Amber - Black

  • Azathoth Perfume Oil

    The Daemon Sultan, Seething Nuclear Chaos

    …that last amorphous blight of nethermost confusion which blasphemes and bubbles at the centre of all infinity — the boundless daemon-sultan Azathoth, whose name no lips dare speak aloud, and who gnaws hungrily in inconceivable, unlighted chambers beyond time amidst the muffled, maddening beating of vile drums and the thin, monotonous whine of accursed flutes; to which detestable pounding and piping dance slowly, awkwardly, and absurdly the gigantic ultimate gods, the blind, voiceless, tenebrous, mindless Other Gods whose soul and messenger is the crawling chaos Nyarlathotep.

    Azathoth is the blind, idiot god who sits on a black throne at the center of Chaos. His scent is high-pitched and screeching, both impenetrably dark and searingly bright with the clarity of madness: tangerine, saffron, vetiver, black amber and cedarwood.

    Select Options
  • This image is decorative

    Doc Constantine Perfume Oil

    As you pass the tiny stage, you come across a large canvas tent, illuminated within, the exterior dotted with odd splatters. In front of the tent stands a scorched wooden cart covered in a jumble of bottles, jars, vials and twisted steel implements, and an elaborate, gold-gilded sign reads:

    “Doc Constantine Cures What Ails Ye!
    Liniments, salves, potions and elixirs for every malady of the body and spirit!”

    A scream splits the air, jarring you. You see shadows move jaggedly within the tent, there is another scream, and all is suddenly still and silent. After a long heartbeat, the door flap opens. A man steps out wearing a crystal-eyed schnabel mask in the style of medieval plague doctors, carmine streaking his sleeves, vest, and the blonde hair that crowns him. He pulls off the mask, and you see a handsome figure, almost beatific. He rolls a cigarette, lights it, takes a deep pull, and winks at you slyly as he gestures at the multitude of concoctions he has for sale. A bent crone, her body as bowed and knotty as an ancient oak, shuffles up to the wagon with rosy-cheeked, tow-headed maiden following her at a small distance. As she approaches the doctor, the crone gestures at herself, running a gnarled hand down her body in a sweeping movement, and casting a sideways glance at her grandchild. Smiling an angel’s smile, Doc Constantine hands the old woman a potion the color of cold, congealed blood. She drinks it quickly, gasping. Before your eyes her body shimmers and blurs, and a shower of dark sparks seems to engulf her. Where the crone stood, there is now a voluptuous, raven-haired vixen, vibrant, sensual, at the prime of her life and sexual vitality. Her shriek of joy is interrupted by another’s scream of shock: the rigors of age have not vanished; they have moved aside, and the young woman has aged horribly, taking on the crone’s burden.

    Sheer musk, cedar smoke, fir needle, chaparral, black amber and leather.

    Add to cart
  • This image is decorative

    Faiza, The Lady of Serpents Perfume Oil

    Upon the next stage, a primitive cage has been erected. It is made of heavy, dark sticks bound with strips of deep brown leather. The stage is as dark as pitch, and from the shadows, you hear soft hissing, spitting, and an ominous chorus of weird rattling sounds. You approach with some trepidation, and peer between the bars. Your attention is seized by writhing forms on the straw bottom of the cage. As your eyes adjust to the gloom, you realize that the floor is seething with serpents, dark and colorful, languid and large, swift and small. You hear a sultry chuckle, and you see bright, unblinking emerald eyes staring at you from the corner of the cage. A woman crawls through the snakes, her scaled body as sinuous and lissome as the creatures that share her home. She reaches towards you languorously with her sharp-clawed hands and sighs.

    A sensual blend of twisting, exotic, serpentine oils: black amber, oakmoss, green sandalwood, bergamot, jasmine sambac, gardenia, orange pulp, black cardamom, vanilla, blackberry, black musk, blackened vanilla husk, white honey, ti leaf, and ginger.

    Add to cart
  • Placeholder

    Mastermind Perfume Oil

    Inspired by the character HUNTER ROSE.
    The first of the Grendel legacy, a stylish, best-selling author who leads a double life as a relentless assassin and all-powerful mob overlord.

    An elegant cologne of olibanum, opoponax, leather accord, black amber, bois de jasmine, cade wood, pale balsam, orange blossom, oudh, black plum, bourbon vanilla, and sandalwood.

    Add to cart
  • This image is decorative

    The Black Rider Perfume Oil

    As she stood there a third man on horseback came galloping up. His face was black, he was dressed all in black, and the horse he rode was coal-black. He galloped up to the gate of the hut and disappeared there as if he had sunk through the ground and at that moment the night came and the forest grew dark.

    But it was not dark on the green lawn, for instantly the eyes of all the skulls on the wall were lighted up and shone till the place was as bright as day. When she saw this Vasilissa trembled so with fear that she could not run away.

    Black leather, oppoponax, tobacco, and black amber.

    Select Options
  • This image is decorative

    Titus Andronicus Perfume Oil

    Dark musk and black amber with frankincense, red sandalwood, neroli and bergamot.

    Select Options
  • This image is decorative

    Verdandi Perfume Oil

    Necessity

    Deep herbs and apple with black amber.

    Out of Stock
  • This image is decorative

    You Get What Anybody Gets – You Get a Lifetime Perfume Oil

    An unimaginably ancient scent, older than time. The gentle, fluttering embrace of oblivion: myrrh and blackened champaca blossom, attar of oudh, black amber, Casmir wood, and dried fig.

    Words by Neil Gaiman, art by David Mack.

    Add to cart