PERFUME OIL BLENDS
Presented in an amber apothecary vial.
Fall under the spell of our Green Fairy! An intoxicating blend containing wormwood essence, light mints, cardamom, anise, hyssop, and the barest hint of lemon.
Anne BonnySelect options
Named in honor of the most notorious female pirate to ever set sail. Wicked, cruel, beautiful, intelligent, resourceful and dangerous: a true role model. A blend of Indonesian red patchouli, red sandalwood, and frankincense. A million thanks to Juliana Williamson-Page for inspiration!
The essence of magickal enigmas and long-forgotten esoteric mysteries. Frankincense, rosemary, lavender, neroli, and verbena.
True, perfect golden light, refined into an incomparably glorious scent.
Belle ÉpoqueSelect options
“The Pretty Era”, France’s Golden Time: an age of beauty, innovation and peace in France that lasted from the 19th Century through the first World War and gave birth to the cabaret, the cancan, and the cinema as well as the Impressionist and Art Nouveau movements. Sweet opium, Lily of the Valley, vanilla, mandarin and red sandalwood.
I grieve and dare not show my discontent,
I love and yet am forced to seem to hate,
I do, yet dare not say I ever meant,
I seem stark mute but inwardly do prate.
I am and not, I freeze and yet am burned,
Since from myself another self I turned.
My care is like my shadow in the sun,
Follows me flying, flies when I pursue it,
Stands and lies by me, doth what I have done.
His too familiar care doth make me rue it.
No means I find to rid him from my breast,
Till by the end of things it be supprest.
Some gentler passion slide into my mind,
For I am soft and made of melting snow;
Or be more cruel, love, and so be kind.
Let me or float or sink, be high or low.
Or let me live with some more sweet content,
Or die and so forget what love ere meant.
Inspired by the tragic, ill-fated love of Queen Elizabeth I and the Earl of Leicester. This is our modernization of a 17th-century perfume blend favored by British aristocracy: rosemary, orange flower, grape spirit, five rose variants, lemon peel, and mint.
Deep, luscious green and berry scents that evoke images of woodland witchcraft and the raw power of nature: blackberry, sage, green tea, wild berries and dark musk.
Black ForestSelect options
This is the captured scent of a cold, moonless night, lost deep within the darkest wood. Haunting and desolate, this scent evokes images of fairy tale tragedy and half-remembered nightmares. Thick, viscous pine with ambergris, black musk, juniper and cypress.
Black PearlSelect options
Evocative of the sea’s unplumbed mysteries. Gentle and lovely, but menacing and profound. Coconut, Florentine iris, hazelnut and opalescent white musk.
A shot of pure, self-indulgent euphoria! A scent that is very, very wicked in its own way: the serotonin-slathered scent of pure milk chocolate.
A vital, bold scent, throbbing with sensuality. Essence of dragon’s blood resin, thickened with myrrh and cherry, with a trickle of clove.
Blood AmberSelect options
Slivers of warm, pulsating blood forever crystallized in golden amber resin.
Blood KissSelect options
Lush, creamy vanilla and the honey of the sweetest kiss smeared with the vital throb of husky clove, swollen red cherries, but darkened with the vampiric sensuality of vetiver, soporific poppy and blood red wine, and a skin-light pulse of feral musk.
Bon VivantSelect options
An effervescent blend of crystalline champagne notes and sweet strawberry.
In Hermetic alchemy, brimstone is one of the Three Heavenly Substances, one of the primary alchemical Principles It represents the strength of will and the vigor of passion, and it is a symbol of the process of fermentation. A smoky, gritty blend, husky and gray.
Calico JackSelect options
Sea air, driftwood, waterlogged kelp, and the memory of plundered spices sprayed over worn leathers, rough musk, and the salty wooden floorboards of the Revenge.
The fiery, volatile scent of cinnamon, thickened by myrrh, honeysuckle, and copal.
Dana O’SheeSelect options
In Irish folklore the Dana O’Shee are a fae, elven people that live in a realm of beauty, their nobility akin to our that own Age of Chivalry, eternally beautiful and eternally young. They surround themselves with the pleasures of the Arts, they live for the hunt, and to this day can be seen riding in procession through the Irish countryside at twilight, led by their King and Queen. However, the Dana O’Shee are not benevolent creatures, despite what their unearthly beauty may imply. They are vengeful and treacherous and possess a streak of mischievous malice, and many have whispered that their true home lies deep in the shadowed groves of the Realm of the Dead. Hearing even a single chord of their otherworldly music leaves one stunned and lost to the mortal realms for ever, finding themselves prey to the Dana O’Shee’s hunt or enslaved in their Court as servants or playthings.
Offerings of milk, honey and sweet grains were made to placate these creatures, and it is that the basis of the scent created in their name.
John Dee: master of science, alchemy and magic, Hermetic philosopher in the schools of Rosicrucian Christian Mysticism and Platonic-Pythagorean doctrine, and Queen Elizabeth’s astrologer, advisor, cryptologist and spy. With Edward Kelly, he created a field of study and work in Angelic Evocation, and isolated the Angelic language: Enochian. His scent is soft English leather, rosewood and tonka with a hint of incense, parchment and soft woods.
All the glory, warmth and majesty of the sun — darkened. A delicious blend of bitter almond, vanilla, frankincense and heliotrope, with a drop of cinnamon.
Event HorizonSelect options
A disconcerting scent, heavy and oppressive, through which no light, no matter, and no spirit can escape. Black opium, labdanum, opoponax, black orchid, and benzoin.
A brilliant, ethereal scent: white musk, bergamot, heliotrope, peach and oakmoss.
Arrr! Avast ye, matey! This be the scent of pirate rum!
A brace of loaded pistols
He carried night and day;
He never robbed a poor man
Upon the king’s highway;
But what he’d taken from the rich,
Like Turpin and Black Bess,
He always did divide it
With the widow in distress.
Stand and deliver! Vetiver with gardenia, blood red rose, night-blooming jasmine, a dash of cinnamon and a faint hint of leather
Though thy slumber may be deep,
Yet thy spirit shall not sleep;
There are shades which will not vanish,
There are thoughts thou canst not banish;
By a power to thee unknown,
Thou canst never be alone;
Thou art wrapt as with a shroud,
Thou art gather’d in a cloud;
And for ever shalt thou dwell
In the spirit of this spell.
A profound and entrancing potion. Deep, wispy, and unfathomably dark: vetiver, dark woods, crumbling and burnt black sandalwood and a drop of lemon rind.
The Dark Side of Fire: cinnamon, bitter almond, and neroli. Heavily spiced, torrid, and possibly conflagrant.
A sultry, exotic scent that inspires devious plotting and clandestine affairs. It is a scent painted in artifice, veiled in deceit, and slithering with whispered secrets. Black palm, with cocoa, fig and shadowy wooded notes.
The scent of warm, glowing jack o’lanterns on a warm autumn night: true Halloween pumpkin, spiced with nutmeg, glowing peach and murky clove.
Jolly RogerSelect options
Sea spray with an undercurrent of leather, Bay Rum, and salty, dry woods.
Juke JointSelect options
A bawdy, gleefully wicked and unruly scent: Kentucky Bourbon, sugar and a sprig of mint.
“Rum punch is not improperly called Kill-Devil; for thousands lose their lives by its means. When newcomers use it to the least excess, they expose themselves to imminent peril, for it heats the blood and brings on fevers, which in a very few hours send them to their graves.”
Sugar cane, molasses, oak wood, and honey.
Kubla KhanSelect options
In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher’s flail:
And ‘mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And ‘mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight ‘twould win me
That with music loud and long
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed
And drunk the milk of Paradise.
Through sunlit caves of ice, roses unfurl amidst dancing waves of serpentine opium smoke and amber tobacco, golden sandalwood, champaca, tea leaf, sugared lily, ginger, rich hay absolute, leather, dark vanilla, mandarin, peru balsam, and Moroccan jasmine.
La Bella Donna Della Mia MenteSelect options
My limbs are wasted with a flame,
My feet are sore with traveling,
For, calling on my Lady’s name,
My lips have now forgot to sing.
O Linnet in the wild-rose brake
Strain for my Love thy melody,
O Lark sing louder for love’s sake,
My gentle Lady passeth by.
She is too fair for any man
To see or hold his heart’s delight,
Fairer than Queen or courtesan
Or moonlit water in the night.
Her hair is bound with myrtle leaves,
(Green leaves upon her golden hair!)
Green grasses through the yellow sheaves
Of autumn corn are not more fair.
Her little lips, more made to kiss
Than to cry bitterly for pain,
Are tremulous as brook-water is,
Or roses after evening rain.
Her neck is like white melilote
Flushing for pleasure of the sun,
The throbbing of the linnet’s throat
Is not so sweet to look upon.
As a pomegranate, cut in twain,
White-seeded, is her crimson mouth,
Her cheeks are as the fading stain
Where the peach reddens to the south.
O twining hands! O delicate
White body made for love and pain!
O House of love! O desolate
Pale flower beaten by the rain!
Soft, lush myrtle and dry, sweet melilot with wild rose, pomegranate juice and peach blossom against a background of deep aquatic notes and a twirl of melancholy autumn breezes.
The Lampades are the darkly beautiful nymphs of the underworld, also called the Lethe Nymphae Avernales. They are the daughters of the Gods that govern the many rivers of Hades. The Lampades are Hecate’s torch-bearers and accompany the Goddess on her hunts, quests and revels. Their scent is the crisp, inviting bittersweet tang of cranberry with smoky dark lilies, heady, sensual musk, a tingle of ginger and a brush of Mediterranean spices.
Leanan SidheSelect options
“Most of the Gaelic poets, down to quite recent times, have had a Leanhaun Shee, for she gives inspiration to her slaves and is indeed the Gaelic muse — this malignant fairy. Her lovers, the Gaelic poets, died young. She grew restless and carried them away to other worlds, for death does not destroy her power.” – W.B. Yeats
The name translates to “fairy, love of my soul”. A vampiric spirit and a dark muse, the love of the Leanan Sidhe is both a gift and a curse. These eerily beautiful Irish spirits drain the sanity and lifeforce of the men they inspire to artistic greatness. Her kiss infuses a man with depth of vision and feeling, otherworldly passion, and a sudden and ineffable understanding of the unending sadness that plagues mankind. Her perfume is a crush of Irish herbs and flowers, Gaelic mists, and nighttime dew.
Lightning slashing the midnight skies over the endless reaches of the ocean. The electric tang of ozone, marine notes, and a drop of sharp rain.
Shocking, horrific, fierce, savage, sensationalized, luminous and hazy: black currant, Bulgarian lavender and white musk with a dollop of thick resin and a voltaic charge of ozone notes.
Mary ReadSelect options
Salt air, ocean mist, aged patchouli, sarsaparilla, watered-down rum, leather-tinged musk, and a spray of gunpowder.
A festive, dazzling blend, layered in mystery and intrigue. Patchouli, ambergris, carnation and orange blossom.
Mata HariSelect options
A renowned exotic dancer and courtesan, possessed of aristocratic elegance, matchless charm, an iron will and a streak of fearlessness. The actual events of her life have met with much speculation, and to this day it is unclear whether or not she was truly a German spy. Despite shaky evidence of her guilt, she was tried for espionage by a closed court-martial and was executed by a French firing squad in 1917.
Her scent is striking and bold with a delicate yet dark undertone: five roses with soft jasmine, warmed by vanilla, fig, tonka bean and mahogany, spiced with a drop of coffee bean
Earth sorceress and mother of Mordred, she is, in essence, the harbinger of King Arthur’s doom and the downfall of Camelot. She is a sister, or sister-self, to Morgan Le Fay. A bouquet of five night-blooming flowers deepened by dusky violet, purple fruits and the barest breath of medieval incenses.
A Sanskrit blessing and word of greeting that bears a powerful symbolism. It represents the Oneness of all of existence, the union of matter and spirit, perfect wholeness. It is accompanied by a gesture: Anjali — hands pressed together, fingertips heavenward, pressed together over the heart’s chakra.
This oil blend is a serene, soothing Indian blend, created to bring calm and joy to the heart and peace to the spirit. Sandalwood, jasmine, rose, patchouli, cedarwood and lemongrass.
Ode on MelancholySelect options
No, no, go not to Lethe, neither twist
Wolf’s-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kiss’d
By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
Nor let the beetle, nor the death-moth be
Your mournful Psyche, nor the downy owl
A partner in your sorrow’s mysteries;
For shade to shade will come too drowsily,
And drown the wakeful anguish of the soul.
But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
Emprison her soft hand, and let her rave,
And feed deep, deep upon her peerless eyes.
She dwells with Beauty — Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
Veil’d Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy’s grape against his palate fine;
His soul shalt taste the sadness of her might,
And be among her cloudy trophies hung.
Beauty, joy, pleasure and delight: devastated. This is the scent of the hopelessness, torment and despair of love. Lavender and wisteria, heart-wrenching pale rose, desolate white sandalwood and thin, tear-streaked white musk.
Lush parlor rooms draped in thick velvets and gilded in gold, unearthly whispering in the distance, fleeting flashes of wraithlike figures rushing just outside your vision, the chill of a phantom presence brushing by your cheek, the inscrutable knowledge that disembodied eyes are peering at you from darkened cornersâ€¦ this is the essence of Victorian-era spiritualism: rosewood, oak and teak notes with wispy blue lilac, tea rose, dried white rose and ethereal osmanthus.
Penny DreadfulSelect options
Also called Gallows Literature. A dime novel rife with melodrama, horror, madness and cruelty; a ten cent analogy of vice and virtue in conflict. Soft perfume evocative of noir heroines over rich red grave loam.
The scent of a pirate’s bumboat, overflowing with stolen wares: tea leaf, cassia, cinnamon bark, clove, allspice, sandalwood, tobacco, peppercorn, and nutmeg.
Poisoned AppleSelect options
The queen stepped before her mirror:
Mirror, mirror, on the wall,
Who in this land is fairest of all?
The mirror answered:
You, my queen, are fair; it is true.
But Little Snow-White with the seven dwarfs
Is a thousand times fairer than you.
When the queen heard this, she shook and trembled with anger, “Snow-White will die, if it costs me my life!” Then she went into her most secret room — no one else was allowed inside — and she made a poisoned, poisoned apple. From the outside it was red and beautiful, and anyone who saw it would want it. Then she disguised herself as a peasant woman, went to the dwarfs’ house and knocked on the door.
Snow-White peeped out and said, “I’m not allowed to let anyone in. The dwarfs have forbidden it most severely.”
“If you don’t want to, I can’t force you,” said the peasant woman. “I am selling these apples, and I will give you one to taste.”
“No, I can’t accept anything. The dwarfs don’t want me to.”
“If you are afraid, then I will cut the apple in two and eat half of it. Here, you eat the half with the beautiful red cheek!” Now the apple had been so artfully made that only the red half was poisoned. When Snow-White saw that the peasant woman was eating part of the apple, her desire for it grew stronger, so she finally let the woman hand her the other half through the window. She bit into it, but she barely had the bite in her mouth when she fell to the ground dead.
The queen was happy, went home, and asked her mirror:
Mirror, mirror, on the wall,
Who in this land is fairest of all?
And it answered:
You, my queen, are fairest of all.
A perfect, lovely, gleaming red apple whose sweetness masks a swirl of narcotic opium, oleander, and hemlock.
A master storyteller who possessed unfailing courage and compassion, a sharp, quick wit, and a true understanding of human nature. Saffron and Middle Eastern spices swirled through sensual red musk.
Schrodinger’s CatSelect options
One can even set up quite ridiculous cases. A cat is penned up in a steel chamber, along with the following diabolical device (which must be secured against direct interference by the cat): in a Geiger counter there is a tiny bit of radioactive substance, so small that perhaps in the course of one hour one of the atoms decays, but also, with equal probability, perhaps none; if it happens, the counter tube discharges and through a relay releases a hammer which shatters a small flask of hydrocyanic acid. If one has left this entire system to itself for an hour, one would say that the cat still lives if meanwhile no atom has decayed. The first atomic decay would have poisoned it. The Psi function for the entire system would express this by having in it the living and the dead cat (pardon the expression) mixed or smeared out in equal parts. It is typical of these cases that an indeterminacy originally restricted to the atomic domain becomes transformed into macroscopic indeterminacy, which can then be resolved by direct observation. That prevents us from so naively accepting as valid a “blurred model” for representing reality. In itself it would not embody anything unclear or contradictory. There is a difference between a shaky or out-of-focus photograph and a snapshot of clouds and fog banks.
A paradoxical scent experiment! – tangerine, sugared lime, pink grapefruit, oakmoss, lavender, zdravetz, and chocolate peppermint.
No cats were mistreated during the formulation of this paradox, or in the process of creating this perfume.
Sudha SegaraSelect options
Named after the primordial ocean of milk where Lord Vishnu reclines upon the thousand-headed Naga. Sweet milk and warm, healing ginger with a touch of golden honey and our blend of Ambrosia.
Tavern of HellSelect options
Sometimes I would venture from my sepulchre to the jazz of night Paris, where having gathered the colours, I would think them over in front of the fire. I could be seen walking through a funeral corridor of my house and descending down a black spiral of steep stairs; rushing underground to Montmartre, all impatience to see the fiery rubies of the Moulin Rouge cross. I wondered thereabouts, then bought a ticket to watch frenzied delirium of feathers, vulgar painted lips and eyelashes of black and blue.
Naked feet, and thighs, and arms, and breasts were being flung on me from bloody-red foam of translucent clothes. The tuxedoed goatees and crooked noses in white vests and toppers would line the hall, with their hands posed on canes. Then I found myself in a pub, where the liqueurs were served on a coffin (not a table) by the nickering devil: “Drink it, you wretched!” Having drunk, I returned under the black sky split by the flaming vanes, which the radiant needles of my eyelashes cross-hatched. In front of my nose a stream of bowler hats and black veils was still pulsing, foamy with bluish green and warm orange of feathers worn by the night beauties: to me they were all one, as I had to narrow my eyes for insupportable radiance of electric lamps, whose hectic fires would be dancing beneath my nervous eyelids for many a night to come.
White gardenia, ambergris bouquet, lavender fougere, orange blossom, melissa, tobacco flower, coriander, ebony wood, ylang ylang, absinthe and aged whiskey.
The Black TowerSelect options
Say that the men of the old black tower,
Though they but feed as the goatherd feeds,
Their money spent, their wine gone sour,
Lack nothing that a soldier needs,
That all are oath-bound men:
Those banners come not in.
There in the tomb stand the dead upright,
But winds come up from the shore:
They shake when the winds roar,
Old bones upon the mountain shake.
Those banners come to bribe or threaten,
Or whisper that a man’s a fool
Who, when his own right king’s forgotten,
Cares what king sets up his rule.
If he died long ago
Why do you dread us so?
There in the tomb drops the faint moonlight,
But wind comes up from the shore:
They shake when the winds roar,
Old bones upon the mountain shake.
The tower’s old cook that must climb and clamber
Catching small birds in the dew of the morn
When we hale men lie stretched in slumber
Swears that he hears the king’s great horn.
But he’s a lying hound:
Stand we on guard oath-bound!
There in the tomb the dark grows blacker,
But wind comes up from the shore:
They shake when the winds roar,
Old bones upon the mountain shake.
A sepulchral, desolate scent. Long-dead soldiers, oath-bound; the perfume of their armor, the chill wind that surges through their tower, white bone and blackened steel: white sandalwood, ambergris, wet ozone, galbanum and leather with ebony, teak, burnt grasses, English ivy and a hint of red wine.
The Coiled SerpentSelect options
A potent yogic oil that stimulates the kundalini, provokes spiritual awakening, and releases the energy seated in your root chakra.
The Forest ReverieSelect options
‘Tis said that when
The hands of men
Tamed this primeval wood,
And hoary trees with groans of woe,
Like warriors by an unknown foe,
Were in their strength subdued,
The virgin Earth Gave instant birth
To springs that ne’er did flow
That in the sun Did rivulets run,
And all around rare flowers did blow
The wild rose pale Perfumed the gale
And the queenly lily adown the dale
(Whom the sun and the dew
And the winds did woo),
With the gourd and the grape luxuriant grew.
So when in tears
The love of years
Is wasted like the snow,
And the fine fibrils of its life
By the rude wrong of instant strife
Are broken at a blow
Within the heart
Do springs upstart
Of which it doth now know,
And strange, sweet dreams,
Like silent streams
That from new fountains overflow,
With the earlier tide
Of rivers glide
Deep in the heart whose hope has died —
Quenching the fires its ashes hide, —
Its ashes, whence will spring and grow
Sweet flowers, ere long,
The rare and radiant flowers of song!
A sunlit ancient forest, dotted with wild roses, grape vine, and queenly lilies, clothed in swirls of opium smoke.
The Harlot’s HouseSelect options
We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot’s house.
Inside, above the din and fray,
We heard the loud musicians play
The “Treues Liebes Herz” of Strauss.
Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.
We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.
Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille.
The took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.
Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.
Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.
Then, turning to my love, I said,
“The dead are dancing with the dead,
The dust is whirling with the dust.”
But she–she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.
Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.
And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.
The dead are dancing with the dead, the dust is whirling with the dust: angelâ€™s trumpet, violet, white sandalwood, oude, copaiba balsam, angelica, white tea, olibanum, and oakmoss.
The Jersey DevilSelect options
It was about three feet and half high, with a head like a collie dog and a face like a horse. It had a long neck, wings about two feet long, and its back legs were like those of a crane, and it had horse’s hooves. It walked on its back legs and held up two short front legs with paws on them. It didn’t use the front legs at all while we were watching. My wife and I were scared, I tell you, but I managed to open the window and say, “Shoo”, and it turned around barked at me, and flew away.
The scent of the wild, hauntingly beautiful Pine Barrens of New Jersey! Pitch pine with blackberry leaf, cranberry, cedar wood and tomato leaf.
The RavenSelect options
Sleek, dark, and ominous. Violet and neroli mingled with iris, white sandalwood and dark musk.
Pure internal harmony and spiritual bliss: the perfected meditation blend.
“I like to drink martinis
Two at the very most.
Three, I’m under the table,
Four, I’m under my host.”
— Dorothy Parker
A tribute to New York’s 21 Club on West 52nd, formerly the speakeasy Jack & Charlie’s Puncheon Club. This is the scent of the perfect martini:
“The Perfect Martini, as an idea, has infinite possibilities. For me, the Dry Martini remains an American symbol of elusive perfection, a kind of pagan Holy Grail. The dedicated Martini drinker views this deceptively simple cocktail as a true if fleeting, salvation, … As in religion, one may not have actually witnessed the Conception of the Perfect Martini, but one accepts on faith that it exists, and that it takes away the sins of the earth.”
— The Martini, Barnaby Conrad III
This scent is dedicated to all the mods on the BPAL forum as thanks for their hard work, friendship, and for all they do to make the forum a pleasant, safe, and friendly place.
A quiet scent, soft, calm and enigmatic. A perfume of mystery, of whispers, and of secrets behind secrets. White sandalwood, lilac, gardenia, violet, orris, lavender and ylang ylang.
Envelop yourself in the soft, sensual embrace of gentle sandalwood warmed by cocoa vanilla and a veil of deep myrrh.
A midnight scent, evoking images of flickering golden firelight reflecting off the sheen of glistening skin and the jerking shadows of bodies suffused with spiritual ecstasy. A deep, powerful, resonant blend of myrrh, patchouli, vetiver, lime, vanilla, pine, almond and clove.
To stab my youth with desperate knives, to wear
This paltry age’s gaudy livery,
To let each base hand filch my treasury,
To mesh my soul within a woman’s hair,
And be mere Fortune’s lackeyed groom, — I swear
I love it not! these things are less to me
Than the thin foam that frets upon the sea,
Less than the thistle-down of summer air
Which hath no seed: better to stand aloof
Far from these slanderous fools who mock my life
Knowing me not, better the lowliest roof
Fit for the meanest hind to sojourn in,
Than to go back to that hoarse cave of strife
Where my white soul first kissed the mouth of sin.
A sophisticated traditional gentleman’s cologne, with just the slightest taint of patchouli’s passion, tonka bean’s decadence, the philanthropy of bergamot, moss’ cynicism, the sharp wit of lavender, and the hopeless romantic longing of jasmine and thyme.
The World Ash. Nine woods, nine leaves, and three herbs each for Ratatosk and Vidofnir, with three final herbs to placate Nidhogg.
A gentle white scent, breezes laced with the scent of springtime blooms and citrus. Lemon, lemon verbena, neroli, white musk, white florals, white sandalwood, China musk, bergamot and a drop of vanilla.