foot, shod
    With a bright flower-like shoe that gems the sod.

    The swarms that hum about her collar-bones
    As the lascivious streams caress the stones,
    Conceal from every scornful jest that flies,
    Her gloomy beauty; and her fathomless eyes

    Are made of shade and void; with flowery sprays
    Her skull is wreathed artistically, and sways,
    Feeble and weak, on her frail vertebrae.
    O charm of nothing decked in folly! they

    Who laugh and name you a Caricature,
    They see not, they whom flesh and blood allure,
    The nameless grace of every bleached, bare bone,
    That is most dear to me, tall skeleton!

    Come you to trouble with your potent sneer
    The feast of Life! or are you driven here,
    To Pleasure’s Sabbath, by dead lusts that stir
    And goad your moving corpse on with a spur?

    Or do you hope, when sing the violins,
    And the pale candle-flame lights up our sins,
    To drive some mocking nightmare far apart,
    And cool the flame hell lighted in your heart?

    Fathomless well of fault and foolishness!
    Eternal alembic of antique distress!
    Still o’er the curved, white trellis of your sides
    The sateless, wandering serpent curls and glides.

    And truth to tell, I fear lest you should find,
    Among us here, no lover to your mind;
    Which of these hearts beat for the smile you gave?
    The charms of horror please none but the brave.

    Your eyes’ black gulf, where awful broodings stir,
    Brings giddiness; the prudent reveller
    Sees, while a horror grips him from beneath,
    The eternal smile of thirty-two white teeth.

    For he who has not folded in his arms
    A skeleton, nor fed on graveyard charms,
    Recks not of furbelow, or paint, or scent,
    When Horror comes the way that Beauty went.

    O irresistible, with fleshless face,
    Say to these dancers in their dazzled race:
    “Proud lovers with the paint above your bones,
    Ye shall taste death, musk scented skeletons!

    Withered Antinoüs, dandies with plump faces,
    Ye varnished cadavers, and grey Lovelaces,
    Ye go to lands unknown and void of breath,
    Drawn by the rumour of the Dance of Death.

    From Seine’s cold quays to Ganges’ burning stream,
    The mortal troupes dance onward in a dream;
    They do not see, within the opened sky,
    The Angel’s sinister trumpet raised on high.

    In every clime and under every sun,
    Death laughs at ye, mad mortals, as ye run;
    And oft perfumes herself with myrrh, like ye
    And mingles with your madness, irony!

    A gloriously elegant representation of Lady Death. Dry, bone-white orris, black musk, serpentine patchouli and our murkiest myrrh.

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    Dragon’s Bone Perfume Oil

    The dry, thin scent of a draconic ossuary. Dragon’s blood resin with white sandalwood, dusty orris and crisp blondewood.

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  • image of a northern mockingbird

    Hammy Northern Mockingbird Perfume Oil

    A dusty, dry woody scent that manages to be surprisingly flamboyant: white sandalwood, violet leaf, orris root, cardamom pod, and Texas cedar.

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    King Cobra Perfume Oil

    Snake Oil with orris, white frankincense, and black copal.

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  • o beautiful white mother death

    O Beautiful White Mother Death Perfume Oil

    This Spiritualism is the nepenthe which the ancient philosophers sought, to prolong life for ever; you cast off your bodies like an old garment. The pathway of this new science is as clear to the spirit as the names of the constellations are to the astronomer. In the great realm of the spirit there is no room for death to abide ; he has gone out with the ignorance, and blindness, and prejudice of the past, and life, only life, remains as your inheritance.

    Mrs. Tappan then paused. After a moment’s silence she delivered the following inspirational poem:—

    O beautiful white mother Death,
    Thou silent and shadowy soul,
    Thou mystical, magical soul,
    How soothing and cooling thy breath!
    Ere the morning stars sang in their spheres,
    Thou didst dwell in the spirit of things,
    Brooding there with thy wonderful wings,
    Incubating the germs of the years.
    Coeval with Time and with Space,
    Thy sisters are Silence and Sleep ;
    Three sisters—Death, Silence, and Sleep,
    How strange and how still is thy face!
    In the marriage of matter to soul,”
    Thou wert wedded to young fiery Time,
    The now weary and hoary-haired Time,
    With him thou hast shared earth’s control.
    O beautiful spirit of Death,
    Thy brothers are Winter and Night;
    Stern Winter and shadowy Night,
    They bear thy still image and breath.
    Summer buds fall asleep in thy arms,
    ’Neath the fleecy and soft-footed snow,
    The silent, pure, beautiful snow;
    And the earth their new life-being warms.
    All the world is endowed with thy breath,
    Summer splendours and purple of wine
    Flow out of this magic of thine,
    O beautiful angel of Death
    What wonders in silence we see
    The lily grows pale in thy sight;
    The rose thro’ the long summer night
    Sighs its life out in fragrance to thee.
    O beautiful angel of Death,
    The beloved are thine, all are thine !
    They have drunk the nepenthe divine,
    They have felt the full flow of thy breath.
    Out into thy realm they are gone,
    Like the incense that greeteth the morn,
    On the wings of thy might they’re up-borne,
    As bright birds to thy Paradise flown.
    They are folded and safe in thy sight,
    Thro’ thy portals they pass from earth’s prison;
    From the cold clod of clay they have risen,
    To dwell in thy temple of light.
    O beautiful Angel of Life,
    Germs feel thee and burst into bloom,
    Souls see thee and rise from the tomb,
    With beauty and loveliness rife.
    On earth thou art named cold Death,
    Dim, dark, dismal, dire, dreadful Death,
    In heaven thou art “Angel of Life.”
    We are one with thy spirit, O Death ;
    We spring to thy arms unafraid,
    One with thee are our glad spirits made.
    We are born when we drink thy cold breath,—
    Oh, Angel of Life, lovely Death.

     

    The concluding hymn was then sung, after which Mrs. Tappan uttered the following benediction—“ May the peace of the loving spirit of the Heavenly Father and His angels abide with you, and the life that knows no death bear you on to the immortal world.”


    The Spiritualist, Oct. 15, 1873
    Poem by Cora L.V. Richmond

    The lily grows pale in thy sight; the rose, through the long summer night, sighs its life out in fragrance to thee.

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    Parthenope Perfume Oil

    Honeysuckle, orris, moss, musk, benzoin, oakmoss, and star jasmine.

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  • porcelain krampus

    Porcelain Krampus

    Happy EIGHTEENTH ANNIVERSARY to our Krampus perfume!

    Brown leather and a bundle of switches encased in pale white orris root and rice powder, translucent white musk, Himalayan ambrette seed, and milky vanilla.

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  • The Last Unicorn Perfume Oil

    The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam, but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.

    Frosty lilac petals, iris pallida root, orris, violet leaf, white chocolate, coconut, wild lettuce, white sandalwood, white gardenia and oakmoss.

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    Veil Perfume Oil

    A quiet scent, soft, calm and enigmatic. A perfume of mystery, of whispers, and of secrets behind secrets. White sandalwood, lilac, gardenia, violet, orris, lavender and ylang ylang.

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  • where are the dead

    Where are the Dead Perfume Oil

    WHERE ARE THE DEAD? or, SPIRITUALISM EXPLAINED

    Containing well authenticated and selected reports of all the different phases of modern spirit phenomena, from table-turning to the visible materialisation of the faces and forms of the departed, and the photographing of spirits ; proving by undeniable facts that those we mourn as


    DEAD ARE STILL ALIVE,


    and can communicate with us ; and that Spiritualism is sanctioned by Scripture, and consistent with science and common sense ; with specimens of intensely interesting communications received touching death, the future life, and the experiences of the departed. Also extracts from the literature of Spiritualism, advice to investigators, list of books, addresses of mediums, and all useful information.

    The Spiritualist, June 19, 1874

    An unsettling dance of ethereal murmurs, with ghostly wormwood drifting through the husky warmth of cardamom — a whisper in a shadowed corridor. Hazy lavender and velvety orris cast an otherworldly glow in the darkened corners.

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  • worm moon

    Worm Moon 2024 Perfume Oil

    yoru hisokani

    mushi wa gekka no

    kuri o ugatsu

     

    in the moonlight

    a worm silently burrows 

    through a chestnut

    – Bashō

     

    A squiggle of red sandalwood and orris chomping into wild chestnuts, oak bark, and fig.

     

    Art by Drew Rausch!

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