Chamomile

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    Against Idleness and Mischief Perfume Oil

    How doth the little busy bee
    Improve each shining hour
    And gather honey all the day
    From every opening flower!

    How skilfully she builds her cell!
    How neat she spreads the wax!
    And labours hard to store it well
    With the sweet food she makes.

    In works of labour or of skill,
    I would be busy too;
    For Satan finds some mischief still
    For idle hands to do.

    In books, or work, or healthful play,
    Let my first years be passed,
    That I may give for every day
    Some good account at last.

    Pollen-dusted honey, diligent tonka, steadfast chamomile, and goodly hyssop.

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    Aquae Massage Oil

    In alchemy, the archetype of water represents cleansing and purification, emotion and intuition. We express that essence here through our blend of Roman chamomile, frankincense, sandalwood, helichrysum, davana, geranium, and lavender. This massage oil helps release emotional trauma, alleviates stress, and imparts a sense of tranquility and well-being.

    4oz bottle.

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    Cheshire Cat Perfume Oil

    Grapefruit, red currant, dark musk, Roman chamomile, delphinium, and lavender.

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    Fairy Bites Perfume Oil

    “It bit me!”
    “What did you expect fairies to do?”
    “I thought they did nice things.
    Like — like granting wishes.”
    “Shows what you know, don’t it?”

    Osmanthus and raw honey with lavender, chamomile, white peppermint, raspberry, honeysuckle, thyme, bergamot, and Dracula orchid.

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  • Lawful Perfume Oil

    Rigid oak, blue chamomile, rhubarb, and fig leaf.

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    Sachs Perfume Oil

    A sensual scent, compelling and passionate, that stays close to the skin: Roman chamomile, bourbon vanilla, and smoky vanilla bean.

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  • Schmendrick Perfume Oil

    Wonder and love and great sorrow shook Schmendrick the Magician then, and came together inside him, and filled him, filled him until he felt himself brimming and flowing with something that was none of these. He did not believe it, but it came to him anyway, as it had touched him twice before and left him more barren than he had been. This time, there was too much of it for him to hold: it spilled through his skin, sprang from his fingers and toes, welled up equally in his eyes and his hair and the hollows of his shoulders. There was too much to hold, too much ever to use; and still he found himself weeping with the pain of his impossible greed. He thought, or said, or sang, I did not know that I was so empty, to be so full;.

    Unexplored potential: sweet, raw tobacco leaves, chamomile, clary sage, meadow sage, Mysore sandalwood, sultana raisins, and caramel.

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    Sissy, The Ascendant Perfume Oil

    Sassafras and smoke for black vulture feathers, and King mandarin and red musk for the deep red-orange of the vulture’s face. Blue lilac and chamomile / opoponax and vetiver for the blue and black of her eyes. Vanilla bean and fig represent her innate goodness and instinctive kindness.

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    The Blood Must Flow Perfume Oil

    “It is only a gesture,” he said, turning back to Shadow. “But gestures mean everything. The death of one dog symbolizes the death of all dogs. Nine men they gave to me, but they stood for all the men, all the blood, all the power. It just wasn’t enough. One day, the blood stopped flowing. Belief without blood only takes us so far. The blood must flow.”

    “I saw you die,” said Shadow.

    “In the god business,” said the figure—and now Shadow was certain it was Wednesday, nobody else had that rasp, that deep cynical joy in words, “it’s not the death that matters. It’s the opportunity for resurrection. And when the blood flows . . .”

    Three days on the tree, three days in the underworld, three days to find your way back: ash, oak, and elm; vetiver, dragon’s blood resin, and cypress; frankincense, copal, and chamomile.

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    The Norns’ Farmhouse Perfume Oil

    The farmhouse was dark and shut up. The meadows were overgrown and seemed abandoned. The farm roof was crumbling at the back; it was covered in black plastic sheeting. They jolted over a ridge and Shadow saw it there.

    It was silver-gray and it was higher than the farm-house. It was the most beautiful tree Shadow had ever seen: spectral and yet utterly real and almost perfectly symmetrical. It also looked instantly familiar: he wondered if he had dreamed it, then he realized that no, he had seen it before, or a representation of it man, many times. It was Wednesday’s silver tie pin.

    The VW bus jolted and bumped across the meadow, and it came to a stop about twenty feet from the trunk of the tree.

    There were three women standing by the tree. At first glance Shadow thought they were the Zorya, but no, they were three women he did not know. They looked tired and bored, as if they had been standing there a long time. Each of them held a wooden ladder. The biggest also carried a brown sack. They looked like a set of Russian dolls: a tall one – she was Shadow’s height, or even taller – a middle-sized one, and a woman so short and hunched that at first glance Shadow wrongly supposed her to be a child. They looked so much alike that Shadow was certain the women must be sisters.

    The smallest of the women dropped to a curtsey when the bus drew up. The other two just stared. They were sharing a cigarette, and they smoked it down to the filter before one of them stubbed it out against a root.

    Dusty, ancient wood, horehound, and sage, with viper’s bugloss, mugwort, chamomile, nettle, apple blossom, chervil, and ashes.

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  • The Woman at the Edge of the Woods Perfume Oil

    “This is the primal threat in our earliest stories: a woman who lives on the outskirts of civilization, rejected by her community; a woman who is old, ugly, asexual; a woman who is, alternately, too beautiful, too sexual, too self-possessed; a woman who knows things others don’t know, and can do things others can’t do. When the loop of patriarchy closes, it can feel inescapable. Yet the way to freedom has been here, in our monster stories, all along. From the beginning, we’ve known that a woman who leaves society as we know it, who heads out to the dark and threatening spaces beyond the world we’ve built, will find not her death but her power.”

    A scent of power and wisdom, resilience and rage: a patchouli bramble embraced by creeping ivy and rose thorns, protecting a glade populated with mandrake root, yarrow and nettle, Roman chamomile, purple sage, elderberries, sweet myrrh, smoky vanilla husk, and willow branches.

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