Ambergris

  • a ghostly encounter

    A Ghostly Encounter Perfume Oil

    Misty ambergris accord and hinoki wood with juniper berries, galbanum, and palo santo.

    Out of Stock
  • Art for A Summer Night by Winslow Homer

    A Summer Night Perfume Oil

    Winslow Homer

    Salt-crusted stones, azure moonlight on pale sand, ambergris clinging to cream linen, driftwood, and rose-tinted sandalwood.

    Out of Stock
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    Antony Perfume Oil

    The embodiment of Classic masculinity. A warrior’s scent: the green hills and grasses of the battlefields, the resinous incense from the prayers to his Gods, and a touch of the musky leather of his armor. Ambergris and frankincense with sage, and basil.

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  • Black Forest Perfume Oil

    This is the captured scent of a cold, moonless night, lost deep within the darkest wood. Haunting and desolate, this scent evokes images of fairy tale tragedy and half-remembered nightmares. Thick, viscous pine with ambergris, black musk, juniper and cypress.

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  • cat stealing a fish

    Cat Stealing a Fish Perfume Oil

    Salty driftwood, seafoam ambergris, white vetiver, marine lichen, and ocean spray.

    Out of Stock
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    Eisheth Zenunim Perfume Oil

    Honey, ambergris, neroli, white peach, patchouli, and cocoa absolute.

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  • Evil Perfume Oil

    Smouldering opium tar, tobacco absolute, green tea, black plum, kush, ambergris accord, ambrette seed, and costus root.

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    Hellfire Perfume Oil

    A scent celebrating Sir Francis Dashwood’s Order of the Knights of St. Francis of Wycombe, also known as the Hellfire Club. A swirl of pipe tobacco, hot leather, ambergris, dark musk and the lingering incense smoke from their Black Mass.

    New formulation.

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    Lyonesse Perfume Oil

    Then rose the King and moved his host by night
    And ever pushed Sir Mordred, league by league,
    Back to the sunset bound of Lyonesse —
    A land of old upheaven from the abyss
    By fire, to sink into the abyss again;
    Where fragments of forgotten peoples dwelt,
    And the long mountains ended in a coast
    Of ever-shifting sand, and far away
    The phantom circle of a moaning sea.

    Golden vanilla and gilded musk, stargazer lily, white sandalwood, grey amber, elemi, orris root, ambergris and sea moss.

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  • Masquerade Perfume Oil

    A festive, dazzling blend, layered in mystery and intrigue. Patchouli, ambergris, carnation and orange blossom.

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  • PRINCE LÍR

    Prince Lír Perfume Oil

    “Heroes,” Prince Lír replied sadly. “Heroes know about order, about happy endings – heroes know that some things are better than others. Carpenters know grains and shingles, and straight lines.” He put his hands out to the Lady Amalthea, and took one step toward her. She did not draw back from him, nor turn her face; indeed, she lifted her head higher, and it was the prince who looked away.

    “You were the one who taught me,” he said. “I never looked at you without seeing the sweetness of the way the world goes together, or without sorrow for its spoiling. I became a hero to serve you, and all that is like you. Also to find some way of starting a conversation.”

    Chivalry, love, and sacrifice. A noble cologne touched by a sweet sadness: vanilla fougere, bright citrus, juniper berry, ambergris accord, and basil.

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    Seven Word Story: Envy Perfume Oil

    The subject of our latest #BPAL7wordstory contest was Envy. The winning entry was submitted by Tyler Butler:

    Galatea wept as Pygmalion carved new statues

    Marble-white sandalwood, vanilla blossom, and orris root veined with whorls of ambergris accord, rose-touched with life, slowly shattering tears of bitter carrot seed and cistus.

    Out of Stock
  • ambergris and lichen
  • Tavern of Hell Perfume Oil

    Sometimes I would venture from my sepulchre to the jazz of night Paris, where having gathered the colours, I would think them over in front of the fire. I could be seen walking through a funeral corridor of my house and descending down a black spiral of steep stairs; rushing underground to Montmartre, all impatience to see the fiery rubies of the Moulin Rouge cross. I wondered thereabouts, then bought a ticket to watch frenzied delirium of feathers, vulgar painted lips and eyelashes of black and blue.

    Naked feet, and thighs, and arms, and breasts were being flung on me from bloody-red foam of translucent clothes. The tuxedoed goatees and crooked noses in white vests and toppers would line the hall, with their hands posed on canes. Then I found myself in a pub, where the liqueurs were served on a coffin (not a table) by the nickering devil: “Drink it, you wretched!” Having drunk, I returned under the black sky split by the flaming vanes, which the radiant needles of my eyelashes cross-hatched. In front of my nose a stream of bowler hats and black veils was still pulsing, foamy with bluish green and warm orange of feathers worn by the night beauties: to me they were all one, as I had to narrow my eyes for insupportable radiance of electric lamps, whose hectic fires would be dancing beneath my nervous eyelids for many a night to come.

    White gardenia, ambergris bouquet, lavender fougere, orange blossom, melissa, tobacco flower, coriander, ebony wood, ylang ylang, absinthe and aged whiskey.

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  • The Black Tower Perfume Oil

    Say that the men of the old black tower,
    Though they but feed as the goatherd feeds,
    Their money spent, their wine gone sour,
    Lack nothing that a soldier needs,
    That all are oath-bound men:
    Those banners come not in.

    There in the tomb stand the dead upright,
    But winds come up from the shore:
    They shake when the winds roar,
    Old bones upon the mountain shake.

    Those banners come to bribe or threaten,
    Or whisper that a man’s a fool
    Who, when his own right king’s forgotten,
    Cares what king sets up his rule.
    If he died long ago
    Why do you dread us so?

    There in the tomb drops the faint moonlight,
    But wind comes up from the shore:
    They shake when the winds roar,
    Old bones upon the mountain shake.

    The tower’s old cook that must climb and clamber
    Catching small birds in the dew of the morn
    When we hale men lie stretched in slumber
    Swears that he hears the king’s great horn.
    But he’s a lying hound:
    Stand we on guard oath-bound!

    There in the tomb the dark grows blacker,
    But wind comes up from the shore:
    They shake when the winds roar,
    Old bones upon the mountain shake.

    A sepulchral, desolate scent. Long-dead soldiers, oath-bound; the perfume of their armor, the chill wind that surges through their tower, white bone and blackened steel: white sandalwood, ambergris, wet ozone, galbanum and leather with ebony, teak, burnt grasses, English ivy and a hint of red wine.

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  • The froth of the serpents of pleasure

    The Froth of the Serpents of Pleasure Perfume Oil

    All thine the new wine of desire,

    The fruit of four lips as they clung

    Till the hair and the eyelids took fire,

    The foam of a serpentine tongue,

    The froth of the serpents of pleasure,

    More salt than the foam of the sea,

    Now felt as a flame, now at leisure

    As wine shed for me.

     

    Sweet red wine, oakmoss, ambergris accord, ylang ylang, and Spanish mandarin.

    Out of Stock
  • THE NAIADS' HOUR

    The Naiads’ Hour Perfume Oil

    Norman Lindsay
    Pearlescent ambergris and salt musk, white bergamot, elemi, white lemon peel, champaca, and seafoam.

    Out of Stock
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    The Torture Queen Perfume Oil

    White amber, vanilla musk, white tea, ambergris, gardenia, and chrome.

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    The Wild Men of Jezirat Al Tennyn Perfume Oil

    You are shocked out of the torch song’s melancholy mood by shrieks, hoots, and yowls. You move to your left, and see that instead of a stage, a gigantic iron cage has been hung, hovering a few feet off of the ground. Elaborate, delicate silver sigils are engraved upon huge iron disks that have been mounted to the sides of the cage, and they flicker and spark whenever one of the wild men touches the iron bars that imprison them. The backdrop depicts a blistering volcanic eruption, spiked with thick luminescent bolts of lightning. Several beings are held within the cage, male and female, spanning every age. They flash their razor-fanged smiles at you malevolently as they anxiously crawl, pace, and stalk the length of their prison, stopping occasionally to pose and preen as they gossip with one another in an unrecognizable guttural, grinding language. Their tattooed skin glows an angry crimson, curving horns protrude from their skulls, and their eyes blaze with unholy light.

    Fiery, primal, and precociously diabolical: red amber, Spanish moss, Indonesian patchouli, ambergris, sweet ambrette seed, red pepper, two cloves, and vanilla flower.

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    Vicomte de Valmont Perfume Oil

     I promised her my eternal love, and I actually thought that for a couple of hours. 

    Rake, scoundrel, demon in a frock coat. Devilishly seductive, ultimately tragic; a villain undone and redeemed by love. Based on an 18th century gentlemen’s cologne: ambergris, white musk, white sandalwood, Spanish Moss, orange blossom, three mints, jasmine, rose geranium and a spike of rosemary.

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  • Y’ha-Nthlei Perfume Oil

    We shall swim out to that brooding reef in the sea and dive down through black abysses to Cyclopean and many-columned Y’ha-nthlei, and in that lair of the Deep Ones we shall dwell amidst wonder and glory for ever.

    A great undersea metropolis located below Devil’s Reef. A swirling, lightless, effervescent scent: the deepest marine notes with bergamot, eucalyptus and foamy ambergris.

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    Zorya Polunochnaya Perfume Oil

    Her hair was pale and colorless in the moon’s thin light. She wore a white cotton nightgown, with a high lace neck and a hem that swept the ground. Shadow sat up, entirely awake. “You are Zorya Polu . . . ,” he hesitated. “The sister who was asleep.”

    “I am Zorya Polunochnaya, yes. And you are called Shadow, yes? That was what Zorya Vechernyaya told me, when I woke.”

    “Yes. What were you looking at, out there?”

    She looked at him, then she beckoned him to join her by the window. She turned her back while he pulled on his jeans. He walked over to her. It seemed a long walk, for such a small room.

    He could not tell her age. Her skin was unlined, her eyes were dark, her lashes were long, her hair was to her waist and white. The moonlight drained colors into ghosts of themselves. She was taller than either of her sisters.

    She pointed up into the night sky. “I was looking at that,” she said, pointing to the Big Dipper. “See?”

    “Ursa Major,” he said. “The Great Bear.”

    “That is one way of looking at it,” she said. “But it is not the way from where I come from. I am going to sit on the roof. Would you like to come with me?”

     

    Pale amber and ambergris, gossamer vanilla, moonflower, and white tobacco petals.

    Out of Stock