Decay

  • Al Azif

    An Arabic term that refers to both the chirping of nocturnal insects and the ambient sound made by the chattering of demons. This is the original title of the feared Necronomicon, the Book of Dead Names, penned by the Mad Arab, Abdul Alhazred.

    Nor is it to be thought that man is either the oldest or the last of earth’s masters, or that the common bulk of life and substances walks alone. The Old Ones were, the Old Ones are, and the Old Ones shall be. Not in the spaces we know, but between them, They walk serene and primal, undimensioned and to us unseen. Yog-Sothoth knows the gate. Yog-Sothoth is the gate. Yog-Sothoth is the key and guardian of the gate. Past, present, future, all are one in Yog-Sothoth. He knows where the Old Ones broke through of old, and where They shall break through again. He knows where They have trod earth’s fields, and where They still tread them, and why no one can behold Them as They tread. By Their smell can men sometimes know Them near, but of Their semblance can no man know, saving only in the features of those They have begotten on mankind; and of those are there many sorts, differing in likeness from man’s truest eidolon to that shape without sight or substance which is Them. They walk unseen and foul in lonely places where the Words have been spoken and the Rites howled through at their Seasons. The wind gibbers with Their voices, and the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not forest or city behold the hand that smites. Kadath in the cold waste hath known Them, and what man knows Kadath? The ice desert of the South and the sunken isles of Ocean hold stones where Their seal is engraven, but who hath seen the deep frozen city or the sealed tower long garlanded with seaweed and barnacles? Great Cthulhu is Their cousin, yet can he spy Them only dimly. Iä! Shub-Niggurath! As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. Yog-Sothoth is the key to the gate, whereby the spheres meet. Man rules now where They ruled once; They shall soon rule where man rules now. After summer is winter, and after winter summer. They wait patient and potent, for here shall They reign again.

    A sinister, sinuous incense of summoning, a herald and paean to the Primordial Gods of Darkness, Chaos, Madness and Decay.

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  • Elli’s Song

    “Most shows,” said Rukh after a time, “would end here, for what could they possibly present after a genuine unicorn? But Mommy Fortuna’s Midnight Carnival holds one more mystery yet – a demon more destructive than the dragon, more monstrous than the manticore, more hideous than the harpy, and certainly more universal than the unicorn.” He waved his hand toward the last wagon and the black hangings began to wriggle open, though there was no one pulling them. “Behold her!” Rukh cried. “Behold the last, the Very End! Behold Elli!” 

    Inside the cage, it was darker than the evening, and cold stirred behind the bars like a live thing. Something moved in the cold, and the unicorn saw Elli – an old, bony, ragged woman who crouched in the cage rocking and warming herself before a fire that was not there. She looked so frail that the weight of the darkness should have crushed her, and so helpless and alone that the watchers should have rushed forward in pity to free her. Instead, they began to back silently away, for all the world as though Elli were stalking them. But she was not even looking at them. She sat in the dark and creaked a song to herself in a voice that sounded like a saw going through a tree, and like a tree getting ready to fall.

    'What is plucked will grow again,
    What is slain lives on,
    What is stolen will remain –
    What is gone is gone.'

    “She doesn’t look like much, does she?” Rukh asked. “But no hero can stand before her, no god can wrestle her down, no magic can keep her out – or in, for she’s no prisoner of ours. Even while we exhibit her here, she is walking among you, touching and taking. For Elli is Old Age.”

    The cold of the cage reached out to the unicorn, and wherever it touched her she grew lame and feeble. She felt herself withering, loosening, felt her beauty leaving her with her breath. Ugliness swung from her mane, dragged down her head, stripped her tail, gaunted her body, ate up her coat, and ravaged her mind with remembrance of what she had once been. Somewhere nearby, the harpy made her low, eager sound, but the unicorn would gladly have huddled in the shadow of her bronze wings to hide from this last demon. Elli’s song sawed away at her heart.

    'What is sea-born dies on land,
    Soft is trod upon.
    What is given burns the hand –
    What is gone is gone.'

    The horrors of entropy, death, and decay: desiccated black mosses, vetiver, olibanum, patchouli, and ashes.

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  • Kumari Kandam

    The hollow scent of a vast antediluvian civilization, now frozen and buried, smothered by a thick sheet of ice and trapped deep beneath the ocean. Thick incense, clay, stone, and hothouse blooms with a spike of frost, a hint of decay, and heavy, dolorous aquatic notes.

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  • Yorick

    Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now?

    Grave dirt, bone, decay, angel’s trumpet, and moldering scraps of shroud: the essence of finality.

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