Blood

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    Berzerker Perfume Oil

    Thick furs, strips of leather, and a blood-stained axe with crushed poplar bud and juniper.

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    Blood Popsicle Perfume Oil

    The scent of frozen Type O negative.

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  • CARVED WOODEN BARBER SHOP

    Carved Wooden Barber Shop Perfume Oil

    Many an hour has been whiled away in this gentlemanly retreat: skin-warmed steel, fresh cedar shavings, a creamy fougere lather, a soothing splash of orange blossom water, and the distant memory of blood and bandages.

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  • Centzon Totochtin Perfume Oil

    The Four Hundred divine rabbits of the Aztec pantheon that preside over parties and drunkenness.

    Bittersweet Mexican cocoa with rum, red wine, and a scent redolent of sacrificial blood.

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  • CHOCOLAT VIENNOIS

    Chocolat Viennois Perfume Oil

    Turns out this is a thing that vampires are into. A warm mug of dark chocolate and cream with a dribble of blood.

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    Dead for Filth Perfume Oil

    From the ooky spooky mind of horror personality and screenwriter, Michael Varrati, comes the REVRY Original Podcast DEAD FOR FILTH, for all things queer horror and beyond. Dead For Filth brings you the best queer & horror icons out of the closet and into the night to talk about the genre they love.

    Listen to DEAD FOR FILTH on REVRY, iTunes or SoundCloud.

    Raw Patchouli, opoponax, and a coppery dry blood exhale.

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  • Fighter Perfume Oil

    Leather, musk, blood, and steel.

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  • Mage Perfume Oil

    All mystique and thrumming power: gurjum balsam, Sumatran dragon’s blood resin, olibanum, galangal, oleo gum resin, and frankincense.

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    Marian Perfume Oil

    I don’t belong here.

    A respectable, virtuous vintage musk smeared with blood and spiked with the coppery scent of fear.

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    Mischief Hair Gloss

    Blood-spattered cotton candy.

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    Non-Compliant Perfume Oil

    Too butch, too femme, too sexy, not sexy enough, too smart, too big, too loud, too angry.

    Sugar and bile, leather and blood, honey and rum, shredded patchouli and vetiver, tobacco and lime.

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    Plutonian Perfume Oil

    Once the world’s greatest, most beloved superhero, he has now become its greatest villain — a capricious and vengeful god who haunts the skies and toys daily with six billion lives.

    Soapy cleanliness sullied by blood and ashes.

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    Quintessence of Dust Perfume Oil

    “What a piece of work is a man!”
    “What is this quintessence of dust?”

    The passing: beeswax and smoke, yellowed paper and well-worn leather books, droplets of spilled ink, faded incense, blood-tinged salty tears, and the metal of the knife that skewers that illiterate zombie philistine’s portrait.

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    Red Incense Hair Gloss

    Red sandalwood, myrrh, cinnamon husk, and copal bound with blood, currants, and red wine.

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    The Blood Garden Perfume Oil

    Vast open tents have been erected further down the lane. Ornately carved wooden poles support swaths of drooping black lace and blood-crusted burgundy velvet. Grapevines and ivy creep over the beams in the tent and curl like cocoons around bodies that hang upside-down in the caliginous gloom of the tents. Within the shadows, pale figures recline on divans covered in moldering, frayed fabric. As you pass, a feral, white-haired man hoists a tall-stemmed crystal glass of deep red liquid in a toast to you.

    Blood accord, bitter clove, English ivy, Tempranillo grape, red currant, oak, leather, blackberry leaf, and ginger lily.

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    The Chapel Perfume Oil

    You come to a building that seems to have been hastily erected from splintered wood, stone, and plaster. Flickering light from within sparkles out through blood-tinged chunks of glass that have been wedged into the arch entrance. You push open the thick velvet curtain that covers the mouth of the building and look inside. The chapel is small and cramped, and the air is thick with heavy incense, bitter wine, sulphur, and the coppery scent of blood. A massive stained glass window is set against the back wall, glowing brightly.

    In the center of the room, a groveling figure is crouched before a woman draped in purple-black clerical robes. The woman’s eyes are filled with righteous hellfire, and she extends a hand in benediction to the man who has fallen prostrate at her feet. He murmurs, “Libera Te Ex Caelum”, and she gestures for him to rise. As he gets to his knees he winces in pain and moans in a strange expression of ecstasy, and you see small horns growing from his skull.

    Black incense, bitter wine, brimstone, bile, and blood.

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    The Edge of Doom Perfume Oil

    Love alters not with his brief hours and weeks,
    But bears it out even to the edge of doom.
    If this be error and upon me proved,
    I never writ, nor no man ever loved.

    The night flight from Tangier: drops of spilled blood color the antiseptic, bland, plastic paleness of the fuselage, with violet leaf for longing, rosemary for reminiscences, and black opoponax for apprehension.

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    The Sea Foams Blood Perfume Oil

    When you return go alone, just you and the children and when you approach the beach then call for me:

    Zilvine, Zilvineli,
    If alive, may the sea foam milk
    If dead, may the sea foam blood…

    And if you see coming towards you foaming milk then know that I am still alive, but if blood comes then I have reached my end. While you, my children, let not the secret out, do not let anyone know how to call for me.

    Blood rising through an ocean wave.

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  • THE TRUTH LIES IN OLD BOOKS

    The Truth Lies in Old Books Perfume Oil

    Marian Wawrzeniecki
    Cracked leather binding and aged, yellowing, blood-soaked paper, clove bud, green silk, sandalwood incense, agarwood, black sesame, and thorns.

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  • Tongue Wall Perfume Oil

    Fleshy and fruity: guava musk, slick strawberry lip gloss, and blood-tainted digestive juices.

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    Transeo Perfume Oil

    The Transeo are vampires that have assimilated into human society, often reaching positions of power. Among the Transeo there are many celebrated politicians, scientists, businessmen, philosophers, artists, writers, and musicians, and, surprisingly, a large number of influential clergy and militarists. Not every Transeo is an illustrious public figure; many simply desire the comforts associated with reentering society. In the past, most Transeo posed as humans as best they could, concealing their true natures. In the twenty-first century, more and more Transeo are coming out in the open, and they form the backbone of most vampire-acceptance movements.

    GA cologne that (almost) blends well into human society: benzoin, orange blossom, cumin, King mandarin, gaiac wood, juniper berry, Calabrian bergamot, Ceylon cinnamon, and blood camouflaged by wine.

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    Vasilissa Perfume Oil

    “Take it, then,” the Tsar said, “and bid her do it for me.” The old woman brought the linen home and told Vasilissa the Tsar’s command: “Well I knew that the work would needs be done by my own hands,” said Vasilissa, and, locking herself in her own room, began to make the shirts. So fast and well did she work that soon a dozen were ready. Then the old woman carried them to the Tsar, while Vasilissa washed her face, dressed her hair, put on her best gown and sat down at the window to see what would happen. And presently a servant in the livery of the Palace came to the house and entering, said: “The Tsar, our lord, desires himself to see the clever needlewoman who has made his shirts and to reward her with his own hands.”

    Vasilissa rose and went at once to the Palace, and as soon as the Tsar saw her, he fell in love with her with all his soul. He took her by her white hand and made her sit beside him. “Beautiful maiden,” he said, “never will I part from thee and thou shalt be my wife.”

    So the Tsar and Vasilissa the Beautiful were married, and her father returned from the far-distant Tsardom, and he and the old woman lived always with her in the splendid Palace, in all joy and contentment. And as for the little wooden doll, she carried it about with her in her pocket all her life long.

    She herself had cheeks like blood and milk and grew every day more and more beautiful.

    Creamy skin musk and blushing pink musk with soft sandalwood, white amber, dutiful myrrh, and star jasmine.

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