Beauty

  • Adam

    Adam, our suicidally romantic scoundrel. His scent is a palette of somber colors, melancholy memories, and lupine, savage beauty: black leather, pale sandalwood, ambergris accord, and the memory of a long-lost Victorian fougère. His internal life seems to be reflected in his lair, so his perfume also possesses the scent of the wood of his guitars, the rosin from his violin bow, the musty wool of neglected Oriental carpets, the plastic, metal, and magnetic tape of his reel-to-reel, the dust that permeates everything.

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  • Aglaea

    Splendour

    Three golden ambers, bright musk, peach wine and myrtle.

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  • Belle Époque

    “The Pretty Era”, France’s Golden Time: an age of beauty, innovation and peace in France that lasted from the 19th Century through the first World War and gave birth to the cabaret, the cancan, and the cinema as well as the Impressionist and Art Nouveau movements. Sweet opium, Lily of the Valley, vanilla, mandarin and red sandalwood.

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  • Fallen

    Better to reign in Hell than serve in Heav’n.

    This is our song to Lucifer, Lucis Ferre, Heosphoros, the Morning Star, the Brilliant One and the Son of the Morning. He is equated with Samhazai, the Heaven-Seizer, and Azazel, one of the 200 Fallen Angels of Enoch. The essence of overweening pride and unearthly angelic beauty. A regal scent, glowing darkly, elegant and patrician, but unfathomably desolate. Cherubic white sandalwood and golden musk with a dark halo of amber, a breath of imperial florals, unbending woods, and the shadow cast by vetiver and violet.

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  • Tezcatlipoca

    Lord of the Smoking Mirror, god of sorcery, nighttime, darkness, beauty, war, heroic men, beautiful women, and all material concerns. Tezcatlipoca is the Master Magician, a trickster god and shapeshifter, governing all worldly matters, and is also the Great Tempter, seducing men into evil acts and subsequently punishing them for their transgressions. Deep cocoa laced with patchouli, leather armor, ritual incense, and a touch of Xochiquetzal’s flowers.

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  • Victoria

    Every boy in the village was in love with Victoria Forester. And many a sedate gentleman, quietly married with grey in his beard, would stare at her as she walked down the street, becoming, for a few moments, a boy once more, in the spring of his years with a spring in his step.

    Graceful vanilla musk, tea rose, and stargazer lily.

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  • Yemaya

    Lady of the Ocean, Queen of Mothers, Mother of the Children of the Fishes. She is the River of Life, the ocean is her womb, and she is the mother of many of the Orishas. Yemaya shares the oceans with her lover / brother / son / brother-self, Olokun, and She governs the uppermost part of the waters where the sun’s rays mingle with Her waters to promote life and growth. Yemaya is everlasting, She is motherhood, the universal drive for the survival of a species, the procreative urge, the instinct of a mother protecting her young, and She is the governess of all life on Earth. She is the Most Fruitful of Women, and both She and Olokun are the protectors and benefactors of those who wish to conceive. Yemoya, being the mother of Shango, also has jurisdiction over rain and snow. She has seven roads and seven manifestations, all corresponding to the Seven Seas. She is the blood that pumps through our veins, and the sound of our blood rushing through our bodies is Her lullaby. She is in constant motion, never resting, ever vigilant and though she may seem calm on the surface, there is always activity within Her waters. The Great Mother possesses breathtaking beauty, patience and a gentle hand, yet She is also fearsome, temperamental, moody and stern. She nurtures her children, but She is also a disciplinarian. She is symbolized by the fish, mermaid, seagull, wharf rat, ibis, vulture and duck, and She shares the beauty of the peacock feather with Oshun. Her ofrenda is a bounty of melons and grapes, strewn with the petals of the flowers of motherhood, draped with sea mosses.

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