Lilac

  • All Souls’ Day (Hedwig Cemetery)

    All Souls’ Day (Hedwig Cemetery) Perfume Oil

    Franz Skarbina
    Ancient cypresses surrounding clusters of purple hyacinth, fallen leaves, and crosses crafted from white roses. A splash of rosewater, an immortelle hung on a tear-streaked marble tomb, nightshade berries, smoked lilac, warm beeswax, and a snuffed candle.

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    Ashlultum Perfume Oil

    Babylonian musk, vanilla tea, tonka, tobacco, coconut, hyssop, and lilac.

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    Crowley

    Nothing about him looked particularly demonic, at least by classical standards. No horns, no wings. Admittedly he was listening to a Best of Queen tape, but no conclusions should be drawn from this because all tapes left in a car for more than a fortnights metamorphose into Best of Queen albums. No particularly demonic thoughts were going through his head. In fact, he was wondering vaguely who Moey and Chandon were.

    Crowley had dark hair, and good cheekbones, and he was wearing snakeskin shoes, or at least presumably he was wearing shoes, and he could do really weird things with his tongue. And, whenever he forgot himself, he had a tendency to hiss.

    Infernal musk, red patchouli, lilac cologne, mahogany, lemon rind, oakmoss, leather, and vanilla husk.

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    Crowley Beard Oil

    Nothing about him looked particularly demonic, at least by classical standards. No horns, no wings. Admittedly he was listening to a Best of Queen tape, but no conclusions should be drawn from this because all tapes left in a car for more than a fortnights metamorphose into Best of Queen albums. No particularly demonic thoughts were going through his head. In fact, he was wondering vaguely who Moey and Chandon were.

    Crowley had dark hair, and good cheekbones, and he was wearing snakeskin shoes, or at least presumably he was wearing shoes, and he could do really weird things with his tongue. And, whenever he forgot himself, he had a tendency to hiss.

    Infernal musk, red patchouli, lilac cologne, mahogany, lemon rind, oakmoss, leather, and vanilla husk.

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  • Crowley Hair Gloss

    Nothing about him looked particularly demonic, at least by classical standards. No horns, no wings. Admittedly he was listening to a Best of Queen tape, but no conclusions should be drawn from this because all tapes left in a car for more than a fortnights metamorphose into Best of Queen albums. No particularly demonic thoughts were going through his head. In fact, he was wondering vaguely who Moey and Chandon were.

    Crowley had dark hair, and good cheekbones, and he was wearing snakeskin shoes, or at least presumably he was wearing shoes, and he could do really weird things with his tongue. And, whenever he forgot himself, he had a tendency to hiss.

    Infernal musk, red patchouli, lilac cologne, mahogany, lemon rind, oakmoss, leather, and vanilla husk.

    Out of Stock
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    Exorcist Perfume Oil

    Inspired by the character BRIAN LI SUNG.
    Christine’s lover who, in the aftermath of her violent death, becomes haunted and possessed by what he sees as the “entity” of Grendel.

    A refined lilac fougère with frankincense, labdanum, styrax, and dark musk.

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    Famine Perfume Oil

    It was not surprising that she had recognized him, for his dark grey eyes stared out from his photo on the foil-embossed cover. Foodless Dieting: Slim Yourself Beautiful, the book was called; The Diet Book of the Century!

    Sleek black tea, tobacco leaf, frankincense, lilac, and white musk.

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  • Lady Amalthea Perfume Oil

    Molly Grue had taken the white girl’s head onto her lap, and was whispering over and over, “What have you done?” The girl’s face, quiet in sleep and close to smiling, was the most beautiful that Schmendrick had ever seen. It hurt him and warmed him at the same time. Molly smoothed the strange hair, and Schmendrick noticed on the forehead, above and between the closed eyes, a small, raised mark, darker than the rest of the skin. It was neither a scar nor a bruise. It looked like a flower.

    A luminous white winter musk with lilac, wisteria, white chocolate, white mint, and tuberose

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    Les Fleurs du Mal Perfume Oil

    The scents of the blossoms of darkness, condensed into one perfume. Features a rose base, softened with lilac and wisteria.

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  • LOVERS AMONG LILACS

    Lovers Among Lilacs Perfume Oil

    Marc Chagall
    Soft, sweet bourbon vanilla and sensuous benzoin nestled in a haven of lilac blooms.

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    Marcilla Perfume Oil

    Blue lilac, lily of the valley, golden musk, beeswax, white ginger, bergamot, green tea, and nectarine.

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    Nocturne Perfume Oil

    An olfactory serenede. A somber, contemplative scent — dreamy and subdued. Deepest violet touched with lilac and tuberose.

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    Norman’s Grandma Perfume Oil

    A soft, ethereal scent suffused with gentle comfort. A remembrance of tea roses, lilacs, and soothing hugs.

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  • Portrait of Magdaleine Pinceloup de la Grange née de Parseval Perfume Oil

    Jean-Baptiste Perronneau

    An aristocratic 18th century French perfume dabbed on lilac velvet, gently purring with soft grey amber and feline musk, and tinkling with tiny golden bells. Grasse jasmine and rose otto nestled in ambergris accord, frankincense, white sandalwood, bourbon vanilla, cardamom, amber, coriander, and galbanum.

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    Silenti Perfume Oil

    The Silenti reject human society completely, and are, quite literally, the living dead. Either due to trauma, sociopathic psychological conditions they possessed while human, or through a desire to embrace this peculiar aesthetic, they adopt many of the stereotypes and trappings of the vampire-as-undead. Some act as monstrous killers, akin to the murderous ways of Interfectors, while others are more peaceable, but no less strange. Most of these vampires choose to live in crypts, haunting graveyards like proverbial ghouls. Many vampire death cults have sprung from the philosophies and writings of Silenti, including the House of Azrael, whose members venerate death itself as the supreme deity and oblivion as heaven.

    Grave beauty: Spanish moss, lilac, wisteria, myrrh, and olibanum.

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  • The Last Unicorn Perfume Oil

    The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam, but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.

    Frosty lilac petals, iris pallida root, orris, violet leaf, white chocolate, coconut, wild lettuce, white sandalwood, white gardenia and oakmoss.

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    Veil Perfume Oil

    A quiet scent, soft, calm and enigmatic. A perfume of mystery, of whispers, and of secrets behind secrets. White sandalwood, lilac, gardenia, violet, orris, lavender and ylang ylang.

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  • Vigil for the Harvest Suitors Perfume Oil

    Power of the Witch lies in her respect and direct communication with nature. She may choose to give favor to those who can see her wisdom as authentic and beneficial.

     

    Beeswax, bone, broomcorn, and lilac.

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  • Villain

    Villain

    A classic Victorian men’s cologne: a lavender fougere, with hints of lilac, lime, and citrus musk.

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    Villain Beard Oil

    A classic Victorian cologne: lavender fougere, with hints of lilac, lime, and citrus musk.

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  • Whitechapel Perfume Oil

    A gentlemen’s blend, possessed of dignity, charm and refinement, but in truth masking a corrupted, hideous, soulless core. White musk, lime, lilac and citron.

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