Vanilla

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    Alisz Perfume Oil

    Spun sugar, frankincense, white rose, mallow root, red currant, and vanilla mint.

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  • And Though They Are With You Yet They Belong Not To You Perfume Oil

    And a woman who held a babe against her bosom said, Speak to us of Children.
    And he said:
    Your children are not your children.
    They are the sons and daughters of Life’s longing for itself.
    They come through you but not from you,
    And though they are with you yet they belong not to you.

    A gentle vanilla sandalwood blend, serene but mighty.

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    Ashlultum Perfume Oil

    Babylonian musk, vanilla tea, tonka, tobacco, coconut, hyssop, and lilac.

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    Australian Copperhead Perfume Oil

    Snake Oil with acai berry, amber, cardamom, white sandalwood, neroli, and smoked vanilla.

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    Ava Perfume Oil

    It’s always a bit weird with family. A scant two-hundred years old, there doesn’t seem to be anything that roots Ava to her past. Her scent is utterly contemporary, and, like her personality, it is impulsive, capricious, and dangerous. Voluptuous and brittle, lovely and toxic:  sheer vanilla musk with tuberose, red mandarin, and the sweet poison of white almond.

    Out of Stock
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    Avenger Perfume Oil

    Inspired by the character CHRISTINE SPAR.
    A fashionable and fiery journalist who adopts the Grendel persona to avenge the death of her only child and is consumed by the dark identity.

    Plush vanilla bourbon and rum accord with pink pepper, patchouli, clove, pikaki, golden amber, caraway, tuberose, and jacarandá-da-bahia.

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    Bast Perfume Oil

    There was a girl. He had met her somewhere, and now they were walking across a bridge. It spanned a small lake, in the middle of a town. The wind was ruffling the surface of the lake, making waves tipped with whitecaps, which seemed to Shadow to be tiny hands reaching for him.

    — Down there, said the woman. She was wearing a leopard-print skirt, which flapped and tossed in the wind, and the flesh between the top of her stockings and her skirt was creamy and soft and in his dream, on the bridge, before God and the world, Shadow went down to his knees in front of her, burying his head in her crotch, drinking in the intoxicating jungle female scent of her. He became aware, in his dream, of his erection in real life, a rigid, pounding, monstrous thing as painful in its hardness as the erections he’d had as a boy, when he was crashing into puberty.

    He pulled away and looked upward, and still he could not see her face. But his mouth was seeking hers and her lips were soft against his, and his hands were cupping her breasts, and then they were running across the satin smoothness of her skin, pushing into and parting the furs that hid her waist, sliding into the wonderful cleft of her, which warmed and wetted and parted for him, opening to his hand like a flower.

    The woman purred against him ecstatically, her hand moving down to the hardness of him and squeezing it. He pushed the bedsheets away and rolled on top of her, his hand parting her thighs, her hand guiding him between her legs, where one thrust, one magical push . . .

    Now he was back in his old prison cell with her, and he was kissing her deeply. She wrapped her arms tightly around him, clamped her legs about his legs to hold him tight, so he could not pull out, not even if he wanted to.

    Never had he kissed lips so soft. He had not known that there were lips so soft in the whole world. Her tongue, though, was sandpaper-rough as it slipped against his.

    —Who are you? he asked.

    She made no answer, just pushed him onto his back and, in one lithe movement, straddled him and began to ride him. No, not to ride him: to insinuate herself against him in series of silken-smooth waves, each more powerful than the one before, strokes and beats and rhythms that crashed against his mind and his body just as the wind-waves on the lake splashed against the shore. Her nails were needle-sharp and they pierced his sides, raking them, but he felt no pain, only pleasure, everything was transmuted by some alchemy into moments of utter pleasure.

    He struggled to find himself, struggled to talk, his head now filled with sand dunes and desert winds.

    —Who are you? he asked again, gasping for the words.

    She stared at him with eyes the color of dark amber, then lowered her mouth to his and kissed him with a passion, kissed him so completely and so deeply that there, on the bridge over the lake, in his prison cell, in the bed in the Cairo funeral home, he almost came. He rode the sensation like a kite riding a hurricane, willing it not to crest, not to explode, wanting it never to end.

    A desert wind alight with myrrh and golden amber, cardamom and honey, bourbon vanilla and cacao.

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    Bawd Perfume Oil

    Pray you, without any more virginal fencing, will
    You use him kindly? He will line your apron with
    Gold.

    Raucous red velvet musk, sweet patchouli, billowing peony, bourbon vanilla, and a cascade of red rose petals.

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    Beauty, The Aggrieved Perfume Oil

    A white rose draped by a delicate, pale, sheer veil of vanilla, the depth and darkness of her black lace embodied by tobacco absolute, Indonesian patchouli, Bulgarian oakmoss, frankincense, white sandalwood, and myrrh.

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  • Belle Époque Perfume Oil

    “The Pretty Era”, France’s Golden Time: an age of beauty, innovation and peace in France that lasted from the 19th Century through the first World War and gave birth to the cabaret, the cancan, and the cinema as well as the Impressionist and Art Nouveau movements. Sweet opium, Lily of the Valley, vanilla, mandarin and red sandalwood.

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  • Blood Kiss Hair Gloss

    Lush, creamy vanilla and the honey of the sweetest kiss smeared with the vital throb of husky clove, swollen red cherries, but darkened with the vampiric sensuality of vetiver, soporific poppy and blood red wine, and a skin-light pulse of feral musk.

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    Boober Perfume Oil

    According to Boober Fraggle, there are only two things certain in this world: death and laundry. Boober is terrified by the former and fascinated by the latter. He is also paranoid and superstitious. According to Boober, anything that can go wrong surely will, and when it does, it will inevitably happen to him.

    A fretfully clean scent: freshly-washed laundry, linden blossom, soap suds, and a sprinkle of vanilla.

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    Carnaval Diabolique Perfume Oil

    Straight from the twisted alleys of Dis, by way of the City of Angels: opium smoke, lemon flower, heliotrope, tuberose, black musk, vanilla, coconut, apricot flower.

    Out of Stock
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    Castitas Bath Oil

    Please note all bath oils are 4oz

    Rice flower, vanilla, and cream.

    Chastity – the most unnatural of all the sexual perversions. — Aldous Huxley

    4oz Bottle

     

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    Crowley Beard Oil

    Nothing about him looked particularly demonic, at least by classical standards. No horns, no wings. Admittedly he was listening to a Best of Queen tape, but no conclusions should be drawn from this because all tapes left in a car for more than a fortnights metamorphose into Best of Queen albums. No particularly demonic thoughts were going through his head. In fact, he was wondering vaguely who Moey and Chandon were.

    Crowley had dark hair, and good cheekbones, and he was wearing snakeskin shoes, or at least presumably he was wearing shoes, and he could do really weird things with his tongue. And, whenever he forgot himself, he had a tendency to hiss.

    Infernal musk, red patchouli, lilac cologne, mahogany, lemon rind, oakmoss, leather, and vanilla husk.

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    Crowley Perfume Oil

    Nothing about him looked particularly demonic, at least by classical standards. No horns, no wings. Admittedly he was listening to a Best of Queen tape, but no conclusions should be drawn from this because all tapes left in a car for more than a fortnights metamorphose into Best of Queen albums. No particularly demonic thoughts were going through his head. In fact, he was wondering vaguely who Moey and Chandon were.

    Crowley had dark hair, and good cheekbones, and he was wearing snakeskin shoes, or at least presumably he was wearing shoes, and he could do really weird things with his tongue. And, whenever he forgot himself, he had a tendency to hiss.

    Infernal musk, red patchouli, lilac cologne, mahogany, lemon rind, oakmoss, leather, and vanilla husk.

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    Cytherea Perfume Oil

    White sandalwood, patchouli, white amber, orris, bourbon vanilla, champaca flower, and kush.

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    Death Adder Perfume Oil

    Snake Oil with vetiver, black coconut, vanilla, and opoponax.

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  • Defututa Perfume Oil

    Good Gods, what a night that was,
    The bed was so soft, and how we clung,
    Burning together, lying this way and that,
    Our uncontrollable passions
    Flowing through our mouths.
    If I could only die that way,
    I’d say goodbye to the business of living.

    Olive blossom, honey, smoky vanilla, cinnamon, jasmine, sandalwood, and champaca flower.

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  • Desire Perfume Oil

    The overwhelming agony of passion crystallized into a singularly dark and magnetic blend: bittersweet neroli, black patchouli and black musk, gilded by apple, bergamot, blood red rose, teak, and vanilla.

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    Detestable Putrescence Perfume Oil

    Inspired by Gris Grimly’s illustrations for the Facts in the Case of M. Valdemar.

    Melty vanilla ice cream!

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    Dorian

    The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself.

    Inspired by and created for my beloved Tedwin: my eternal, beautiful, wicked Dorian Gray. Refined, elegant, and lovely, with a noble bearing and seemingly gentle air. This blend is an artful deception: a sweet gilded blossom lying over a twisted and corrupted core. A Victorian fougere with three pale musks and dark, sugared vanilla tea.

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    Dorian Beard Oil

    The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself.

    Inspired by and created for my beloved Tedwin: my eternal, beautiful, wicked Dorian Gray. Refined, elegant, and lovely, with a noble bearing and seemingly gentle air. This blend is an artful deception: a sweet gilded blossom lying over a twisted and corrupted core. A Victorian fougere with three pale musks and dark, sugared vanilla tea.

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    Dragon’s Milk Perfume Oil

    A truly fae nectar! Dragon’s blood resin and honeyed vanilla.

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    Dragon’s Musk Perfume Oil

    Dominant, passionate, devastating. Dragon’s blood and five deep musks.

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    Eat Me

    Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words ‘EAT ME’ were beautifully marked in currants.

    ‘Well, I’ll eat it,’ said Alice, ‘and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I’ll get into the garden, and I don’t care which happens!’ 

    She ate a little bit, and said anxiously to herself, ‘Which way? Which way?’, holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way.

    Three white cakes, vanilla, and red and black currants.

    BPAL’s Eat Me is not for eating. Please use common sense, and remember: perfume oils are for external use only.

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  • Eat Me Hair Gloss

    Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words ‘EAT ME’ were beautifully marked in currants.

    ‘Well, I’ll eat it,’ said Alice, ‘and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I’ll get into the garden, and I don’t care which happens!’

    She ate a little bit, and said anxiously to herself, ‘Which way? Which way?’, holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way.

    Three white cakes, vanilla, and red and black currants.

    BPAL’s Eat Me is not for eating. Please use common sense, and remember: hair glosses are for external use only.

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  • Eclipse Perfume Oil

    All the glory, warmth and majesty of the sun — darkened. A delicious blend of bitter almond, vanilla, frankincense and heliotrope, with a drop of cinnamon.

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    Faiza, The Lady of Serpents Perfume Oil

    Upon the next stage, a primitive cage has been erected. It is made of heavy, dark sticks bound with strips of deep brown leather. The stage is as dark as pitch, and from the shadows, you hear soft hissing, spitting, and an ominous chorus of weird rattling sounds. You approach with some trepidation, and peer between the bars. Your attention is seized by writhing forms on the straw bottom of the cage. As your eyes adjust to the gloom, you realize that the floor is seething with serpents, dark and colorful, languid and large, swift and small. You hear a sultry chuckle, and you see bright, unblinking emerald eyes staring at you from the corner of the cage. A woman crawls through the snakes, her scaled body as sinuous and lissome as the creatures that share her home. She reaches towards you languorously with her sharp-clawed hands and sighs.

    A sensual blend of twisting, exotic, serpentine oils: black amber, oakmoss, green sandalwood, bergamot, jasmine sambac, gardenia, orange pulp, black cardamom, vanilla, blackberry, black musk, blackened vanilla husk, white honey, ti leaf, and ginger.

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    Gluttony Perfume Oil

    Thick, sugared and bloated with sweetness. Dark chocolate, vanilla, buttercream, and hops with pralines, hazelnut, toffee and caramel.

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  • Golden Priapus Perfume Oil

    Insatiable lust, unending vigor! A truly carnal, energetic men’s blend: vanilla and amber with juniper, rosewood and white pine.

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  • Good Perfume Oil

    Shimmering celestial musk with vanilla, white honey, acacia, and sugar cane.

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    Gula Bath Oil

    Please note all bath oils are 4oz

    Cocoa absolute, sugar cane, honey, black currant, vanilla, and caramel.

    It is the just doom of laziness and gluttony to be inactive without ease and drowsy without tranquility. — Samuel Johnson

    4oz Bottle

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    Harper Perfume Oil

    Pale bergamot, labdanum, white incense, vanilla-tinged musk, Burmese oudh and tea rose.

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  • Hollywood Babylon Perfume Oil

    The essence of innocence shattered: glittering Egyptian amber and heliotrope, infused with the sweetness of strawberry and vanilla – dragged into debauch by lusty red musk and a dribble of black cherry.

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  • How Doth the Little Crocodile Perfume Oil

    How doth the little crocodile
    Improve his shining tail,
    And pour the waters of the Nile
    On every golden scale!

    How cheerfully he seems to grin,
    How neatly spreads his claws,
    And welcomes little fishes in
    With gently smiling jaws!

    Chocolate peppermint, mint-soaked vanilla, pistachio, oakmoss, and green cedar.

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  • Hunger Perfume Oil

    Evokes sheer, unadulterated carnal lust. An undeniably warm and sensual scent. Black narcissus, orange blossoms, and vanilla.

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    I Sit and Sew Perfume Oil

    I sit and sew – a useless task it seems,
    My hands grown tired, my head weighed down with dreams –
    The panoply of war, the martial tred of men,
    Grim-faced, stern-eyed, gazing beyond the ken
    Of lesser souls, whose eyes have not seen Death,
    Nor learned to hold their lives but as a breath –
    But – I must sit and sew.

    I sit and sew – my heart aches with desire –
    That pageant terrible, that fiercely pouring fire
    On wasted fields, and writhing grotesque things
    Once men. My soul in pity flings
    Appealing cries, yearning only to go
    There in that holocaust of hell, those fields of woe –
    But – I must sit and sew.

    The little useless seam, the idle patch;
    Why dream I here beneath my homely thatch,
    When there they lie in sodden mud and rain,
    Pitifully calling me, the quick ones and the slain?
    You need me, Christ! It is no roseate dream
    That beckons me – this pretty futile seam,
    It stifles me – God, must I sit and sew?

    – Alice Moore Dunbar-Nelson

    Silk threads unraveling: sheer vanilla and violet leaf with jasmine sambac, white musk, and tea leaf.

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    Imp Pack: Vanilla Perfume Oil

    Eat Me
    Three white cakes, vanilla, and red and black currants.

    Light of Men’s Lives
    The wax and smoke of millions upon millions of candles illuminating the walls of Death’s shadowy cave: some tall, straight, and strong, blazing with the fire of life, others dim and guttering.

    Lyonesse
    Golden vanilla and gilded musk, stargazer lily, white sandalwood, grey amber, elemi, orris root, ambergris and sea moss.

    Mouse’s Long and Sad Tale
    Vanilla, two ambers, sweet pea and white sandalwood.

    Good
    Shimmering celestial musk with vanilla, white honey, acacia, and sugar cane.

    Snake Oil
    Deep, rich earthy notes swirled with vegetal musks, sugared vanilla bean, and dark spices.

    Out of Stock
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    Inez Perfume Oil

    Golden amber, vanilla musk, myrrh, cedar, carnation, and red sandalwood.

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    Judgmental Longhorn Perfume Oil

    He knows what you’ve been up to. Sweet tonka, smoked vanilla, benzoin, labdanum, amber, hay absolute, cacao absolute, and soft brown musk.

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  • Kubla Khan Perfume Oil

    In Xanadu did Kubla Khan
    A stately pleasure-dome decree:
    Where Alph, the sacred river, ran
    Through caverns measureless to man
    Down to a sunless sea.

    So twice five miles of fertile ground
    With walls and towers were girdled round:
    And there were gardens bright with sinuous rills,
    Where blossomed many an incense-bearing tree;
    And here were forests ancient as the hills,
    Enfolding sunny spots of greenery.
    But oh! that deep romantic chasm which slanted
    Down the green hill athwart a cedarn cover!
    A savage place! as holy and enchanted
    As e’er beneath a waning moon was haunted
    By woman wailing for her demon-lover!
    And from this chasm, with ceaseless turmoil seething,
    As if this earth in fast thick pants were breathing,
    A mighty fountain momently was forced:
    Amid whose swift half-intermitted burst
    Huge fragments vaulted like rebounding hail,
    Or chaffy grain beneath the thresher’s flail:
    And ‘mid these dancing rocks at once and ever
    It flung up momently the sacred river.
    Five miles meandering with a mazy motion
    Through wood and dale the sacred river ran,
    Then reached the caverns measureless to man,
    And sank in tumult to a lifeless ocean:
    And ‘mid this tumult Kubla heard from far
    Ancestral voices prophesying war!

    The shadow of the dome of pleasure
    Floated midway on the waves;
    Where was heard the mingled measure
    From the fountain and the caves.
    It was a miracle of rare device,
    A sunny pleasure-dome with caves of ice!

    A damsel with a dulcimer
    In a vision once I saw:
    It was an Abyssinian maid,
    And on her dulcimer she played,
    Singing of Mount Abora.
    Could I revive within me
    Her symphony and song,
    To such a deep delight ‘twould win me
    That with music loud and long
    I would build that dome in air,
    That sunny dome! those caves of ice!
    And all who heard should see them there,
    And all should cry, Beware! Beware!
    His flashing eyes, his floating hair!
    Weave a circle round him thrice,
    And close your eyes with holy dread,
    For he on honey-dew hath fed
    And drunk the milk of Paradise.

    Through sunlit caves of ice, roses unfurl amidst dancing waves of serpentine opium smoke and amber tobacco, golden sandalwood, champaca, tea leaf, sugared lily, ginger, rich hay absolute, leather, dark vanilla, mandarin, peru balsam, and Moroccan jasmine.

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    Lamia Perfume Oil

    ‘And you said you’d pay me for being your guide. And it’s what I want, as my payment. Warmth. Can I have some?’ Anything she wanted. Anything. The honeysuckle and the lily of the valley wrapped around him, and his eyes saw nothing but her pale skin and her dark plum-bloom lips and her jet black hair.

    Deadly elegance: pale orchid, vanilla amber, black currant, white peach, champaca, coconut, Arabian myrrh, Burmese vetiver, and oude.

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  • Le Serpent Qui Danse Perfume Oil

    When, as by glaciers ground, the spate
    Swells hissing from beneath,
    The water of your mouth, elate,
    Rises between your teeth —

    It seems some old Bohemian vintage
    Triumphant, fierce, and tart,
    A liquid heaven that showers a mintage
    Of stars across my heart.

    A sinister, darkly seductive scent inspired by poetry of Charles Baudelaire. Violet entwined with vanilla and gardenia.

    Out of Stock
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    Lick it With Consent Perfume Oil

    A sugar-crusted vanilla peppermint stick!

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    Liz Perfume Oil

    A light, feminine vanilla floral perfume and a swirl of smoke and leather.

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    Luxuria Bath Oil

    Please note all bath oils are 4oz

    Red musk, patchouli, pomegranate, red currant, bourbon vanilla, nutmeg, sweet orange.

    Lust’s passion will be served; it demands, it militates, it tyrannizes. — the Marquis de Sade

    4oz Bottle

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    Lyonesse Perfume Oil

    Then rose the King and moved his host by night
    And ever pushed Sir Mordred, league by league,
    Back to the sunset bound of Lyonesse —
    A land of old upheaven from the abyss
    By fire, to sink into the abyss again;
    Where fragments of forgotten peoples dwelt,
    And the long mountains ended in a coast
    Of ever-shifting sand, and far away
    The phantom circle of a moaning sea.

    Golden vanilla and gilded musk, stargazer lily, white sandalwood, grey amber, elemi, orris root, ambergris and sea moss.

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  • Mata Hari Perfume Oil

    A renowned exotic dancer and courtesan, possessed of aristocratic elegance, matchless charm, an iron will and a streak of fearlessness. The actual events of her life have met with much speculation, and to this day it is unclear whether or not she was truly a German spy. Despite shaky evidence of her guilt, she was tried for espionage by a closed court-martial and was executed by a French firing squad in 1917.

    Her scent is striking and bold with a delicate yet dark undertone: five roses with soft jasmine, warmed by vanilla, fig, tonka bean and mahogany, spiced with a drop of coffee bean

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    Mouse Circus Perfume Oil

    In the flat above Coraline’s, under the roof, was a crazy old man with a big mustache. He told Coraline that he was training a mouse circus. He wouldn’t let anyone see it.

    “One day, little Caroline, when they are all ready, everyone in the whole world will see the wonders of my mouse circus. You ask me why you cannot see it now. Is that what you asked me?”

    “No,” said Coraline quietly, “I asked you not to call me Caroline. It’s Coraline.”

    “The reason you cannot see the mouse circus,” said the man upstairs, “is that the mice are not yet ready and rehearsed. Also, they refuse to play the songs I have written for them. All the songs I have written for the mice to play go oompah oompah. But the white mice will only play toodle oodle, like that. I am thinking of trying them on different types of cheese.”

    A toodle oodle of pink cotton candy noses, vanilla spun sugar fur, scattered kernels of popcorn, and a touch of polished golden wood.

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    Mouse’s Long and Sad Tale Perfume Oil

    ‘Fury said to a
    mouse, That he
    met in the
    house,
    “Let us
    both go to
    law: I will
    prosecute
    YOU. –Come,
    I’ll take no
    denial; We
    must have a
    trial: For
    really this
    morning I’ve
    nothing
    to do.”
    Said the
    mouse to the
    cur, “Such
    a trial,
    dear Sir,
    With
    no jury
    or judge,
    would be
    wasting
    our
    breath.”
    “I’ll be
    judge, I’ll
    be jury,”
    Said
    cunning
    old Fury:
    “I’ll
    try the
    whole
    cause,
    and
    condemn
    you
    to
    d
    e
    a
    t
    h
    .”

    Vanilla, two ambers, sweet pea and white sandalwood.

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    Mr. Ibis Perfume Oil

    The smoke stung Shadow’s eyes. He wiped the tears away with his hand, and, through the smoke, he thought he saw a tall man in a suit, with gold-rimmed spectacles. The smoke cleared and the boatman was once more a half-human creature with the head of a river bird.

    Papyrus, vanilla flower, Egyptian musk, African musk, aloe ferox, white sandalwood.

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    O Perfume Oil

    The scent of sexual obsession, slavery to sensual pleasure, and the undercurrent of innocence defiled utterly. Amber and honey with a touch of vanilla.

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  • Paladin Perfume Oil

    Immaculate white musk, sweet frankincense, bourbon vanilla, white leather, and shining armor.

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    Pepper Perfume Oil

    She herself had short red hair and a face which was not so much freckled as one big freckle with occasional areas of skin.

    Pepper’s given first names were Pippin Galadriel Moonchild. She had been given them in a naming ceremony in a muddy valley field that contained three sick sheep and a number of leaky polythene teepees. Her mother had chosen the Welsh valley of Pant y Gyrdl as the ideal site to Return to Nature. (Six months later, sick of the rain, the mosquitoes, the men, the tent trampling sheep who ate first the whole commune’s marijuana crop and then its antique minibus, and by now beginning to glimpse why almost the entire drive of human history has been an attempt to get as far away from Nature as possible, Pepper’s mother returned to Pepper’s surprised grandparents in Tadfield, bought a bra, and enrolled in a sociology course with a deep sigh of relief.)

    There are only two ways a child can go with a name like Pippin Galadriel Moonchild, and Pepper had chosen the other one: the three male Them had learned this on their first day of school, in the playground, at the age of four.

    They had asked her her name, and, all innocent, she had told them.

    Subsequently a bucket of water had been needed to separate Pippin Galadriel Moonchild’s teeth from Adam’s shoe. Wensleydale’s first pair of spectacles had been broken, and Brian’s sweater needed five stitches.

    The Them were together from then on, and Pepper was Pepper forever, except to her mother, and (when they were feeling especially courageous, and the Them were almost out of earshot) Greasy Johnson and the Johnsonites, the village’s only other gang.

    Wild English roses, French gardenia, vanilla, honey, golden ginger, blood orange, pine resin, pink pepper, crushed berries, tuberose, bergamot, and geranium.

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    Seven Word Story: Envy Perfume Oil

    The subject of our latest #BPAL7wordstory contest was Envy. The winning entry was submitted by Tyler Butler:

    Galatea wept as Pygmalion carved new statues

    Marble-white sandalwood, vanilla blossom, and orris root veined with whorls of ambergris accord, rose-touched with life, slowly shattering tears of bitter carrot seed and cistus.

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    Sister Mary Loquacious Perfume Oil

    Sister Mary Loquacious has been a devout Satanist since birth. She went to Sabbat School as a child and won black stars for handwriting and liver. When she was told to join the Chattering Order she went obediently, having a natural talent in that direction and, in any case, knowing that she would be among friends. She would be quite bright, if she was ever put in a position to find out, but long ago found that being a scatterbrain, as she’d put it, gave you an easier journey through life.

    An effervescent blend of white musk, lemon peel, vanilla incense, and wild bergamot.

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  • SLUSHY SNOWBALLS

    Slushy Snowballs Perfume Oil

    Chilly vanilla frankincense snowballs polluted with raw cacao, labdanum, and myrrh.

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  • Snake Oil

    Snake Oil was one of my first creations, one of the original BPAL scents, and is as bound up with my own history as it is with the history of Black Phoenix. It is the scent I wore on my wedding day, the scent I wore while giving birth to my child, and it is as much a part of me as my own eyes, breath, or limbs.

    Snake Oil has shed its skin, and is back — now with vintage patchouli and dark, rich, aged vanilla absolute. Snake Oil is our signature scent, our first perfume: deep, rich, earthy notes swirled with vegetal musks, sugared vanilla bean, and dark spices.

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  • Snake Oil Bath Oil

    Snake Oil was one of my first creations, one of the original BPAL scents, and is as bound up with my own history as it is with the history of Black Phoenix. It is the scent I wore on my wedding day, the scent I wore while giving birth to my child, and it is as much a part of me as my own eyes, breath, or limbs.

    Snake Oil has shed its skin, and is back — now with vintage patchouli and dark, rich, aged vanilla absolute. Snake Oil is our signature scent, our first perfume: deep, rich, earthy notes swirled with vegetal musks, sugared vanilla bean, and dark spices.

    4oz Bottle

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    Snake Oil Hair Gloss

    Snake Oil was one of my first creations, one of the original BPAL scents, and is as bound up with my own history as it is with the history of Black Phoenix. It is the scent I wore on my wedding day, the scent I wore while giving birth to my child, and it is as much a part of me as my own eyes, breath, or limbs.

    Snake Oil has shed its skin, and is back — now with vintage patchouli and dark, rich, aged vanilla absolute. Snake Oil is our signature scent, our first perfume: deep, rich, earthy notes swirled with vegetal musks, sugared vanilla bean, and dark spices.

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    Snake Oil: 2009 Vintage Perfume Oil

    Back in 2009, we bottled a hooch-jug of Snake Oil and put it aside in a cool, dark nook. We’ll be selling the fruits of our labor and patience in 100 bottle increments.

    We will be making announcements prior to each hundred-bottle release.

    By far, our most popular scent! Magnetic, mysterious, and exceedingly sexual in nature. Our signature scent, deep, rich earthy notes swirled with vegetal musks, sugared vanilla bean, and dark spices.
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    Out of Stock
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    Snaky-Hair’d Moirai Many-Form’d Perfume Oil

    Tobacco-threaded incense smoke, labdanum, red benzoin, and blackened vanilla.

    Proceeds from the sale of both of the Hymn to the Erinyes scents benefit RAINN, the United States’ largest anti-sexual violence organization. RAINN operates the National Sexual Assault Hotline, and provides programs to help survivors, prevent sexual violence, and ensure that offenders are brought to justice.

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  • Syrnyk Perfume Oil

    A dessert akin to a crustless cheesecake with a hint of vanilla and lemon zest.

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    The Bow & Crown of Conquest Perfume Oil

    And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.

    Nobility and haughtiness befitting the Antichrist: sage, carnation and cedar with lavender, vanilla, white musk and leather.

    And when he had opened the second seal, I heard the second beast say, Come and see.

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    The Grindhouse Perfume Oil

    Throaty laughter captures your attention. Across the lane you see a buxom Venetian woman standing before a huge black and red striped tent. Her head is inclined towards a dapper, leering man, and they appear to be sharing a private joke. He reaches into his waistcoat and produces a gold coin. The woman plucks it from his fingers. He bows, and walks into the tent with a swagger. A sign flashes above the tent flap in letters that seem to be aflame: The Grindhouse, Dead or Live Girls.

    The Madam turns towards you and smiles. As she approaches, someone within the tent strikes a few keys on a tuneless piano, and begins to play Jelly Roll Morton’s ‘the Crave’. The light within the tent illuminates the interior, shining behind the silhouettes of naked women gyrating lewdly upon raised stages, writhing in time with the music.

    In the distance, behind the tent, you hear a whip crack, and a man’s scream. Tittering laughter follows, and the screams continue.

    “Voulez-vous un morceau de la boîte de bonbon?” she asks, gesturing gracefully towards the tent.

    The Madam’s perfume envelops you.

    Florentine iris, red musk, mimosa, magnolia, Damascus rose, clove, and vanilla bean.

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    The Illustrated Woman Perfume Oil

    Skin musk, smoky vanilla, pine pitch, patchouli, Indian resins, golden honey, and tobacco.

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    The Small Brown Cat Perfume Oil

    The small brown cat opened her eyes and stretched to her feet. She padded across the kitchen floor and pushed at Shadow’s boot with her head. He put down his left hand and scratched her forehead and the back of her ears and the scruff of her neck. She arched, ecstatically, then sprang into his lap, pushed herself up against his chest, and touched her cold nose to his. Then she curled up in his lap and went back to sleep. He put his hand down to stroke her: her fur was soft, and she was warm and pleasant in his lap; she acted like she was in the safest place in the world, and Shadow felt comforted.

    Warm brown fur, cardamom-infused bourbon vanilla, and a touch of cedarwood.

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    The Torture Queen Perfume Oil

    White amber, vanilla musk, white tea, ambergris, gardenia, and chrome.

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  • The Wish Perfume Oil

    The Wish, Theodor Von Holst, 1840
    “I’ve always wanted to know what wishes are longed for in the dark-eyed gaze of this intense young woman. Myself, I simply wish to rifle through the box of baubles and jewels in the bottom right of the canvas. Maybe help myself to that pearl-tipped hat-pin.”

    An incense of candied smoked fruits, Oman frankincense, red oud, labdanum absolute, sheer vanilla, patchouli, red musk seed, osmanthus, and datura accord.

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  • TKO Massage Oil

    Soothing lavender in a blend of skin-softening almond oil, rice bran, and vitamin E.

    Many things — such as loving, going to sleep, or behaving unaffectedly — are done worst when we try hardest to do them.

    4oz bottle.

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    Tombeur Perfume Oil

    There are two types of vampires that humans, and often other vampires, need to be wary of: the Interfectors and the Tombeur.

    The Tombeur, are much more complex in their hunting habits and their perceptions than their Interfector cousins. Like the Interfectors, they perceive their vampirism to be an initiation into a higher state of being and relegate humans to base foodstuffs. Unlike the Interfectors, however, the Tombeur are not straightforward predators, and there is a secondary purpose to their hunt: sexual gratification. They take full advantage of their saliva’s hypnotic and psychotropic effects on humans, the mystique that surrounds vampires, the seemingly unnatural attraction some humans have toward vampires, and the potency of the Tombeurs’ own sexual drive to lure humans into complex carnal relationships that culminate in feeding. They are consummate seducers, and some Tombeur feed, completely and terminally, on their conquests, while others create henchmen that are little more than sex slaves. Neither fate is something we would recommend to any of our readers.

    Deadly and seductive: vanilla-infused sandalwood, blood musk, antique patchouli, vetiver, lavender, bitter almond, amber, and a trickle of Snake Oil.

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  • Tombstone Perfume Oil

    A celebration of one of the first commercially produced perfumes of America’s Old West. A rugged, warm blend of vanilla, balsam and sassafras layered over Virginia cedar.

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  • Unarmed and Laughing Perfume Oil

    Sugared vanilla amber with a pop of champagne grape.

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    Uncle Traveling Matt Perfume Oil

    The magic is always there, as long as we keep looking for it.

    Gobo’s Uncle Travelling Matt is the greatest living Fraggle explorer – the Fraggle equivalent of an astronaut. After completing his exploration of Fraggle Rock, he ventured forth into our world, a place the Fraggles call “Outer Space.”

    Dark chocolate, figgy vanilla, pear, and quince.

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  • Velvet Perfume Oil

    Envelop yourself in the soft, sensual embrace of gentle sandalwood warmed by cocoa vanilla and a veil of deep myrrh.

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    Vibrating Motel Bed Perfume Oil

    It’ll rattle your teeth more than it rattles your junk: fizzy champagne, orange blossom absolute, Italian bergamot, and dry vanilla.

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    Victoria Perfume Oil

    Every boy in the village was in love with Victoria Forester. And many a sedate gentleman, quietly married with grey in his beard, would stare at her as she walked down the street, becoming, for a few moments, a boy once more, in the spring of his years with a spring in his step.

    Graceful vanilla musk, tea rose, and stargazer lily.

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  • Voodoo Perfume Oil

    A midnight scent, evoking images of flickering golden firelight reflecting off the sheen of glistening skin and the jerking shadows of bodies suffused with spiritual ecstasy. A deep, powerful, resonant blend of myrrh, patchouli, vetiver, lime, vanilla, pine, almond and clove.

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    White Rabbit Perfume Oil

    Strong black tea and milk with white pepper, ginger, honey and vanilla, spilled over the crisp scent of clean linen.

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  • Zephyr Perfume Oil

    A gentle white scent, breezes laced with the scent of springtime blooms and citrus. Lemon, lemon verbena, neroli, white musk, white florals, white sandalwood, China musk, bergamot and a drop of vanilla.

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    Zorya Polunochnaya Perfume Oil

    Her hair was pale and colorless in the moon’s thin light. She wore a white cotton nightgown, with a high lace neck and a hem that swept the ground. Shadow sat up, entirely awake. “You are Zorya Polu . . . ,” he hesitated. “The sister who was asleep.”

    “I am Zorya Polunochnaya, yes. And you are called Shadow, yes? That was what Zorya Vechernyaya told me, when I woke.”

    “Yes. What were you looking at, out there?”

    She looked at him, then she beckoned him to join her by the window. She turned her back while he pulled on his jeans. He walked over to her. It seemed a long walk, for such a small room.

    He could not tell her age. Her skin was unlined, her eyes were dark, her lashes were long, her hair was to her waist and white. The moonlight drained colors into ghosts of themselves. She was taller than either of her sisters.

    She pointed up into the night sky. “I was looking at that,” she said, pointing to the Big Dipper. “See?”

    “Ursa Major,” he said. “The Great Bear.”

    “That is one way of looking at it,” she said. “But it is not the way from where I come from. I am going to sit on the roof. Would you like to come with me?”

     

    Pale amber and ambergris, gossamer vanilla, moonflower, and white tobacco petals.

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