Rosewood

  • Ave Maria Gratia Plena Perfume Oil

    Was this His coming! I had hoped to see
    A scene of wondrous glory, as was told
    Of some great God who in a rain of gold
    Broke open bars and fell on Danae:
    Or a dread vision as when Semele
    Sickening for love and unappeased desire
    Prayed to see God’s clear body, and the fire
    Caught her brown limbs and slew her utterly:
    With such glad dreams I sought this holy place,
    And now with wondering eyes and heart I stand
    Before this supreme mystery of Love:
    Some kneeling girl with passionless pale face,
    An angel with a lily in his hand,
    And over both the white wings of a Dove.

    A pale, delicate, truly angelic blend. A scent created to emulate Adonis’ halo of beauty: fragile, distant, and radiant. Rosewood with Sicilian lemon peel, red Mysore sandalwood, pale musks, sweet mountain sage and a dusting of lily, night-blooming jasmine and orris.

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  • Dee

    John Dee: master of science, alchemy and magic, Hermetic philosopher in the schools of Rosicrucian Christian Mysticism and Platonic-Pythagorean doctrine, and Queen Elizabeth’s astrologer, advisor, cryptologist and spy. With Edward Kelly, he created a field of study and work in Angelic Evocation, and isolated the Angelic language: Enochian. His scent is soft English leather, rosewood and tonka with a hint of incense, parchment and soft woods.

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    Dee Beard Oil

    John Dee: master of science, alchemy and magic, Hermetic philosopher in the schools of Rosicrucian Christian Mysticism and Platonic-Pythagorean doctrine, and Queen Elizabeth’s astrologer, advisor, cryptologist and spy. With Edward Kelly, he created a field of study and work in Angelic Evocation, and isolated the Angelic language: Enochian. His scent is soft English leather, rosewood and tonka with a hint of incense, parchment and soft woods.

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  • Fenris Wolf Perfume Oil

    The raw, untamable power of chaos. Rosewood, amber, red musk and a dribble of red sandalwood.

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  • forgive us our virtues, forgive us

    Forgive Us Our Virtues, Forgive Us Perfume Oil

    Who has known all the evil before us,

    Or the tyrannous secrets of time?

    Though we match not the dead men that bore us

    At a song, at a kiss, at a crime–

    Though the heathen outface and outlive us,

    And our lives and our longings are twain–

    Ah, forgive us our virtues, forgive us,

    Our Lady of Pain.

     

    Pale frankincense, styrax, East African black patchouli, cinnamon leaf, rosewood, and palisander.

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  • Golden Priapus Perfume Oil

    Insatiable lust, unending vigor! A truly carnal, energetic men’s blend: vanilla and amber with juniper, rosewood and white pine.

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    King of Hearts Perfume Oil

    ‘How do you like the Queen?’ said the Cat in a low voice. 

    ‘Not at all,’ said Alice: ‘she’s so extremely–‘ Just then she noticed that the Queen was close behind her, listening: so she went on, ‘–likely to win, that it’s hardly worth while finishing the game.’ 

    The Queen smiled and passed on. 

    ‘Who ARE you talking to?’ said the King, going up to Alice, and looking at the Cat’s head with great curiosity.

    ‘It’s a friend of mine–a Cheshire Cat,’ said Alice: ‘allow me to introduce it.’ 

    ‘I don’t like the look of it at all,’ said the King: ‘however, it may kiss my hand if it likes.’ 

    ‘I’d rather not,’ the Cat remarked. 

    ‘Don’t be impertinent,’ said the King, ‘and don’t look at me like that!’ He got behind Alice as he spoke.

    ‘A cat may look at a king,’ said Alice. ‘I’ve read that in some book, but I don’t remember where.’ 

    ‘Well, it must be removed,’ said the King very decidedly, and he called the Queen, who was passing at the moment, ‘My dear! I wish you would have this cat removed!’ 

    The Queen had only one way of settling all difficulties, great or small. 

    ‘-Off with his head!’ she said, without even looking round. 

    ‘I’ll fetch the executioner myself,’ said the King eagerly, and he hurried off. 

    Rosewood and black cherry with white musk, red rose, red musk and a spark of lavender.

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    Morana Perfume Oil

    Snow drifting on black pine, blood red apple, rosewood, osmanthus, and lemon peel.

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  • Old Scratch Perfume Oil

    Old Nick, the Devil himself, as seen through the eyes of Victorian New England. A jaunty, dapper scent, deceptively genteel: a lavender fougere with tonka, amber, rosewood and a whiff of diabolical patchouli.

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  • Ouija Perfume Oil

    Lush parlor rooms draped in thick velvets and gilded in gold, unearthly whispering in the distance, fleeting flashes of wraithlike figures rushing just outside your vision, the chill of a phantom presence brushing by your cheek, the inscrutable knowledge that disembodied eyes are peering at you from darkened corners… this is the essence of Victorian-era spiritualism: rosewood, oak and teak notes with wispy blue lilac, tea rose, dried white rose and ethereal osmanthus.

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