Illyria

I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lull’d in these flowers with dances and delight;
And there the snake throws her enamell’d skin,
Weed wide enough to wrap a fairy in:
And with the juice of this I’ll streak her eyes,
And make her full of hateful fantasies.
Take thou some of it, and seek through this grove:
A sweet Athenian lady is in love
With a disdainful youth: anoint his eyes;
But do it when the next thing he espies
May be the lady: thou shalt know the man
By the Athenian garments he hath on.
Effect it with some care, that he may prove
More fond on her than she upon her love:
And look thou meet me ere the first cock crow.

The Shakespearean Collection.

Black Phoenix Alchemy Lab’s olfactory paean to Shakespeare’s body of work.

PERFUME OIL BLENDS
Presented in an amber apothecary vial.

Antony Perfume Oil
The embodiment of Classic masculinity. A warrior’s scent: the green hills and grasses of the battlefields, the resinous incense from the prayers to his Gods, and a touch of the musky leather of his armor. Ambergris and frankincense with sage, and basil.

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Iago Perfume Oil
Malevolent, dark and shadowy: sinuous black musk, wet leather and vetiver.

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Juliet Perfume Oil
Sweet pea with stargazer lily, calla lily, heliotrope, honeysuckle, white musk and a touch of fresh pear.

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Katharina Perfume Oil
A strong, willful blend with a soft, utterly lovely soul: white musk with a trickle of bright, sharp apricot and orange blossom.

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Lady Macbeth Perfume Oil
The essence of ambition, covetousness and manipulation: sweet Bordeaux wine, blood red currant, thyme and wild berries.

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Oberon Perfume Oil
Orchid, white musk, and bergamot wafting over juniper berries, with a gentle touch of soft, earthy patchouli.

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Othello Perfume Oil
Arabian musk with two roses and a bevy of Middle Eastern and Indian spices.

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Robin Goodfellow Perfume Oil
Now the hungry lion roars,
And the wolf behowls the moon;
Whilst the heavy ploughman snores,
All with weary task fordone.
Now the wasted brands do glow,
Whilst the screech-owl, screeching loud,
Puts the wretch that lies in woe
In remembrance of a shroud.
Now it is the time of night
That the graves all gaping wide,
Every one lets forth his sprite,
In the church-way paths to glide:
And we fairies, that do run
By the triple Hecate’s team,
From the presence of the sun,
Following darkness like a dream,
Now are frolic: not a mouse
Shall disturb this hallow’d house:
I am sent with broom before,
To sweep the dust behind the door.

Dark musk, moss-covered wood, ragwort, heather, and sage.

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Tamora Perfume Oil
Amber, heliotrope, golden sandalwood, peach blossom and vanilla bean.

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The Apothecary Perfume Oil
Tea leaf with three mosses, green grass, a medley of herbal notes, and a drop of ginger and fig.

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Titania Perfume Oil
A nocturnal bounty of fae dew-kissed petals and pale fruits: white grape, white peach, iced pear, musk rose, sweet pea, moonflower and snapdragon.

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Titus Andronicus Perfume Oil
Dark musk and black amber with frankincense, red sandalwood, neroli and bergamot.

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Yorick Perfume Oil
Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now?

Grave dirt, bone, decay, angel’s trumpet, and moldering scraps of shroud: the essence of finality.

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