A Multitude of Dreams Perfume OilOut of Stock
There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers there stalked, in fact, a multitude of dreams. And these — the dreams — writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps.
A blackened lavender mist, thick with opoponax, licorice root, and benzoin.
All is Silent Save the Voice of the Clock Perfume OilOut of Stock
And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away — they have endured but an instant — and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many-tinted windows through which stream the rays from the tripods.
Dreams writhing to and fro, bubbling up from half-subdued laughter: pink peppercorn, jasmine sambac, and cypress bubbling up through half-subdued white lavender, stabbed through with streams of red musk and black currant.
An Oiran of the Yoshiwara and Her Customer Perfume OilOut of Stock
Kadu leaf, white lavender, plum and ume blossom, a drop of pale cedar and crystal musk.
Anesthesia Perfume OilAdd to cart
‘Ratty!’ said the girl in something between a squeak and a horrified swallow. She had a large, water-stained red button pinned to her ragged clothes, the kind that comes attached to birthday cards. It said, in yellow letters, I AM 11.
A scent that slips through the cracks: peppermint, lavender, bergamot, and mandrake.
Antonino, the Carny Talker Perfume OilAdd to cart
As you approach an enormous patchwork tent, a curious sound catches your attention: the rattle of bones and the tinkling of tiny bells heralds the arrival of a gaunt and ghastly creature. An animated skeleton dressed in a jester’s motley saunters towards the front of the tent, waving an orange and black striped cane at the crowd in an effort to clear a path. The jester makes his way past the fog-shrouded, faded, colossal posters that adorn the tent to a platform in front of the massive tent’s entrance. His ivory smile frozen in a gleeful rictus grin, he steps up onto the platform, taps the cane three times, and the jester costume vanishes. Suddenly dark eyes appear in the empty sockets, bones are wrapped in muscle, sinew grows over the bones, blood fills rapidly appearing veins. Before your eyes, the skeletal jester has become a dapper, handsome man, dressed in black and orange, with a skull-ornamented straw hat tilted jauntily upon his shining black hair.
His smile is slick and conspiratorial. With a flourish and arcing wave of his cane, he booms:
“Step right up, ladies and gentlemen! This is Carnaval Diabolique’s notorious 13-In-1: the finest freak show in all the Hells! What marvels await you, you ask? Simply the strangest and most fantastic creatures, human and inhuman, gathered for your entertainment, enlightenment and erudition!”
With the cane, he gestures at the gigantic posters that adorn the tent. The images, once hazy, suddenly come into focus.
“From the depths of the Black Forest: Arachnina, the Spider Girl! From the rain-swept streets of London: Hope and Faith, the Siamese Twins! From ruins of old Aquae Sextia: Wulric, the Wolf Man!
“Thalassa, the Galapagos Mermaid! A vision of life-in-death, Eshe!
“All in all, THIRTEEN anatomical curiosities, miracles of genetics, magick and science, masters of marvels, ALIVE ON THE INSIDE!”
White musk, wild plum, vetiver, black coconut, verbena, fig, and lavender.
Arcana Perfume OilSelect Options
The essence of magickal enigmas and long-forgotten esoteric mysteries. Frankincense, rosemary, lavender, neroli, and verbena.
BEING, LIKE, REALLY SMART Perfume OilAdd to cart
Soothe your cares with a blend of dull, dolorous, soporific lavender, weighed down with opoponax and thick labdanum, spiked by an unpredictable, unsettling slash of black pepper.
Proceeds from the sale of this scent benefits the Southern Poverty Law Center.
Blue Blankie Perfume OilAdd to cart
Lilith has several blankies that mean the world to her, and this is one of them. She’s had it since she was a baby, and she still sleeps with it every night. This blankie has been all over the US, has been to innumerable conventions, and has visited Paris, London, Stratford-Upon-Avon, Salzburg, and Berlin. This blankie has been a comfort in sorrow and a companion in joy. It has been clutched in laughter and has been succor in illness. This blanket has seen thousands upon thousands of dreams.
May it always keep you warm, safe, and happy, Lilith.
French lavender, skin musk, and a drop of rose water.
Bluebeard – Resurrected Perfume OilOut of Stock
A scent swirling with dark rage, unbridled jealousy, and murderous intent. Violet, lavender, white musk and vetiver.
Boy With Goat in a Landscape Perfume OilOut of Stock
Grapevine and ivy, olive blossom, lavender, cypress, bay leaf, honey myrtle, Tuscany sage, and jasmine sambac.
Cheshire Cat Perfume OilSelect Options
Grapefruit, red currant, dark musk, Roman chamomile, delphinium, and lavender.
Death on a Pale Horse Perfume OilSelect Options
And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.
The End of All Things: empty white musk and mint seeped with solemn lavender, doleful patchouli and vetiver, scythe-sharp yuzu and lime, with geranium bourbon, white sandalwood and calla lily.
Die Jungfrau Perfume OilAdd to cart
Brian: “She’s my Mini Me.”
Lilith: “This was me and Unkie posing for a picture with a play thing going on in the background at the ice rink in Alexanderplatz. I didn’t understand it because it was all happening in German, but it was fun!! I love my Unkie so much. He’s like my older twin. We have the same birthday and we are both year of the Rat. Mom is a stinky ol’ Tiger. Anyway, I just love him so much.”
Virgo’s sacred lavender and mosses with thyme, chamomile, lemon balm, and fig.
Envy Perfume OilSelect Options
Green herbs slithering through mint, lime and lavender.
Fairy Bites Perfume OilAdd to cart
“It bit me!”
“What did you expect fairies to do?”
“I thought they did nice things.
Like — like granting wishes.”
“Shows what you know, don’t it?”
Osmanthus and raw honey with lavender, chamomile, white peppermint, raspberry, honeysuckle, thyme, bergamot, and Dracula orchid.
First Morning in Paris Perfume OilAdd to cart
We were exhausted, hungry, and batty from travel, but Lilith made herself right at home. She’s a born traveler, and takes just about everything that happens on a trip in stride; she’s as comfortable in a hotel, hostel, or airport floor as she is at home. Just before dawn on our first morning in Paris, I tried to talk Lilith into putting on a coat and watching the sun rise with me, but she’s didn’t bite.
Burgundy oudh and crushed velvet musk with a misting of lavender.
Fortuna Muliebris Perfume OilOut of Stock
The Fortunes of Women
A hymn for stability, health, strength, and fecundity: French lavender, white pear, and patchouli with clary sage, white tea, and sandalwood.
Fortuna Tranquilla Perfume OilOut of Stock
The Fortune of the Seas
A hymn to calming life’s storms and a blessing of serenity and level-headedness: champaca blossom and jasmine with a curl of lavender.
Fuck This Heat Perfume OilAdd to cart
What global warming? Slivers of ice to cool things down, lavender and hops flower to soothe the nerves.
Proceeds benefit getting the goddamn AC fixed in the front parlor at BPAL so Teddy and Claire don’t sweat to death and we don’t roast people alive at Lunacy.
Gaueko Perfume OilSelect Options
The Basque God of Night and all the perils of the darkness. Though he is the God of the Danger that Lurks in the Gloom, he is kind to men and warns them against the nighttime hazards and sets rules of conduct for both the living and the dead as they travel through his domain. It is said that since the warm, vibrant daylight is for the living, the abodes of night are reserved for the dead. All who heed his counsel are protected, but woe be to any man that disobeys the laws of Gaueko: he is swift to punish those that would scorn his advice. Blackened sandalwood and misty lavender, with curling wisps of smoky tobacco, nag champa, and labdanum.
Ghost Music Perfume OilOut of Stock
Gloomy and bare the organ-loft,
Bent-backed and blind the organist.
From rafters looming shadowy,
From the pipes’ tuneful company,
Drifted together drowsily,
Innumerable, formless, dim,
The ghosts of long-dead melodies,
Of anthems, stately, thunderous,
Of Kyries shrill and tremulous:
In melancholy drowsy-sweet
They huddled there in harmony.
Like bats at noontide rafter-hung.
– Robert Graves
Sheets of white musk and lavender curling around a melancholy song of violet root, iris, neroli, and honeysuckle.
Gingerbread and Lavender Sugar Perfume OilAdd to cart
Jaawi Perfume OilAdd to cart
Sweet Indonesian patchouli, red benzoin, champaca attar, French lavender, coconut husk, bay leaf, tobacco absolute, lime, and honey.
King of Hearts Perfume OilSelect Options
‘How do you like the Queen?’ said the Cat in a low voice.
‘Not at all,’ said Alice: ‘she’s so extremely–‘ Just then she noticed that the Queen was close behind her, listening: so she went on, ‘–likely to win, that it’s hardly worth while finishing the game.’
The Queen smiled and passed on.
‘Who ARE you talking to?’ said the King, going up to Alice, and looking at the Cat’s head with great curiosity.
‘It’s a friend of mine–a Cheshire Cat,’ said Alice: ‘allow me to introduce it.’
‘I don’t like the look of it at all,’ said the King: ‘however, it may kiss my hand if it likes.’
‘I’d rather not,’ the Cat remarked.
‘Don’t be impertinent,’ said the King, ‘and don’t look at me like that!’ He got behind Alice as he spoke.
‘A cat may look at a king,’ said Alice. ‘I’ve read that in some book, but I don’t remember where.’
‘Well, it must be removed,’ said the King very decidedly, and he called the Queen, who was passing at the moment, ‘My dear! I wish you would have this cat removed!’
The Queen had only one way of settling all difficulties, great or small.
‘-Off with his head!’ she said, without even looking round.
‘I’ll fetch the executioner myself,’ said the King eagerly, and he hurried off.
Rosewood and black cherry with white musk, red rose, red musk and a spark of lavender.
L’Intention Fait Valoir les Bagatelles Perfume OilOut of Stock
Black tea, lavender buds, Italian bergamot, and Siamese benzoin.
Lurid Perfume OilSelect Options
Shocking, horrific, fierce, savage, sensationalized, luminous and hazy: black currant, Bulgarian lavender and white musk with a dollop of thick resin and a voltaic charge of ozone notes.
Mad Hatter Perfume OilSelect Options
A gentlemen’s lavender-citron cologne unhinged by the feral pungence of black musk and a paroxysm of pennyroyal.
Misericordia Perfume OilAdd to cart
The Misericordia, or Tristis, are vampires that are consumed with a longing to regain their lost humanity, some to the point of being driven mad by the desire to be human once more. The shock of their transition into vampirism and the rejection they faced from friends and loved ones was devastating, and it compromises their ability to find solace and comfort. Unlike the Transeo, Misericordia cannot merge into human society, but are relegated by their own grief to the position of outsiders. Their inherent melancholy and morose temperaments make it difficult for them to cultivate relationships with either humans or vampires. Most vampires treat the Misericordia with a fair amount of derision, and they are sometimes hunted by Interfectors who see the perspective of the Misericordia as an affront to their way of thinking.
Eons of grief and unending hunger: magnolia, black currant, castoreum accord, lavender, labdanum, amber, rose otto, and opoponax.
Moons of Saturn: Dione Perfume OilOut of Stock
Oracle and healer, the Titaness Dione was once one of Zeus’ consorts. Her scent is dove black labdanum shining with opalescent lavender and poplar bud.
Mummeries and Straining-to-be Memorable Passages Perfume OilAdd to cart
Obergefell vs Hodges
Buried beneath the mummeries and straining-to-be-memorable passages of the opinion is a candid and startling assertion: No matter what it was the People ratified, the Fourteenth Amendment protects those rights that the Judiciary, in its ‘reasoned judgment,’ thinks the Fourteenth Amendment ought to protect.
Rosemary is for remembrance: rosemary water with lavender, blackberry, Italian bergamot, and white musk.
Nephilim Perfume OilSelect Options
Dark children conceived from the union of Fallen Angels and the Daughters of Men. According to lore, the angel Shemhazai led a group of his angels to earth to instruct mankind in the ways of piety and righteousness. After a time, the angels became prey to earthly desires and began to lust after the daughters of man, and thus they fell. They instructed their mortal mates in the arts of conjuration, summoning, necromancy and other magickal arts. The fruits of their union are the Nephilim: possessed of superhuman strength, cunning, and infinite capacity, and hunger for, sin. Venerated as heroes by some, vilified by most, the Nephilim eventually annihilated one another in a cataclysmic civil war instigated by the angel Gabriel as punishment for their transgressions.
Holy frankincense and hyssop in union with earthy fig, defiled by black patchouli and vetiver, with a chaotic infusion of lavender, cardamom, tamarind, rosemary, oakmoss and cypress.
Night’s Bridge Perfume OilAdd to cart
And then they turned a corner, and saw the bridge. It could have been one of the bridges over the Thames, five hundred years ago, thought Richard; a huge stone bridge spanning out over a vast black chasm, into the night. But there was no sky above it, no water below. It rose into darkness.
Stone and darkness.
Old Scratch Perfume OilSelect Options
Old Nick, the Devil himself, as seen through the eyes of Victorian New England. A jaunty, dapper scent, deceptively genteel: a lavender fougere with tonka, amber, rosewood and a whiff of diabolical patchouli.
One Perfect Day Perfume OilOut of Stock
You did not need to creep into my heart
The way you did. You could have smiled
And knowing what you did, you have kept apart
From all my inner soul. But you beguiled
Honeyed tea rose, lavender water, red benzoin, bois de rose, and rose amber.
Paris Perfume OilSelect Options
Sensual, decadent, and enigmatic. Lavender, softly underscored by lotus and spice.
Pater Populi Perfume OilOut of Stock
The foundation of a stable and just society, the keeper of tradition, the enforcer of laws: bay leaf and olive blossom with ambrette seed, white oakmoss, petitgrain, lavender, cedar, and leather.
Schönperchten Perfume OilAdd to cart
The Shining Ones: snow-spattered lavender, bourbon vanilla, white mint, and white amber.
Schrodinger’s Cat Perfume OilSelect Options
One can even set up quite ridiculous cases. A cat is penned up in a steel chamber, along with the following diabolical device (which must be secured against direct interference by the cat): in a Geiger counter there is a tiny bit of radioactive substance, so small that perhaps in the course of one hour one of the atoms decays, but also, with equal probability, perhaps none; if it happens, the counter tube discharges and through a relay releases a hammer which shatters a small flask of hydrocyanic acid. If one has left this entire system to itself for an hour, one would say that the cat still lives if meanwhile no atom has decayed. The first atomic decay would have poisoned it. The Psi function for the entire system would express this by having in it the living and the dead cat (pardon the expression) mixed or smeared out in equal parts. It is typical of these cases that an indeterminacy originally restricted to the atomic domain becomes transformed into macroscopic indeterminacy, which can then be resolved by direct observation. That prevents us from so naively accepting as valid a “blurred model” for representing reality. In itself it would not embody anything unclear or contradictory. There is a difference between a shaky or out-of-focus photograph and a snapshot of clouds and fog banks.
A paradoxical scent experiment! – tangerine, sugared lime, pink grapefruit, oakmoss, lavender, zdravetz, and chocolate peppermint.
No cats were mistreated during the formulation of this paradox, or in the process of creating this perfume.
Scraps of Poetry Perfume OilOut of Stock
A citrus chypre with French lavender, yellow bergamot, and clove bud.
Seven Word Story: Gluttony Perfume OilAdd to cart
The subject of our latest #BPAL7wordstory contest was Gluttony. The winning entry was submitted by Crystal Rose-Thompson:
The Sirens Eagerly Beckoned the Approaching Ship
Sea splash on murky labdanum and gleaming olibanum, veiled in lavender, diaphanous osmanthus, gilded saffron, and honey incense.
Skyborn Perfume OilAdd to cart
“The Overlight, we called it.
and it is by its colored rays that you will
know your power, oh Skyborn child”
An otherworldly, iridescent shine, casked on-site at the Manifold Elixarium: opalescent lavenderine, sheer white musk, wild bergamot, iris and white amber drifting on a pale cloud of Hearthwood Ash.
Snow Bear Perfume OilAdd to cart
Lilith put on my boots to run out into the snow this morning in her pajamas. Ich wünsche dir einen guten morgen!
Pink cotton candy snow, tuberose, plumeria, melon blossom, green tea, lavender, and a shiver of white musk.
Squelette et Fantôme Perfume OilAdd to cart
My two favorite spectres, haunting the apartments of Paris: white musk, graceful lavender, blackcurrant, teakwood, and cacao.
Tavern of Hell Perfume OilSelect Options
Sometimes I would venture from my sepulchre to the jazz of night Paris, where having gathered the colours, I would think them over in front of the fire. I could be seen walking through a funeral corridor of my house and descending down a black spiral of steep stairs; rushing underground to Montmartre, all impatience to see the fiery rubies of the Moulin Rouge cross. I wondered thereabouts, then bought a ticket to watch frenzied delirium of feathers, vulgar painted lips and eyelashes of black and blue.
Naked feet, and thighs, and arms, and breasts were being flung on me from bloody-red foam of translucent clothes. The tuxedoed goatees and crooked noses in white vests and toppers would line the hall, with their hands posed on canes. Then I found myself in a pub, where the liqueurs were served on a coffin (not a table) by the nickering devil: “Drink it, you wretched!” Having drunk, I returned under the black sky split by the flaming vanes, which the radiant needles of my eyelashes cross-hatched. In front of my nose a stream of bowler hats and black veils was still pulsing, foamy with bluish green and warm orange of feathers worn by the night beauties: to me they were all one, as I had to narrow my eyes for insupportable radiance of electric lamps, whose hectic fires would be dancing beneath my nervous eyelids for many a night to come.
White gardenia, ambergris bouquet, lavender fougere, orange blossom, melissa, tobacco flower, coriander, ebony wood, ylang ylang, absinthe and aged whiskey.
The Air and the Ether Perfume OilAdd to cart
But on what could an impression be left? An impression of such a nature becomes a material thing and implies a material nexus, however subtle. So far as we know there are only two things there, the air and the ether. The air is a mobile thing and could not carry a permanent impression. But is the ether a mobile thing? It is pictured as a most delicate medium with vibrating currents flowing in it, but it seems to me that a most tenuous jelly with quivers and thrills would be a closer analogy. We could conceive the whole material universe embedded in and interpenetrated by this subtle material, which would not necessarily change its position since it is too fine for wind or any coarser material to influence it. I feel that I am rushing in where even Lodges fear to tread, but if it should prove to be as I suggest then we should have that permanent screen on which shadows are thrown. The block of ether upon the stairs is the same that it always was, and so conveys the impression from the past.
– the Edge of the Unknown, Arthur Conan Doyle
Gentle, almost imperceptible, permeating all things: pale amber vibrating with ambergris and a thread of lavender.
The Bow & Crown of Conquest Perfume OilSelect Options
And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.
Nobility and haughtiness befitting the Antichrist: sage, carnation and cedar with lavender, vanilla, white musk and leather.
And when he had opened the second seal, I heard the second beast say, Come and see.
The Creation of Lilith Perfume OilAdd to cart
I took this photo of Lilith a few days ago. I told her that it looks like her and Pickle are reenacting Michelangelo’s Creation of Adam, and I show her a pic. She asks what’s going on in it, so I explain the image, and she says… “Well, that’s friggin sexist. It’s stupid to say that boys were created first and to make a whole painting about it. Plus there’s no girls in the photo, and not everyone has boy or girl parts. It’s sexist, and I hate it.”
That was a much, much stronger reaction than I expected, but good on you, kid. Burn the patriarchy down.
And Elohim created Adam in His Image, in the Image of God He created him; male and female He created them. The first woman, created with Adam, in all her darkness and all her light: sweet black pomegranate, French lavender, oakmoss, ti leaf, bakhoor oudh incense, and black fig.
The Ghost of a Ghost’s Ghost Perfume OilAdd to cart
Now, suppose this is to be accepted as the rational and scientific explanation of all the phenomena of this order which have been observed since the human race began to conserve records of its own experience. To what conclusion should we be logically forced? The believe in the objective reality of apparitions under such conditions would have to make way for a new conception, but the point which is really at issue between the materialist and the spiritualist would remain untouched. That issue relates to the permanence of the human personality after death. The spiritualist will point you to his own experiences as affording evidence of the permanence of personality. The materialist is certain that all the experiences of which the spiritualist is conscious result from the operation of natural law. But the eternal question of the soul – “Am I an immortal thing?” – is not to be decided either by the proof of the existence of whole armies of ghosts, or by the rational explanation of all apparitional phenomena whatsoever. The spiritualist falls into an easy error in the supposition that a continuance of personality on a new plane implies a permanence of continuity. What guarantee has a ghost of being immortal? Me not he also perish out of his appointed sphere? And why might we not fancy a whole procession of lives in phantom state – each more ghostly, more attenuated than its forerunner – the ghost of a man, the ghost of a man’s ghost, the ghost of a “ghost’s” ghost, until the thin thing fades into nonentity and slips back into the universal element? The materialist falls into an error parallel with that of the spiritualist when he conceives that a rational explanation of all ghostly phenomena has disposed of a belief in immortality. The concept is as independent of evidence, and as unsupportable by evidence as it is indestructible by evidence. We can neither prove nor disprove, but the balance of reason is still upon the side of the believer and it favours strongly the hope of a continued existence and a continued growth. We can but argue from things known. In all nature we find the clearest evidence of law of progress.
– the Occult Review, January 1905
Falling into nonentity and slipping back into the universal element: pallid oakmoss and earthy patchouli tumbling into a void of misty lavender, cistus, and white agarwood.
The Hohenzollern Crypt Perfume OilAdd to cart
Beneath the Berlin Cathedral lies the Hohenzollern family crypt. It is the final resting place of many of those who shaped the history of Berlin, and is one of the most important dynastic burial sites in Europe, with roots reaching back through centuries.
The memory of an 18th-century perfume from the royal houses of the Holy Roman Empire drifting through marble-white walls: white bergamot, clementine, lime peel, grapefruit, blood orange, neroli, lavender, thyme, and tobacco.
The Magician’s Tools Perfume OilOut of Stock
With the Wand createth He.
With the Cup preserveth He.
With the Dagger destroyeth He.
With the Coin redeemeth He.
– Liber B vel Magi sub Figura I
Clary sage and patchouli for Earth, lavender and yarrow for Air, tobacco and Dracaena cinnabari for Fire, lotus root and myrrh for Water.
The Midnight Carnival Perfume OilOut of Stock
There were nine wagons, each draped in black, each drawn by a lean black horse, and each baring barred sides like teeth when the wind blew through the black hangings. The lead wagon was driven by a squat old woman, and it bore signs on its shrouded sides that said in big letters: MOMMY FORTUNA’S MIDNIGHT CARNIVAL. And below, in smaller print: Creatures of night, brought to light.
Cruelty and confinement, small magics and penny illusions: galbanum, teak, myrrh, narcissus, patchouli, cacao, labdanum, agarwood, lavender, neroli, and black moss.
The Mountebank Perfume OilOut of Stock
The Hustler, the Scoundrel, the Grifter, using the magic of misdirection, charm, and subtlety to swindle his way through this world, and through all worlds, seen and unseen. Eloquent and glib, he is the quintessential knave. He is the Guardian of Gamblers and the Protector of Con-Men.
A confidence trick: leather, sweet balsam, white sandalwood, thieves’ rosin, and dusty lavender.
The Stream Perfume OilOut of Stock
The intuitiveness, compassion, sensuality, and creativity that nourishes and sustains Order: lavender buds and gentle bells of Lily of the Valley floating on a calm river of lychee, ylang ylang, and white magnolia.
The Tigress Atmosphere SprayAdd to cart
Red musk and sweet golden amber with red agarwood, leather, labdanum, black tea, orris, and lavender.
Thought Photography Perfume OilAdd to cart
During the year 1896 considerable stir was created by the investigation of Dr. Hippolyte Baraduc, of Paris, in the line of “Thought Photography,” which is of interest to psychic investigators generally. Dr. Baraduc claimed to have gotten photographic impressions of his thoughts, “made without sunlight or electricity or contact of any material kind.” These impressions he declared to be subjective, being his own personal vibrations, the result of a force emanating from the human personality, supra-mechanical, or spiritual. The experiments were carried on in a dark room, and according to his statement were highly successful. In a communication to an American correspondent, printed in the New York Herald, January 3, 1897, he writes: “I have discovered a human, invisible light, differing altogether from the cathode rays discovered by Prof. Roentgen.” Dr. Baraduc advanced the theory that our souls must be considered as centers of luminous forces, owing their existence partly to the attraction and partly to the repulsion of special and potent forces bred of the invisible cosmos.
A number of French scientific journals took up the matter, and discussed “Thought Photography” at length, publishing numerous reproductions of the physician’s photographs; but the more conservative journals of England, Germany and America remained silent on the subject, as it seemed to be on the borderland [Pg 199]between science and charlatanry. On January 11, 1897, the American newspapers contained an item to the effect that Drs. S. Millington Miller and Carleton Simon, of New York City, the former a specialist in brain physiology, and the latter an expert hypnotist, had succeeded in obtaining successful thought photographs on dry plates from two hypnotized subjects. When the subjects were not hypnotized, the physicians reported no results.
As “Thought Photography” is without the pale of known physical laws, stronger evidence is needed to support the claims made for it than that which has been adduced by the French and American investigators. “Thought Photography” once established as a scientific fact, we shall have, perhaps, an explanation of genuine spirit photographs, if such there be.
– Hours With the Ghosts; Or XIX Century Witchcraft by Henry R. Evans
Mercury-limned lavender, palo santo, and ambrette seed.
Tombeur Perfume OilAdd to cart
There are two types of vampires that humans, and often other vampires, need to be wary of: the Interfectors and the Tombeur.
The Tombeur, are much more complex in their hunting habits and their perceptions than their Interfector cousins. Like the Interfectors, they perceive their vampirism to be an initiation into a higher state of being and relegate humans to base foodstuffs. Unlike the Interfectors, however, the Tombeur are not straightforward predators, and there is a secondary purpose to their hunt: sexual gratification. They take full advantage of their saliva’s hypnotic and psychotropic effects on humans, the mystique that surrounds vampires, the seemingly unnatural attraction some humans have toward vampires, and the potency of the Tombeurs’ own sexual drive to lure humans into complex carnal relationships that culminate in feeding. They are consummate seducers, and some Tombeur feed, completely and terminally, on their conquests, while others create henchmen that are little more than sex slaves. Neither fate is something we would recommend to any of our readers.
Deadly and seductive: vanilla-infused sandalwood, blood musk, antique patchouli, vetiver, lavender, bitter almond, amber, and a trickle of Snake Oil.
True Love Perfume OilOut of Stock
Lilith’s lavender smushed with Pickle’s coconut cream.
Twilight Perfume OilSelect Options
An enigmatic, otherworldly scent, brimming with power and mystery.
Lavender and jasmine, with a touch of glowing honeysuckle.
Ubi Bene, Ibi Patria Perfume OilAdd to cart
Lilith once told me that home is wherever her loved ones are. My sweet girl, may you always be surrounded by those who love and support you.
White musk and lavender, frankincense and amber incense, sugar cookies, rose petals, and Florida Water.
Veil Perfume OilSelect Options
A quiet scent, soft, calm and enigmatic. A perfume of mystery, of whispers, and of secrets behind secrets. White sandalwood, lilac, gardenia, violet, orris, lavender and ylang ylang.
Villain Perfume OilSelect Options
A classic Victorian men’s cologne: a lavender fougere, with hints of lilac, lime, and citrus musk.
Wilde Perfume OilSelect Options
To stab my youth with desperate knives, to wear
This paltry age’s gaudy livery,
To let each base hand filch my treasury,
To mesh my soul within a woman’s hair,
And be mere Fortune’s lackeyed groom, — I swear
I love it not! these things are less to me
Than the thin foam that frets upon the sea,
Less than the thistle-down of summer air
Which hath no seed: better to stand aloof
Far from these slanderous fools who mock my life
Knowing me not, better the lowliest roof
Fit for the meanest hind to sojourn in,
Than to go back to that hoarse cave of strife
Where my white soul first kissed the mouth of sin.
A sophisticated traditional gentleman’s cologne, with just the slightest taint of patchouli’s passion, tonka bean’s decadence, the philanthropy of bergamot, moss’ cynicism, the sharp wit of lavender, and the hopeless romantic longing of jasmine and thyme.
Wulric, The Wolfman Perfume OilAdd to cart
A lively tune is being played nearby; it is syncopated, a disjointed song, but perky and upbeat. As you turn to the next stage, you see the broad back and shaggy hair of the next performer. He is seated on a stool in front of a battered upright piano. Wire pokes out from holes in the back of the decrepit beechwood, and broken pinblocks are scattered on the floor. A bowl of glistening viscera has been plopped on a small end table next to the pianist. You can see that the ivory keys of the piano are smeared with blood. He pounds and tinkles the keys merrily, and laughs to himself. The man turns to the audience, and his unkempt russet hair, feral yellow eyes, wild balbo, and chin curtain beard betray his lycanthropic nature. He smiles widely, innocently, and waves his red-stained, black-clawed paw in a genial welcome. He bellows cheerfully, “Hi there! Make yourself comfortable! Don’t you look absolutely necrolishious! HA! HAHA! I just made that word up!” He laughs again, turns, and resumes playing the piano. The rambling tune picks up pace, and he plays with a showman’s flourish. The song slows as he chats with the audience from over his shoulder. “You know, my ex-girlfriend was a real handful, but really… I’ve never known a woman that was as tender as she was. She was all gushy, and well… to be honest, she just fell to pieces for me. Eventually, things ran their course… three courses, really… and, as they say, nothing lasts forever. But I’ll always have a piece of her, here… close to my heart.” He chuckles, and pats the chest of his patchwork overcoat.
In the distance, possibly from Meskhenet’s stage, you hear one of the phantom musicians give Wulric a gratuitous rim shot.
Friendly, charming, and cuddly, but possessing one hell of a mean streak: cocoa absolute, French vanilla, birch tar, lavender, bourbon vetiver, wild musk, cardamom husk, clary sage, and cistus.
Yuletide at Heathrow Perfume OilAdd to cart
Honestly, there are a lot of smells in any given airport that I probably shouldn’t translate into a perfume, but this particular scent was inspired by this radiant ribbon tree at Heathrow and the joyful little girl standing in front of it.
Sparks of snow-white musk dotted with shining bulbs of blackcurrant, plum, and lavender.