1/32oz Imp

Imp’s Ears are 1/32oz samples of select oil blends in glass vials.

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    ‘Tis the Voice of the Lobster Perfume Oil

    ‘Tis the voice of the Lobster: I heard him declare
    ‘You have baked me too brown, I must sugar my hair.’
    As a duck with its eyelids, so he with his nose
    Trims his belt and his buttons, and turns out his toes.
    When the sands are all dry, he is gay as a lark,
    And will talk in contemptuous tones of the shark;
    But, when the tide rises and sharks are around,
    His voice has a timid and tremulous sound.

    I passed by his garden and marked, with one eye,
    How the Owl and the Panther were sharing a pie:
    The Panther took pie-crust, and gravy, and meat,
    While the Owl had the dish as its share of the treat.
    When the pie was all finished, the Owl, as a boon,
    Was kindly permitted to pocket the spoon:
    While the Panther received knife and fork with a growl,
    And concluded the banquet by —

    A woody, musky-weird base glooping over with blackberry preserves, a twist of mandarin, strawberry juice, pulverized watermelon, and a handful of smushed gardenia petals.

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  • #20 Love Oil Perfume Oil

    A potent, enticing love formula, favored among Louisiana courtesans.

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  • 51 Perfume Oil

    Luminescent, glowing, and otherworldly: green mandarin, neroli, honeydew, white amber, guava, freesia, white and green musks hovering over desert scrub, smashed wood, and the dry, biting scent of night air over the Groom Lake salt flats.

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  • A Countenance Foreboding Evil Perfume Oil

    Thy gloomy features, like a midnight dial,
    Scowl the dark index of a fearful hour.

    Patchouli, ylang ylang, blood orange, and vetiver.

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  • Absinthe Perfume Oil

    Fall under the spell of our Green Fairy! An intoxicating blend containing wormwood essence, light mints, cardamom, anise, hyssop, and the barest hint of lemon.

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  • Aelopile Perfume Oil

    Smoldering coals heat the device from below, and steam hisses through two curved pipes, rotating the shining brass sphere.

    Glowing amber and citrus, labdanum, verbena, cedar, and oud.

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    Against Idleness and Mischief Perfume Oil

    How doth the little busy bee
    Improve each shining hour
    And gather honey all the day
    From every opening flower!

    How skilfully she builds her cell!
    How neat she spreads the wax!
    And labours hard to store it well
    With the sweet food she makes.

    In works of labour or of skill,
    I would be busy too;
    For Satan finds some mischief still
    For idle hands to do.

    In books, or work, or healthful play,
    Let my first years be passed,
    That I may give for every day
    Some good account at last.

    Pollen-dusted honey, diligent tonka, steadfast chamomile, and goodly hyssop.

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    Aglaea Perfume Oil

    Splendour

    Three golden ambers, bright musk, peach wine and myrtle.

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  • Aizen-Myoo Perfume Oil

    A bright, bittersweet scent honoring the Japanese Deity of Love and Passion. Aizen-Myoo is one of the vidyarajas, the Shingon’s Radiant Kings of Wisdom. Though Aizen-Myoo possesses the lust, grace and passion of both genders, he most often appears to his followers as male. His face is screwed into a fearsome demonic mask, but this is only the wrathful, fierce countenance he places over himself to guide and empower his children. Aizen-Myoo is the patron of prostitutes, of joyous, unbridled sexuality and of all forms of erotic love and is worshipped by all those in the sex industry, musicians, and – oddly – landlords.

    Yuzu, kaki, and mikan with cherry blossom and black tea.

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  • Al Azif Perfume Oil

    An Arabic term that refers to both the chirping of nocturnal insects and the ambient sound made by the chattering of demons. This is the original title of the feared Necronomicon, the Book of Dead Names, penned by the Mad Arab, Abdul Alhazred.

    Nor is it to be thought that man is either the oldest or the last of earth’s masters, or that the common bulk of life and substances walks alone. The Old Ones were, the Old Ones are, and the Old Ones shall be. Not in the spaces we know, but between them, They walk serene and primal, undimensioned and to us unseen. Yog-Sothoth knows the gate. Yog-Sothoth is the gate. Yog-Sothoth is the key and guardian of the gate. Past, present, future, all are one in Yog-Sothoth. He knows where the Old Ones broke through of old, and where They shall break through again. He knows where They have trod earth’s fields, and where They still tread them, and why no one can behold Them as They tread. By Their smell can men sometimes know Them near, but of Their semblance can no man know, saving only in the features of those They have begotten on mankind; and of those are there many sorts, differing in likeness from man’s truest eidolon to that shape without sight or substance which is Them. They walk unseen and foul in lonely places where the Words have been spoken and the Rites howled through at their Seasons. The wind gibbers with Their voices, and the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not forest or city behold the hand that smites. Kadath in the cold waste hath known Them, and what man knows Kadath? The ice desert of the South and the sunken isles of Ocean hold stones where Their seal is engraven, but who hath seen the deep frozen city or the sealed tower long garlanded with seaweed and barnacles? Great Cthulhu is Their cousin, yet can he spy Them only dimly. Iä! Shub-Niggurath! As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. Yog-Sothoth is the key to the gate, whereby the spheres meet. Man rules now where They ruled once; They shall soon rule where man rules now. After summer is winter, and after winter summer. They wait patient and potent, for here shall They reign again.

    A sinister, sinuous incense of summoning, a herald and paean to the Primordial Gods of Darkness, Chaos, Madness and Decay.

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  • Al-Shairan Perfume Oil

    The enemy of God, also named Iblis, He Who Despaired of the Mercy of God. Al-Shairan is the leader of the Jinn, a tempter who whispers false suggestions to men enticing them into evil and perfidious acts, and is the sworn enemy of all of Adam’s children.

    His scent is fiery, bright and thick with sweet sinfulness: clove, peach and orange with cinnamon, patchouli and dark incense notes.

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    Alecto Perfume Oil

    Unceasing In Anger

    Olive leaf, raspberry leaf, vetiver and cedarwood.

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    Alice

    Curiouser and curiouser. Milk and honey with rose, carnation and bergamot.

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    Alice’s Evidence Perfume Oil

    There was a general clapping of hands at this: it was the first really clever thing the King had said that day.

    ‘That proves his guilt,’ said the Queen.

    ‘It proves nothing of the sort!’ said Alice. ‘Why, you don’t even know what they’re about!’

    ‘Read them,’ said the King.

    The White Rabbit put on his spectacles. ‘Where shall I begin, please your Majesty?’ he asked.

    ‘Begin at the beginning,’ the King said gravely, ‘and go on till you come to the end: then stop.’

    These were the verses the White Rabbit read:-

    They told me you had been to her,
    And mentioned me to him:
    She gave me a good character,
    But said I could not swim.

    He sent them word I had not gone
    (We know it to be true):
    If she should push the matter on,
    What would become of you?

    I gave her one, they gave him two,
    You gave us three or more;
    They all returned from him to you,
    Though they were mine before.

    If I or she should chance to be
    Involved in this affair,
    He trusts to you to set them free,
    Exactly as we were.

    My notion was that you had been
    (Before she had this fit)
    An obstacle that came between
    Him, and ourselves, and it,

    Don’t let him know she liked them best,
    For this must ever be
    A secret, kept from all the rest,
    Between yourself and me.

    ‘That’s the most important piece of evidence we’ve heard yet,’ said the King, rubbing his hands; ‘so now let the jury-‘

    ‘If any one of them can explain it,’ said Alice, (she had grown so large in the last few minutes that she wasn’t a bit afraid of interrupting him,) ‘I’ll give him sixpence. I don’t believe there’s an atom of meaning in it.’

    The jury all wrote down on their slates, ‘She doesn’t believe there’s an atom of meaning in it,’ but none of them attempted to explain the paper.

    ‘If there’s no meaning in it,’ said the King, ‘that saves a world of trouble, you know, as we needn’t try to find any…’

    Containing nary a neutron of meaning: rum-quince-cassis with prune and a bit of black ginger.

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  • All Night Long Perfume Oil

    As if the name didn’t spell it out for you. This blend relieves all sexual inhibitions by simultaneously relaxing and arousing.

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  • Amsterdam Perfume Oil

    Tulips, peony, fresh flowing water and crisp green grasses.

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    Anathema Perfume Oil

    A scent as heavy as thunder from the Vatican, with notes that inspire every sin and excess. Black opium, with vetivert and honeysuckle.

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  • Anne Bonny Perfume Oil

    Named in honor of the most notorious female pirate to ever set sail. Wicked, cruel, beautiful, intelligent, resourceful and dangerous: a true role model. A blend of Indonesian red patchouli, red sandalwood, and frankincense. A million thanks to Juliana Williamson-Page for inspiration!

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    Anteros Perfume Oil

    When he is with the lover, both cease from their pain, but when he is away then he longs as he is longed for, and has love’s image, Anteros lodging in his breast, which he calls and believes to be not love but friendship only, and his desire is as the desire of the other, but weaker; he wants to see him, touch him, kiss him, embrace him, and probably not long afterwards his desire is accomplished.

    The God of Love Returned and avenger of unrequited love, Anteros is Eros’ brother – one of the Twin Cupids – and was given to Eros by his mother, for without reciprocal affection, love will wither. He wields lead arrows and a hammer of gold, and he wields his weapons to inspire mutual ardor and smite those who spurn love. His scent pierces the heart with glimmering shards of rapture and the sweet ache of passion: throbbing red musk and shimmering chypre with saffron, sweet patchouli, Italian bergamot, red currant, and vanilla bean.

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    Antony Perfume Oil

    The embodiment of Classic masculinity. A warrior’s scent: the green hills and grasses of the battlefields, the resinous incense from the prayers to his Gods, and a touch of the musky leather of his armor. Ambergris and frankincense with sage, and basil.

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  • Anubis Perfume Oil

    He Who Counts the Hearts, Jackal Ruler of the Bows, He Who Is In the Place of Embalming. Jackal-headed guardian, protector and psychopomp of Egypt’s dead, he guides souls to the underworld and holds steady the scales upon which the deceased’s heart is weighed against Ma’at’s Feather of Truth. He is the creator and master of funereal rites, He Who Opens the Mouth of the Dead, and is the sentinel that watches over the sanctity of tombs and the virtue and privacy of his charges.

    His scent is a blend of holy myrrh, storax, balsam, and embalming herbs.

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  • Aperotos Eros Perfume Oil

    Strong as death, and cruel as the grave,
    Clothed with cloud and tempest’s blackening breath,
    Known of death’s dread self, whom none outbrave,
    Strong as death,

    Love, brow-bound with anguish for a wreath,
    Fierce with pain, a tyrant-hearted slave,
    Burns above a world that groans beneath.

    Hath not pity power on thee to save,
    Love? hath power no pity? Nought he saith,
    Answering: blind he walks as wind or wave,
    Strong as death.

    Unloving love: benzoin, Indian musk, massoia bark, myrrh, ambrette seed, galbanum, bergamot, and fir.

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  • Arcana Perfume Oil

    The essence of magickal enigmas and long-forgotten esoteric mysteries. Frankincense, rosemary, lavender, neroli, and verbena.

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  • Arkham Perfume Oil

    Behind everything crouched the brooding, festering horror of the ancient town, and of the mouldy, unhallowed garret gable where he wrote and studied and wrestled with figures and formulae when he was not tossing on the meager iron bed. His ears were growing sensitive to a preternatural and intolerable degree, and he had long ago stopped the cheap mantel clock whose ticking had come to seem like a thunder of artillery. At night the subtle stirring of the black city outside, the sinister scurrying of rats in the wormy partitions, and the creaking of hidden timbers in the centuried house, were enough to give him a sense of strident pandemonium. The darkness always teemed with unexplained sound – and yet he sometimes shook with fear lest the noises he heard should subside and allow him to hear certain other fainter noises which he suspected were lurking behind them.

    He was in the changeless, legend-haunted city of Arkham, with its clustering gambrel roofs that sway and sag over attics where witches hid from the King’s men in the dark, olden years of the Province.

    A shadowy, unapproachable forest of maple, birch, dogwood, cypress and pine softened by a garland of New England wildflowers: bergamot, columbine, rue anemone, blue violet, creeping phlox, bloodroot, toadflax, and pixie moss.

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    Artificier Perfume Oil

    Gleaming metal, gear oil, sparking wires, shattered glass, and a blue flicker of arcane power.

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    Assassin Perfume Oil

    Supple black leather, poison-tipped daggers, and a garrote soaked in pitch.

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  • Athens Perfume Oil

    A reformulation and modernization of a true Classical Greek perfume, myrrhine: voluptuous myrrh, golden honey, red wine, and sweet flowers.

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  • Aunt Caroline’s Joy Mojo Perfume Oil

    Bottled happiness. Helps reverse misfortune, brings light and laughter to even the most troubled and discordant place, and aids in alleviating the stress and discontent that accompanies so many of life’s daily trials.

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  • Aureus Perfume Oil

    True, perfect golden light, refined into an incomparably glorious scent.

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  • Ave Maria Gratia Plena Perfume Oil

    Was this His coming! I had hoped to see
    A scene of wondrous glory, as was told
    Of some great God who in a rain of gold
    Broke open bars and fell on Danae:
    Or a dread vision as when Semele
    Sickening for love and unappeased desire
    Prayed to see God’s clear body, and the fire
    Caught her brown limbs and slew her utterly:
    With such glad dreams I sought this holy place,
    And now with wondering eyes and heart I stand
    Before this supreme mystery of Love:
    Some kneeling girl with passionless pale face,
    An angel with a lily in his hand,
    And over both the white wings of a Dove.

    A pale, delicate, truly angelic blend. A scent created to emulate Adonis’ halo of beauty: fragile, distant, and radiant. Rosewood with Sicilian lemon peel, red Mysore sandalwood, pale musks, sweet mountain sage and a dusting of lily, night-blooming jasmine and orris.

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  • Azathoth Perfume Oil

    The Daemon Sultan, Seething Nuclear Chaos

    …that last amorphous blight of nethermost confusion which blasphemes and bubbles at the centre of all infinity — the boundless daemon-sultan Azathoth, whose name no lips dare speak aloud, and who gnaws hungrily in inconceivable, unlighted chambers beyond time amidst the muffled, maddening beating of vile drums and the thin, monotonous whine of accursed flutes; to which detestable pounding and piping dance slowly, awkwardly, and absurdly the gigantic ultimate gods, the blind, voiceless, tenebrous, mindless Other Gods whose soul and messenger is the crawling chaos Nyarlathotep.

    Azathoth is the blind, idiot god who sits on a black throne at the center of Chaos. His scent is high-pitched and screeching, both impenetrably dark and searingly bright with the clarity of madness: tangerine, saffron, vetiver, black amber and cedarwood.

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    Baba Yaga Perfume Oil

    Then suddenly the wood became full of a terrible noise; the trees began to groan, the branches to creak and the dry leaves to rustle, and the Baba Yaga came flying from the forest. She was riding in a great iron mortar and driving it with the pestle, and as she came she swept away her trail behind her with a kitchen broom.

    Spell-soaked herbs and flowers, cold iron, broom twigs, bundles of moss and patchouli root, and moth dust.

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    Baku Perfume Oil

    Our Nightmarebane. Named after the Baku, benevolent Japanese spirits that eat nightmares. In Japanese tradition, nightmares are gifts from malevolent spirits; when you wake up from one, you may call, “Baku, please eat my dreams!”, and if you are virtuous and merciful in spirit, the Baku will devour the evil, transforming it into a blessing of good fortune.

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  • Baobhan Sith Perfume Oil

    The ghostly White Women of the Scottish highlands. They seduce unwary travelers by night with their unearthly beauty and mesmerizing dancing. They engage their victims in a wild, hypnotic dance, and once they reach exhaustion, exsanguinate their partners with their vampiric kiss. Grapefruit, white tea, apple blossom and ginger.

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  • Bard Perfume Oil

    A ridiculously charismatic blend of bay rum, honey, and white musk mingling with the scent of harp wood and lute strings and the twang of horn brass.

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  • Baron Samedi Perfume Oil

    A notorious voodoo priest, who eventually rose to become one of the funereal Guédés, alongside Baron Cimitère and Baron La Croix. He is a Guardian of the Crossroads: the pathways between our world and the realm of the spirits. As a Master of the Graveyard, he ensures that burial rites are performed with skill, and he helps ferry souls to the dark realm.

    In his honor, we have created this scent: our spin on traditional Bay Rum.

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  • Bastet

    Bast, Ubasti, Ailuros, Ba-en-Aset. Represented as both a domestic cat and a fierce lioness, she truly evidences traits of both. She is the Mother of All Cats, Goddess of Sensuality, Fertility, and a guardian and protector of women. She is also one of the Eyes of Ra, and in that aspect is an Avenging Goddess, seeking retribution and punishing enemies of her people.

    Luxuriant amber, warm Egyptian musk, fierce saffron and soft myrrh, almond, cardamom and golden lotus.

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  • Bathsheba Perfume Oil

    The Seventh Daughter, Daughter of the Oath. She was King David’s lover, and the mother of King Solomon. Her scent is breathtakingly lovely, exotic and powerfully sensual in its innocence: carnation, sensual plum, and Arabian musk.

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  • Bayou Perfume Oil

    A lazy, warm deep green scent with a thick aquatic undertone: Spanish moss, evergreen and cypress with watery blue-green notes and an eddy of hothouse flowers and swamp blooms.

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    Beer from the Marsh Woman’s Brewery Perfume Oil

    In the kitchen were frogs roasting on the spit, and dishes preparing of snail skins, with children’s fingers in them, salad of mushroom seed, hemlock, noses and marrow of mice, beer from the marsh woman’s brewery, and sparkling salt-petre wine from the grave cellars.

    A beer flavored with marsh arrow grass, yew berries, purple foxglove, and giant hogweed.

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  • Beholder Optician Perfume Oil

    A clear, glassy scent, translucent and blushing, that will bring your world into sharp focus: eucalyptus leaf, white amber, pink bergamot, strawberry, and sheer, crystalline vanilla musk.

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    Belladonna Perfume Oil

    The devil’s herb, which he cultivates with skill and pleasure. According to lore, the spirit of this plant may take the form of a breathtaking, achingly beautiful woman, deadly to behold. This scent is a tribute to such a dark and magnificent plant: a rich green and floral blend, earthy and haunting.

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  • Belle Époque Perfume Oil

    “The Pretty Era”, France’s Golden Time: an age of beauty, innovation and peace in France that lasted from the 19th Century through the first World War and gave birth to the cabaret, the cancan, and the cinema as well as the Impressionist and Art Nouveau movements. Sweet opium, Lily of the Valley, vanilla, mandarin and red sandalwood.

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    Bengal Perfume Oil

    A sultry and unruly blend that emulates the ambient scent of the markets in ancient Bengal: skin musk with honey, peppers, clove, cinnamon bark and ginger.

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    Berzerker Perfume Oil

    Thick furs, strips of leather, and a blood-stained axe with crushed poplar bud and juniper.

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  • Bess Perfume Oil

    I grieve and dare not show my discontent,
    I love and yet am forced to seem to hate,
    I do, yet dare not say I ever meant,
    I seem stark mute but inwardly do prate.
    I am and not, I freeze and yet am burned,
    Since from myself another self I turned.
    My care is like my shadow in the sun,
    Follows me flying, flies when I pursue it,
    Stands and lies by me, doth what I have done.
    His too familiar care doth make me rue it.
    No means I find to rid him from my breast,
    Till by the end of things it be supprest.
    Some gentler passion slide into my mind,
    For I am soft and made of melting snow;
    Or be more cruel, love, and so be kind.
    Let me or float or sink, be high or low.
    Or let me live with some more sweet content,
    Or die and so forget what love ere meant.

    Inspired by the tragic, ill-fated love of Queen Elizabeth I and the Earl of Leicester. This is our modernization of a 17th-century perfume blend favored by British aristocracy: rosemary, orange flower, grape spirit, five rose variants, lemon peel, and mint.

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  • Bewitched Perfume Oil

    Deep, luscious green and berry scents that evoke images of woodland witchcraft and the raw power of nature: blackberry, sage, green tea, wild berries and dark musk.

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  • Bien Loin D’Ici Perfume Oil

    This is the house, the sacred box,
    Where, always draped in languorous frocks,
    And always at home if someone knocks,

    One elbow into the pillow pressed,
    She lies, and lazily fans her breast,
    While fountains weep their soulfullest:

    This is the chamber of Dorothy.
    Fountain and breeze for her alone
    Sob in that soothing undertone.
    Was ever so spoiled a harlot known?

    With odorous oils and rosemary,
    Benzoin and every unguent grown,
    Her skin is rubbed most delicately.
    The flowers are faint with ecstasy.

    The Scarlet Woman, aglow with sensual indolence: red musk, benzoin, caramel accord, golden honey, and spiced Moroccan unguents.

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  • Black Annis Perfume Oil

    Vast talons, foul with human flesh, there grew
    In place of hands, and features livid blue
    Glar’d in her visage; while the obscene waist
    Warm skins of human victims close embraced.

    The blue faced hag of the British Hills. She lives in the Dane Hills, Leicestershire, in a cave called Black Annis’ Bower Close, which she dug out of rock with her own iron-strong claws. Dozens of huge cats prowl the Bower with her, and it is guarded by a great pollarded oak in which she hides so that she may catch lambs and small children to eat. She carries her victims back to her cave, where she flays them alive before devouring them. She drapes their skins on her guardian oak to dry. Her skirt is fashioned from the skins of her prey, and her bed is a high-piled bed of their bones.

    Black Annis’ perfume is a mixture of damp cave lichen and oak leaf with a hint of vetiver, civet and anise.

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  • Black Cat Perfume Oil

    A very tricky kitty, indeed. Used most often as a key to bringing back the joy one needs to have in life in order for living to feel worthwhile. Brings back a sense of delight in simple pleasures, and creates a surge of childlike curiosity and a youthful sense of fun. This blend can also be used to reverse troublesome lesser crossings, create a playful air of catlike sexuality, and, because cats will be cats, it can also be used to throw minor, irritating or bothersome hexes, causing small amounts of chaos and disruption to your foes.

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  • Black Forest Perfume Oil

    This is the captured scent of a cold, moonless night, lost deep within the darkest wood. Haunting and desolate, this scent evokes images of fairy tale tragedy and half-remembered nightmares. Thick, viscous pine with ambergris, black musk, juniper and cypress.

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    Black Lily Perfume Oil

    Breathtaking darkness, a vision of grace in shadow.

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    Black Lotus Perfume Oil

    Born in the shadows of a Temple to Set, this corrupted Egyptian scent evokes images of black pyramids, river demons, and bleak, deadly desert sands. Black lotus flower, amber, myrrh and sandalwood.

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  • Black Pearl Perfume Oil

    Evocative of the sea’s unplumbed mysteries. Gentle and lovely, but menacing and profound. Coconut, Florentine iris, hazelnut and opalescent white musk.

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  • Black Phoenix Perfume Oil

    Our signature oil. A dark, languid scent.

    Promotes hedonistic tendencies and extreme self-love. You won’t stop kissing mirrors for a month.

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    Black Rose Perfume Oil

    Exquisitely melancholy. The background scent to an ancient exequies. Heavy, dark and floral: a blend of roses, with a touch of amber and musk.

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  • Bliss Perfume Oil

    A shot of pure, self-indulgent euphoria! A scent that is very, very wicked in its own way: the serotonin-slathered scent of pure milk chocolate.

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  • Block Buster Perfume Oil

    Used to open up options in your life, overcome obstacles, and create opportunities. This blend increases your potential for success, inspires creativity and quick thinking, and helps you to be more flexible, adaptable and open to change.

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  • Blood Kiss

    Lush, creamy vanilla and the honey of the sweetest kiss smeared with the vital throb of husky clove, swollen red cherries, but darkened with the vampiric sensuality of vetiver, soporific poppy and blood red wine, and a skin-light pulse of feral musk.

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  • Blood Perfume Oil

    A vital, bold scent, throbbing with sensuality. Essence of dragon’s blood resin, thickened with myrrh and cherry, with a trickle of clove.

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    Blood Rose Perfume Oil

    Sensual, robust, and silken: voluptuous red rose bursting with lascivious red wine and sultry dragon’s blood resin.

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  • Bloodlust Perfume Oil

    A fiery Martial blend that embodies primal rage, lust for conquest, and all-encompassing desire. Dragon’s blood essence, heavy red musk, Indonesian patchouli and swarthy vetiver with a drop of cinnamon.

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  • Bon Vivant Perfume Oil

    An effervescent blend of crystalline champagne notes and sweet strawberry.

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    Bram Stoker Perfume Oil

    No man knows till he has suffered from the night how sweet and dear to his heart and eye the morning can be.

    Bourbon vetiver with opoponax, Italian bergamot, and hay absolute.

    Illustrated by Abigail Larson.
    Purchase the tee here!

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  • Brimstone Perfume Oil

    In Hermetic alchemy, brimstone is one of the Three Heavenly Substances, one of the primary alchemical Principles  It represents the strength of will and the vigor of passion, and it is a symbol of the process of fermentation. A smoky, gritty blend, husky and gray.

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  • Brisingamen Perfume Oil

    The amber necklace of Freyja, Norse Goddess of Love, Sex, Attraction and Fruitfulness. Her magnificent necklace was bought from four Dwarves [Alfrik, Berling, Dvalin and Grer] at the price of four nights of her passion. When Brisingamen graces your throat, no man can resist your charms. A glittering mantle of rich golden notes: five ambers, soft myrtle, apple blossom and carnation.

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  • Brown Jenkin Perfume Oil

    The yellowed country records containing her testimony and that of her accusers were so damnably suggestive of things beyond human experience – and the descriptions of the darting little furry object which served as her familiar were so painfully realistic despite their incredible details.

    That object – no larger than a good-sized rat and quaintly called by the townspeople “Brown Jenkin – seemed to have been the fruit of a remarkable case of sympathetic herd-delusion, for in 1692 no less than eleven persons had testified to glimpsing it. There were recent rumours, too, with a baffling and disconcerting amount of agreement. Witnesses said it had long hair and the shape of a rat, but that its sharp-toothed, bearded face was evilly human while its paws were like tiny human hands. It took messages betwixt old Keziah and the devil, and was nursed on the witch’s blood, which it sucked like a vampire. Its voice was a kind of loathsome titter, and it could speak all languages. Of all the bizarre monstrosities in Gilman’s dreams, nothing filled him with greater panic and nausea than this blasphemous and diminutive hybrid, whose image flitted across his vision in a form a thousandfold more hateful than anything his waking mind had deduced from the ancient records and the modern whispers.

    A small, furry, sharp-toothed scent that will nuzzle you curiously in the black hours before dawn: dusty white sandalwood and orris root, dry coconut husk, creeping musk, and the residue of ceremonial incense.

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  • Bruised Violet Compound Perfume Oil

    Promotes vigor in undeath and relieves the discomforts and complaints so common to incorporeal spirits! The learned and eminent scholar Alessandro Cagliastro once remarked “Long experience has taught me to prize Doctor Constantine’s Compounds above all others!”

    Crushed violets, red currant, patchouli root and spanish moss.

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    Brusque Violet Perfume Oil

    `I never saw anybody that looked stupider,’ a Violet said, so suddenly, that Alice quite jumped; for it hadn’t spoken before.

    `Hold your tongue!’ cried the Tiger-lily. `As if you ever saw anybody! You keep your head under the leaves, and snore away there, till you know no more what’s going on in the world, that if you were a bud!’ 

    `Are there any more people in the garden besides me?’ Alice said, not choosing to notice the Rose’s last remark.

    `There’s one other flower in the garden that can move about like you,’ said the Rose. `I wonder how you do it — ‘ (`You’re always wondering,’ said the Tiger-lily), `but she’s more bushy than you are.’

    `Is she like me?’ Alice asked eagerly, for the thought crossed her mind, `There’s another little girl in the garden, somewhere!’

    `Well, she has the same awkward shape as you,’ the Rose said, `but she’s redder — and her petals are shorter, I think.’

    `Her petals are done up close, almost like a dahlia,’ the Tiger-lily interrupted: `not tumbled about anyhow, like yours.’

    `But that’s not your fault,’ the Rose added kindly: `you’re beginning to fade, you know — and then one can’t help one’s petals getting a little untidy.’

    Violet petal, violet leaf, osmanthus, orris, mint, and opoponax.

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  • Bugbear Doula Perfume Oil

    A nurturing blend of motherwort, angelica root, and warm russet fur splashed with chamomile tea.

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  • Burial Perfume Oil

    The Dark Side of Earth: deep, brooding forest scents, including juniper and patchouli. The scent of upturned cemetery loam mingling with floral offerings to the dead.

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  • Cairo Perfume Oil

    The essence of holy Kyphi, beloved incense of the Egyptian Gods.

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  • Calico Jack Perfume Oil

    Sea air, driftwood, waterlogged kelp, and the memory of plundered spices sprayed over worn leathers, rough musk, and the salty wooden floorboards of the Revenge.

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  • Carnal Perfume Oil

    Bold, bright mandarin paired with the sweet, sensual earthiness of fig.

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    Caterpillar Perfume Oil

    Heavy incense notes waft lazily through a mix of carnation, jasmine, bergamot, and neroli over a lush bed of dark mosses, iris blossom, deep patchouli and indolent vetiver.

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    Cathedral Perfume Oil

    Venerable and solemn: the scent of incense smoke wafting through an ancient church. A true ecclesiatical blend of pure resins.

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  • Centzon Totochtin Perfume Oil

    The Four Hundred divine rabbits of the Aztec pantheon that preside over parties and drunkenness.

    Bittersweet Mexican cocoa with rum, red wine, and a scent redolent of sacrificial blood.

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  • Chaotic Perfume Oil

    A whirling mélange of multicolored musks with wasabi, rooibos, heliotrope, and mastic.

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    Cheshire Cat Perfume Oil

    Grapefruit, red currant, dark musk, Roman chamomile, delphinium, and lavender.

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  • Chimera Perfume Oil

    The fiery, volatile scent of cinnamon, thickened by myrrh, honeysuckle, and copal.

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  • Chuparosa Perfume Oil

    The Hummingbird of Love, the Rose Sucker. A potent, benevolent, merciful love blend.

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  • Cleric Perfume Oil

    Rose amber, frankincense, myrrh, champaca flower, Peru balsam, cistus, palisander, cananga, hyssop, and narcissus absolute.

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    Cobra Lily Perfume Oil

    Sharp, heady and viciously carnivorous.

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    Cockaigne Perfume Oil

    The weather is always mild, the wine flows freely, sex is readily available, and all people enjoy eternal youth.

    The Land of Plenty, also called Luilekkerland, the Lazy, Luscious Land: milk and honey, sweet cakes and wine.

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  • Come to Me Perfume Oil

    A phenomenally powerful attractant. Sexual and commanding in the extreme.

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  • Coyote Perfume Oil

    The Native American Creator / Trickster God of Chaos and Change.

    The warmth of doeskin, dry plains grasses and soft, dusty woods warmed by amber and a downy, gentle coat of deep musk.

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    Croquet Perfume Oil

    ‘Get to your places!’ shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches.

    The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it would twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed.

    We have some trouble managing our flamingos, too. Pink lime, pink grapefruit, white nectarine, wild rose, sage, woody patchouli, bergamot, and ornery hedgehog musk.

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  • Crossroads Perfume Oil

    The forks of the road: an in-between place, sacred and tangibly magickal in innumerable cultures and faiths. This scent is dark with mystery, taut with power. A chill twilit garden of blooms over dry earth and mosses, heavily laden with incense and offertory herbs.

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  • Cthulhu

    If I say that my somewhat extravagant imagination yielded simultaneous pictures of an octopus, a dragon, and a human caricature, I shall not be unfaithful to the spirit of the thing. A pulpy, tentacled head surmounted a grotesque and scaly body with rudimentary wings… It represented a monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind. This thing, which seemed instinct with a fearsome and unnatural malignancy, was of a somewhat bloated corpulence…

    A creeping, wet, slithering scent, dripping with seaweed, oceanic plants and dark, unfathomable waters.

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  • Czernobog Perfume Oil

    Created in honor of the Slavic Black God of the Dead. A nighttime god of grief, evil, chaos and woe, he is paralleled by his twin brother Bylebog, god of light, joy, order, and good fortune.

    A combination of three musks, with splashes of dark myrrh, vetiver and mullein.

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    Dana O’Shee Perfume Oil

    In Irish folklore the Dana O’Shee are a fae, elven people that live in a realm of beauty, their nobility akin to our that own Age of Chivalry, eternally beautiful and eternally young. They surround themselves with the pleasures of the Arts, they live for the hunt, and to this day can be seen riding in procession through the Irish countryside at twilight, led by their King and Queen. However, the Dana O’Shee are not benevolent creatures, despite what their unearthly beauty may imply. They are vengeful and treacherous and possess a streak of mischievous malice, and many have whispered that their true home lies deep in the shadowed groves of the Realm of the Dead. Hearing even a single chord of their otherworldly music leaves one stunned and lost to the mortal realms for ever, finding themselves prey to the Dana O’Shee’s hunt or enslaved in their Court as servants or playthings.

    Offerings of milk, honey and sweet grains were made to placate these creatures, and it is that the basis of the scent created in their name.

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  • Dance of Death Perfume Oil

    Carrying bouquet, and handkerchief, and gloves,
    Proud of her height as when she lived, she moves
    With all the careless and high-stepping grace,
    And the extravagant courtesan’s thin face.

    Was slimmer waist e’er in a ball-room wooed?
    Her floating robe, in royal amplitude,
    Falls in deep folds around a dry foot, shod
    With a bright flower-like shoe that gems the sod.

    The swarms that hum about her collar-bones
    As the lascivious streams caress the stones,
    Conceal from every scornful jest that flies,
    Her gloomy beauty; and her fathomless eyes

    Are made of shade and void; with flowery sprays
    Her skull is wreathed artistically, and sways,
    Feeble and weak, on her frail vertebrae.
    O charm of nothing decked in folly! they

    Who laugh and name you a Caricature,
    They see not, they whom flesh and blood allure,
    The nameless grace of every bleached, bare bone,
    That is most dear to me, tall skeleton!

    Come you to trouble with your potent sneer
    The feast of Life! or are you driven here,
    To Pleasure’s Sabbath, by dead lusts that stir
    And goad your moving corpse on with a spur?

    Or do you hope, when sing the violins,
    And the pale candle-flame lights up our sins,
    To drive some mocking nightmare far apart,
    And cool the flame hell lighted in your heart?

    Fathomless well of fault and foolishness!
    Eternal alembic of antique distress!
    Still o’er the curved, white trellis of your sides
    The sateless, wandering serpent curls and glides.

    And truth to tell, I fear lest you should find,
    Among us here, no lover to your mind;
    Which of these hearts beat for the smile you gave?
    The charms of horror please none but the brave.

    Your eyes’ black gulf, where awful broodings stir,
    Brings giddiness; the prudent reveller
    Sees, while a horror grips him from beneath,
    The eternal smile of thirty-two white teeth.

    For he who has not folded in his arms
    A skeleton, nor fed on graveyard charms,
    Recks not of furbelow, or paint, or scent,
    When Horror comes the way that Beauty went.

    O irresistible, with fleshless face,
    Say to these dancers in their dazzled race:
    “Proud lovers with the paint above your bones,
    Ye shall taste death, musk scented skeletons!

    Withered Antinoüs, dandies with plump faces,
    Ye varnished cadavers, and grey Lovelaces,
    Ye go to lands unknown and void of breath,
    Drawn by the rumour of the Dance of Death.

    From Seine’s cold quays to Ganges’ burning stream,
    The mortal troupes dance onward in a dream;
    They do not see, within the opened sky,
    The Angel’s sinister trumpet raised on high.

    In every clime and under every sun,
    Death laughs at ye, mad mortals, as ye run;
    And oft perfumes herself with myrrh, like ye
    And mingles with your madness, irony!

    A gloriously elegant representation of Lady Death. Dry, bone-white orris, black musk, serpentine patchouli and our murkiest myrrh.

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  • Darkness Perfume Oil

    The waves were dead; the tides were in their grave,
    The moon, their mistress, had expir’d before;
    The winds were wither’d in the stagnant air,
    And the clouds perish’d; Darkness had no need
    Of aid from them — She was the Universe.

    Bottled gloom; the essence of oblivion. Blackest opium and narcissus deepened by myrrh.

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    Deadly Nightshade Honey Perfume Oil

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    Death Cap Perfume Oil

    A lethal poison bundled up in a dainty, innocent little package that was oft times found in ancient witches’ flying ointments and astral projection balms. A warm, soft, ruddy scent, earthy and mild.

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    Death on a Pale Horse Perfume Oil

    And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.

    The End of All Things: empty white musk and mint seeped with solemn lavender, doleful patchouli and vetiver, scythe-sharp yuzu and lime, with geranium bourbon, white sandalwood and calla lily.

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  • Debauchery Perfume Oil

    A sinful, licentious scent: self-indulgent and luxurious. Mingled heady civet and red Egyptian musk, thickened with opium.

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  • Dee

    John Dee: master of science, alchemy and magic, Hermetic philosopher in the schools of Rosicrucian Christian Mysticism and Platonic-Pythagorean doctrine, and Queen Elizabeth’s astrologer, advisor, cryptologist and spy. With Edward Kelly, he created a field of study and work in Angelic Evocation, and isolated the Angelic language: Enochian. His scent is soft English leather, rosewood and tonka with a hint of incense, parchment and soft woods.

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  • Deep In Earth Perfume Oil

    Deep in earth my love is lying
    And I must weep alone.

    Rose geranium, Spanish moss, Irish yew, and graveyard dirt.

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  • Defututa Perfume Oil

    Good Gods, what a night that was,
    The bed was so soft, and how we clung,
    Burning together, lying this way and that,
    Our uncontrollable passions
    Flowing through our mouths.
    If I could only die that way,
    I’d say goodbye to the business of living.

    Olive blossom, honey, smoky vanilla, cinnamon, jasmine, sandalwood, and champaca flower.

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  • Delight Perfume Oil

    In ancient India it was believed that a specific combination of flower petals, when strewn across a couple’s bed, would amplify desire and sexual pleasure. This blend is a blend of the same floral essences, refined into a gloriously sinful perfume blend. Frangipani, with rose, tuberose, and jasmine.

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  • Depraved Perfume Oil

    A salacious, lecherous, leering scent – dirty and dark, slapped with a wet sweetness. Earthy black patchouli swelling with apricot.

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  • Desire Perfume Oil

    The overwhelming agony of passion crystallized into a singularly dark and magnetic blend: bittersweet neroli, black patchouli and black musk, gilded by apple, bergamot, blood red rose, teak, and vanilla.

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    Destroying Angel Perfume Oil

    One of the deadliest mushrooms to ever pop through Gaia’s soil. Papery white notes evoke the grace of this fungi, grounded by thin, crisp soil.

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    Dirty Perfume Oil

    A wonderful antidote to an all-nighter oozing with drunken, addled perversion and debauchery. A fresh, crisp white linen scent: perfectly clean, perfectly breezy.

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  • Djinn Perfume Oil

    An ancient, free-willed race created from the essence of Fire, much as man was created from Earth. They prowled the land at night, vanishing with the first rays of dawn. Myths surrounding the Djinn paint them as many things: benevolent champions of mankind and slaves to mad sorcerers, malicious incubi / succubi and energy vampires, or malevolent harbingers of madness and disease. The Djinn are ruled by Iblis, the Prince of Darkness, who bears unspeakable contempt for man.

    The scent of black smoke, of crackling flames, and smoldering ashes.

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    Dodo Perfume Oil

    ‘In that case,’ said the Dodo solemnly, rising to its feet, ‘I move that the meeting adjourn, for the immediate adoption of more energetic remedies –’

    ‘Speak English!’ said the Eaglet. ‘I don’t know the meaning of half those long words, and, what’s more, I don’t believe you do either!’ And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.

    ‘What I was going to say,’ said the Dodo in an offended tone, ‘was, that the best thing to get us dry would be a Caucus-race.’

    ‘What is a Caucus-race?’ said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that somebody ought to speak, and no one else seemed inclined to say anything.

    ‘Why,’ said the Dodo, ‘the best way to explain it is to do it.’ (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.)

    First it marked out a race-course, in a sort of circle, (‘the exact shape doesn’t matter,’ it said,) and then all the party were placed along the course, here and there. There was no ‘One, two, three, and away,’ but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out ‘The race is over!’ and they all crowded round it, panting, and asking, ‘But who has won?’

    This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, ‘everybody has won, and all must have prizes.’

    Red musk, lemon peel, sugar cane, cassia, white sandalwood, mango, and agarwood.

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    Dorian

    The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself.

    Inspired by and created for my beloved Tedwin: my eternal, beautiful, wicked Dorian Gray. Refined, elegant, and lovely, with a noble bearing and seemingly gentle air. This blend is an artful deception: a sweet gilded blossom lying over a twisted and corrupted core. A Victorian fougere with three pale musks and dark, sugared vanilla tea.

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    Dormouse Perfume Oil

    A dizzying eddy of four teas brushed with light herbs and a breath of peony.

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  • Dracul Perfume Oil

    Named in honor of Vlad III, Tepes, of the Order of the Dragon. Black musk, tobacco, fir, balsam of peru, cumin, bitter clove, crushed mint, and orange blossom.

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    Dragon’s Blood Perfume Oil

    Powerful, commanding, blazing with strength.

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    Dragon’s Bone Perfume Oil

    The dry, thin scent of a draconic ossuary. Dragon’s blood resin with white sandalwood, dusty orris and crisp blondewood.

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    Dragon’s Claw Perfume Oil

    Smooth, polished and lethally sharp: dragon’s blood resin and three sandalwoods.

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    Dragon’s Heart Perfume Oil

    A scent pulsing with vitality, warmth and insurmountable strength: dragon’s blood resin, red and black musks, a throb of fig and a sliver of black currant.

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    Dragon’s Hide Perfume Oil

    Flame-kissed, warm, smooth, and highly protective. Dragon’s blood, leather and a hint of smoke.

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    Dragon’s Milk Perfume Oil

    A truly fae nectar! Dragon’s blood resin and honeyed vanilla.

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    Dragon’s Musk Perfume Oil

    Dominant, passionate, devastating. Dragon’s blood and five deep musks.

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  • Drider Crossing Guard Perfume Oil

    A cautious, watchful scent: earthy, dry fig, black pepper, nutmeg, and black plum tea.

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    Drink Me Perfume Oil

    There seemed to be no use in waiting by the little door, so she went back to the table, half hoping she might find another key on it, or at any rate a book of rules for shutting people up like telescopes: this time she found a little bottle on it, (‘which certainly was not here before,’ said Alice,) and round the neck of the bottle was a paper label, with the words ‘DRINK ME’ beautifully printed on it in large letters.

    It was all very well to say ‘Drink me,’ but the wise little Alice was not going to do that in a hurry. ‘No, I’ll look first,’ she said, ‘and see whether it’s marked “poison” or not’; for she had read several nice little histories about children who had got burnt, and eaten up by wild beasts and other unpleasant things, all because they would not remember the simple rules their friends had taught them: such as, that a red-hot poker will burn you if you hold it too long; and that if you cut your finger very deeply with a knife, it usually bleeds; and she had never forgotten that, if you drink much from a bottle marked ‘poison,’ it is almost certain to disagree with you, sooner or later.

    However, this bottle was not marked ‘poison,’ so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she very soon finished it off.

    BPAL’s Drink Me is not for drinking. Please use common sense, and remember: perfume oils are for external use only.

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  • Drow Yoga Instructor Perfume Oil

    As silent as the deepest cavern, as serene as a twilit shadow, as graceful as a spider, and as resilient as a web: wild plum, indigo lavender, and a tranquil tendril of sandalwood incense.

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  • Druid Perfume Oil

    A woolen robe infused with the scent of a vast, primordial forest: ancient trees, fertile soil, wild herbs, spring grasses, and burgundy pitch incense.

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  • Dwarf Perfume Oil

    Iron filings and chips of stone, Styrian Golding hops, and soot-covered leather.

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  • Dwarven Ale Perfume Oil

    Brewed with fermented mushrooms, pumpkin rind, honey, and apple rootstock.

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    Eat Me

    Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words ‘EAT ME’ were beautifully marked in currants.

    ‘Well, I’ll eat it,’ said Alice, ‘and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I’ll get into the garden, and I don’t care which happens!’ 

    She ate a little bit, and said anxiously to herself, ‘Which way? Which way?’, holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way.

    Three white cakes, vanilla, and red and black currants.

    BPAL’s Eat Me is not for eating. Please use common sense, and remember: perfume oils are for external use only.

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  • Eclipse Perfume Oil

    All the glory, warmth and majesty of the sun — darkened. A delicious blend of bitter almond, vanilla, frankincense and heliotrope, with a drop of cinnamon.

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  • Eden Perfume Oil

    At the center of the Garden of Eden stands the Tree of the Knowledge of Good and Evil. Though modern interpretations of the Bible claim that it was an apple that the Serpent of the Tree offered to Eve, it is widely believed that the true Fruit of True Knowledge was, in fact, a fig.

    This oil contains the innocence of the Garden, coupled with the Truth and Erudition found in the fruit of the Tree of Evil: fig leaf, fig fruit, honeyed almond milk, toasted coconut and sandalwood.

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  • El Dorado Perfume Oil

    Gaily bedight,
    A gallant knight,
    In sunshine and in shadow,
    Had journeyed long,
    Singing a song,
    In search of Eldorado.

    But he grew old
    This knight so bold
    And o’er his heart a shadow
    Fell as he found
    No spot of ground
    That looked like Eldorado.

    And, as his strength
    Failed him at length,
    He met a pilgrim shadow
    “Shadow,” said he,
    “Where can it be
    This land of Eldorado?”

    “Over the Mountains
    Of the Moon,
    Down the Valley of the Shadow,
    Ride, boldly ride,”
    The shade replied
    “If you seek for Eldorado!”

    Copal resin incense blowing through halls of dazzling gold.

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  • Elegba Perfume Oil

    The Spirit of the Divine Messenger, the Lord of the Crossroads, He Who Owns All Doors and Roads in this World. He is the intermediary between the Orishas and mankind, and stands at the intersection of humanity and the Divine. He opens all paths of communication, both mundane and Heavenly.

    His ofrenda contains coconut, tobacco and sweet, sugared rum.

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  • Elf Perfume Oil

    Pale golden musk, honeycomb, amber, parma violet, hawthorne bark, aspen leaf, forest lily, life everlasting, white moss, and a hint of wild berry.

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  • Embalming Fluid

    A light, pure scent: white musk, green tea, aloe and lemon.

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  • Endymion Perfume Oil

    Selune, the Moon Goddess, fell in love with a beautiful shepherd named Endymion. She appealed to Zeus, asking him to cast Endymion into everlasting slumber so that she could be with him for all eternity. Her wish was granted, and every night the Goddess visited her love as he slept. A sweet, wistful blend of d’Anjou pear, Lily of the Valley, bois du rose and white musk.

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    Envy Perfume Oil

    Green herbs slithering through mint, lime and lavender.

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  • Event Horizon Perfume Oil

    A disconcerting scent, heavy and oppressive, through which no light, no matter, and no spirit can escape. Black opium, labdanum, opoponax, black orchid, and benzoin.

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  • Evil Perfume Oil

    Smouldering opium tar, tobacco absolute, green tea, black plum, kush, ambergris accord, ambrette seed, and costus root.

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    Fae Perfume Oil

    A brilliant, ethereal scent: white musk, bergamot, heliotrope, peach and oakmoss.

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    Faustus Perfume Oil

    An infusion of incalculable power and irresistible temptation. Truly an exercise in megalomania and self-gratification: frankincense and cinnamon, darkened by violet.

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  • Fenris Wolf Perfume Oil

    The raw, untamable power of chaos. Rosewood, amber, red musk and a dribble of red sandalwood.

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  • Fighter Perfume Oil

    Leather, musk, blood, and steel.

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  • Follow Me Boy Perfume Oil

    A houdoun recipe dating back almost 150 years. This blend is favored by prostitutes, exotic dancers and others in the sex industry for its power to attract, seduce, and enthrall. Ensures financial gain and increased profits.

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  • Galvanic Goggles Perfume Oil

    Golden goggles fitted with zinc and copper plates dangle heavily by their leather straps from a hook mounted to the wall. Its crystal lenses are effulgent with residual electric energy.

    Metallic notes with Indian musk, tobacco flower, and African balsam.

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  • Gaueko Perfume Oil

    The Basque God of Night and all the perils of the darkness. Though he is the God of the Danger that Lurks in the Gloom, he is kind to men and warns them against the nighttime hazards and sets rules of conduct for both the living and the dead as they travel through his domain. It is said that since the warm, vibrant daylight is for the living, the abodes of night are reserved for the dead. All who heed his counsel are protected, but woe be to any man that disobeys the laws of Gaueko: he is swift to punish those that would scorn his advice. Blackened sandalwood and misty lavender, with curling wisps of smoky tobacco, nag champa, and labdanum.

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    Gluttony Perfume Oil

    Thick, sugared and bloated with sweetness. Dark chocolate, vanilla, buttercream, and hops with pralines, hazelnut, toffee and caramel.

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  • Gnome Perfume Oil

    An explosive blend of effervescent golden ginger and black peppercorn with sarsaparilla, gurjum balsam, nutmeg, gear lubricant, and smoke.

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  • Goblin Perfume Oil

    Dab a bit behind each ear, and you’ll be instantly inspired to alter street signs, shake fruit from your neighbor’s trees, and hide your roommate’s car keys.

    Black coconut, gnarly patchouli, and sweet benzoin.

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  • Golden Priapus Perfume Oil

    Insatiable lust, unending vigor! A truly carnal, energetic men’s blend: vanilla and amber with juniper, rosewood and white pine.

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  • Good Perfume Oil

    Shimmering celestial musk with vanilla, white honey, acacia, and sugar cane.

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    Greed Perfume Oil

    Base and earthy, yet glittering with golden notes: patchouli, heliotrope, copal and oakmoss.

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  • Grog Perfume Oil

    Arrr! Avast ye, matey! This be the scent of pirate rum!

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  • Half-Elf Perfume Oil

    White sandalwood, beeswax, white tea leaf, oud, and a hint of sophisticated urban musk.

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  • Halfling Perfume Oil

    Porridge, kukui nuts, and pastry crumbs.

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  • Harlot Perfume Oil

    Based on a Romany incense blend reputed to induce sexual dreams: Somalian rose, Moroccan rose and Bulgar rose with a sultry dribble of cinnamon.

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  • Has No Hanna Perfume Oil

    Brings a rush of good luck, lifts the spirit, and helps alleviate depression

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    Haunted Perfume Oil

    A mournful, poignant scent, thick with foreboding. Soft golden amber darkened with a touch of murky black musk.

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  • Hecate Perfume Oil

    Magnificent three-faced Goddess of Magic, the Dark Moon and the Crossroads. She is the Mother of Witches, and the midnight baying of hounds is her paean. Her compassion is evidenced in her role as Psychopomp for Persephone, and her wrath manifests as Medea’s revenge.

    Deep, buttery almond layered over myrrh and dark musk.

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  • Hell’s Belle Perfume Oil

    Sweet, smokey and sensually wicked. A thick, steamy scent, truly sinister in its voluptuous sexuality. The perfume of a demon’s favored consort, or of the devil herself. Oleander with wet, sweet mandarin, lush magnolia, a rush of deep musk and a touch of spice.

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  • Hellcat Perfume Oil

    A soft, sensual, luxuriant blend with a wicked bite: hazelnut, buttercream, honey mead, rum and sweet almond.

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    Hellfire Perfume Oil

    A scent celebrating Sir Francis Dashwood’s Order of the Knights of St. Francis of Wycombe, also known as the Hellfire Club. A swirl of pipe tobacco, hot leather, ambergris, dark musk and the lingering incense smoke from their Black Mass.

    New formulation.

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  • Hetairae Perfume Oil

    The sublimely beautiful, fiercely independent, impeccably cultured, fascinatingly worldly and witty courtesans of ancient Greece. A seductive and dazzling blend of golden honey, fiery patchouli, sweet fig and clove, and a blushing touch of ylang ylang.

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  • High John The Conqueror Perfume Oil

    A fast-acting, powerful scent used to overcome adversity through positive means. Attracts wealth, prestige, good health, and enhances others’ opinions of you. Grants courage and steadfastness.

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    High-Strung Daisies Perfume Oil

    `It says “Bough-wough!” cried a Daisy: `that’s why its branches are called boughs!’ 

    `Didn’t you know that?’ cried another Daisy, and here they all began shouting together, till the air seemed quite full of little shrill voices. `Silence, every one of you!’ cried the Tiger-lily, waving itself passionately from side to side, and trembling with excitement. `They know I can’t get at them!’ it panted, bending its quivering head towards Alice, `or they wouldn’t dare to do it!’ 

    `Never mind!’ Alice said in a soothing tone, and stooping down to the daisies, who were just beginning again, she whispered, `If you don’t hold your tongues, I’ll pick you!’ 

    There was silence in a moment, and several of the pink daisies turned white. 

    `That’s right!’ said the Tiger-lily. `The daisies are worst of all. When one speaks, they all begin together, and it’s enough to make one wither to hear the way they go on!’

    `How is it you can all talk so nicely?’ Alice said, hoping to get it into a better temper by a compliment. `I’ve been in many gardens before, but none of the flowers could talk.’

    `Put your hand down, and feel the ground,’ said the Tiger-lily. `Then you’ll know why.

    Alice did so. `It’s very hard,’ she said, `but I don’t see what that has to do with it.’

    `In most gardens,’ the Tiger-lily said, `they make the beds too soft — so that the flowers are always asleep.’

    This sounded a very good reason, and Alice was quite pleased to know it. `I never thought of that before!’ she said.

    `It’s my opinion that you never think at all,’ the Rose said in a rather severe tone.

    Daisy, pink carnation, pink pepper, and sugar.

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  • Highwayman Perfume Oil

    A brace of loaded pistols
    He carried night and day;
    He never robbed a poor man
    Upon the king’s highway;
    But what he’d taken from the rich,
    Like Turpin and Black Bess,
    He always did divide it
    With the widow in distress.

    Stand and deliver! Vetiver with gardenia, blood red rose, night-blooming jasmine, a dash of cinnamon and a faint hint of leather

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  • Hollywood Babylon Perfume Oil

    The essence of innocence shattered: glittering Egyptian amber and heliotrope, infused with the sweetness of strawberry and vanilla – dragged into debauch by lusty red musk and a dribble of black cherry.

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  • Horn of Plenty Perfume Oil

    Forces a change of fortune, helps overcome poverty and want, and helps attract prosperity, prestige and earthly bounty.

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  • Horreur Sympathique Perfume Oil

    From livid skies that, without end,
    As stormy as your future roll,
    What thoughts into your empty soul
    (Answer me, libertine!) descend?

    – Insatiable yet for all
    That turns on darkness, doom, or dice,
    I’ll not, like Ovid, mourn my fall,
    Chased from the Latin paradise.

    Skies, torn like seacoasts by the storm!
    In you I see my pride take form,
    And the huge clouds that rush in streams

    Are the black hearses of my dreams,
    And your red rays reflect the hell,
    In which my heart is pleased to dwell.

    The perfume of a hellbound soul, gleefully lost to iniquity: blood musk, golden honey, thick black wine, champagne grapes, tobacco flower, plum blossom, tonka bean, oakmoss, carnation, benzoin, opoponax, and sugar cane.

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  • How Doth the Little Crocodile Perfume Oil

    How doth the little crocodile
    Improve his shining tail,
    And pour the waters of the Nile
    On every golden scale!

    How cheerfully he seems to grin,
    How neatly spreads his claws,
    And welcomes little fishes in
    With gently smiling jaws!

    Chocolate peppermint, mint-soaked vanilla, pistachio, oakmoss, and green cedar.

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  • Hunger Perfume Oil

    Evokes sheer, unadulterated carnal lust. An undeniably warm and sensual scent. Black narcissus, orange blossoms, and vanilla.

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    Iago Perfume Oil

    Malevolent, dark and shadowy: sinuous black musk, wet leather and vetiver.

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  • Imp Perfume Oil

    Devilishly playful: white peach, amber, golden musk and patchouli.

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  • Incantation Perfume Oil

    Though thy slumber may be deep,
    Yet thy spirit shall not sleep;
    There are shades which will not vanish,
    There are thoughts thou canst not banish;
    By a power to thee unknown,
    Thou canst never be alone;
    Thou art wrapt as with a shroud,
    Thou art gather’d in a cloud;
    And for ever shalt thou dwell
    In the spirit of this spell.

    A profound and entrancing potion. Deep, wispy, and unfathomably dark: vetiver, dark woods, crumbling and burnt black sandalwood and a drop of lemon rind.

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  • Incubus Perfume Oil

    As if, with beasts’ eyes, angels led
    The way, I slip back to your bed,
    Quiet as a hooded light,
    Hushed by the shadows of the night.

    And then, my dark one, you shall soon
    Embrace the cold beams of the moon,
    Around a fresh grave, the chilling hiss
    Of serpent coiled shall be my kiss.

    When morning shows his livid face
    Your bed shall feel my empty place,
    As cold as death, till fall of night.

    Others take tenderness to wife:
    Dread gives away your youth and life
    To me, to be bride of fright.

    Spectral white musk and the heart-stopping chill of sheared mint, fanned by caramel-touched body heat, and the diabolical sensuality of black musk, nicotiana, and sage.

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  • Inferno Perfume Oil

    The Dark Side of Fire: cinnamon, bitter almond, and neroli. Heavily spiced, torrid, and possibly conflagrant.

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  • Intrigue Perfume Oil

    A sultry, exotic scent that inspires devious plotting and clandestine affairs. It is a scent painted in artifice, veiled in deceit, and slithering with whispered secrets. Black palm, with cocoa, fig and shadowy wooded notes.

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    Jabberwocky Perfume Oil

    And, as in uffish thought he stood,
    The Jabberwock, with eyes of flame,
    Come whiffing through the tulgey wood,
    And burbled as it came!

    An earthy yet buoyant scent: pine, eucalyptus and orange.

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  • Jack Perfume Oil

    The scent of warm, glowing jack o’lanterns on a warm autumn night: true Halloween pumpkin, spiced with nutmeg, glowing peach and murky clove.

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    Jazz Funeral Perfume Oil

    Considered a great honor, this is one of the most distinguished aspects of New Orleans culture. Its roots lie in the customs of the Dahomeans and Yoruba people, and is a celebration of both the person’s life and the beauty and solemnity of their death. The procession is lead by the Grand Marshal, resplendent in his black tuxedo, white gloves and black hat in hand; almost a vision of the great Baron Samedi himself. The music begins with solemn, tolling dirges, moves into hymns of sorrow, loss and redemption. When the burial site is reached, a two-note preparatory riff is sounded, and the drummers start the second-line beat, heralding the switch in music to joyous, upbeat songs, dancing, and the unfurling of richly decorated umbrellas by the ‘second line’ friends, family, loved ones and stray celebrants. Strutting, bouncing, and festive dance accompanies the upbeat ragtime music that sends the departed soul onto its next journey.

    Didn’t he ramble
    … he rambled
    Rambled all around
    … in and out of town
    Didn’t he ramble
    … didn’t he ramble
    He rambled till the butcher cut him down.

    His feet was in the market place
    his head was in the street
    Lady pass him by, said
    look at the market meat
    He grabbed her pocket book
    and said I wish you well
    She pulled out a forty-five
    said I’m head of personnel.

    Didn’t he ramble
    … he rambled
    Rambled all around
    … in and out of town
    Didn’t he ramble
    … didn’t he ramble
    He rambled till the butcher cut him down.

    He slipped into the cat house
    made love to the stable
    Madam caught him cold
    said I’ll pay you when I be able
    Six months had passed
    and she stood all she could stand
    She said buddy when I’m through with you
    Ole groundhog gonna be shakin yo’ hand.

    Didn’t he ramble
    … he rambled
    Rambled all around
    … in and out of town
    Didn’t he ramble
    … didn’t he ramble
    He rambled till the butcher cut him down.

    I said he rambled
    lord
    … ’till the butcher shot him down.

    Bittersweet bay rum, bourbon, and a host of funeral flowers with a touch of graveyard dirt, magnolia and Spanish Moss.

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  • Jezebel Perfume Oil

    Biblical witch, priestess of Astarte, and general troublemaker. A true role model for today’s upwardly mobile Modern Woman. A gloriously decadent blend of honey, roses, orange blossom and sandalwood.

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    John Watson Perfume Oil

    I know, my dear Watson, that you share my love of all that is bizarre and outside the conventions and humdrum routine of everyday life.

    Tweed and crisp linen, lime-tinged aftershave, the sleek steel and oil of a well-cared for service revolver, and the echo of a Jezail bullet shell.

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  • Jolly Roger

    Sea spray with an undercurrent of leather, Bay Rum, and salty, dry woods.

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    Juke Joint Perfume Oil

    A bawdy, gleefully wicked and unruly scent: Kentucky Bourbon, sugar and a sprig of mint.

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    Juliet Perfume Oil

    Sweet pea with stargazer lily, calla lily, heliotrope, honeysuckle, white musk and a touch of fresh pear.

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  • Kabuki Perfume Oil

    Compelling, complex, and utterly enigmatic: a luxuriant, exotic blend of cherry, red musk, and star anise.

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  • Kali Perfume Oil

    Kali, the Black One, is the fearless Goddess of Destruction, Creation, Energy [in her Shakti aspect] and Dissolution. Also named Kaliratri [Black Night] and Kalikamata [Black Earth-Mother], she is the fiercest aspect of Devi, the supreme mother goddess. Kali is a protector Goddess, the destroyer of evil spirits and guardian of the faithful. She, along with her consort Shiva, represent the unending cycle of death and birth, sexual union, creation and destruction. Kali annihilates ignorance, maintains the natural order of the world, and blesses those who strive for spiritual awareness and knowledge of true holiness with infinite tenderness and motherly love. The constant, unending Work of Creation is called the “The Play of Kali”.

    This perfume is a blend of the sacred blooms of cassia, hibiscus, musk rose, Himalayan wild tulip, lotus and osmanthus swirled with offertory dark chocolate, red wine, tobacco, balsam and honey.

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    Katharina Perfume Oil

    A strong, willful blend with a soft, utterly lovely soul: white musk with a trickle of bright, sharp apricot and orange blossom.

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  • Kathmandu Perfume Oil

    The scent of sacred incense swirling up the steep slopes to Swayambhunath Stupa. Saffron, blessed sandalwood, Himalayan cedar and the miraculous lotus of the Buddha with chiuri bark and Nepalese spices.

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  • Kill-Devil Perfume Oil

    “Rum punch is not improperly called Kill-Devil; for thousands lose their lives by its means. When newcomers use it to the least excess, they expose themselves to imminent peril, for it heats the blood and brings on fevers, which in a very few hours send them to their graves.”

    Sugar cane, molasses, oak wood, and honey.

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    King of Hearts Perfume Oil

    ‘How do you like the Queen?’ said the Cat in a low voice. 

    ‘Not at all,’ said Alice: ‘she’s so extremely–‘ Just then she noticed that the Queen was close behind her, listening: so she went on, ‘–likely to win, that it’s hardly worth while finishing the game.’ 

    The Queen smiled and passed on. 

    ‘Who ARE you talking to?’ said the King, going up to Alice, and looking at the Cat’s head with great curiosity.

    ‘It’s a friend of mine–a Cheshire Cat,’ said Alice: ‘allow me to introduce it.’ 

    ‘I don’t like the look of it at all,’ said the King: ‘however, it may kiss my hand if it likes.’ 

    ‘I’d rather not,’ the Cat remarked. 

    ‘Don’t be impertinent,’ said the King, ‘and don’t look at me like that!’ He got behind Alice as he spoke.

    ‘A cat may look at a king,’ said Alice. ‘I’ve read that in some book, but I don’t remember where.’ 

    ‘Well, it must be removed,’ said the King very decidedly, and he called the Queen, who was passing at the moment, ‘My dear! I wish you would have this cat removed!’ 

    The Queen had only one way of settling all difficulties, great or small. 

    ‘-Off with his head!’ she said, without even looking round. 

    ‘I’ll fetch the executioner myself,’ said the King eagerly, and he hurried off. 

    Rosewood and black cherry with white musk, red rose, red musk and a spark of lavender.

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    Kitsune-Tsuki Perfume Oil

    Kitsune-Tsuki are malevolent Japanese spirits, akin to western werebeasts: women are possessed by the spirits of foxes, who compel them to perform acts of wickedness and mischief. Asian plum, orchid, daffodil, jasmine and white musk.

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    Knave of Hearts Perfume Oil

    ‘Herald, read the accusation!’ said the King.

    On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:–

    ‘The Queen of Hearts, she made some tarts,
    All on a summer day:
    The Knave of Hearts, he stole those tarts,
    And took them quite away!’

    Crushed roses and blackcurrant tarts.

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  • Kobold Barista Perfume Oil

    Dungeoneering is exhausting, and sometimes the watered-down ale at the local tavern just slows you down. Before you head out on your next adventure, slather yourself in this fiery brew: freshly brewed coffee with ginger, nutmeg, cardamom, black pepper, cloves, cinnamon, and cream.

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  • Kubla Khan Perfume Oil

    In Xanadu did Kubla Khan
    A stately pleasure-dome decree:
    Where Alph, the sacred river, ran
    Through caverns measureless to man
    Down to a sunless sea.

    So twice five miles of fertile ground
    With walls and towers were girdled round:
    And there were gardens bright with sinuous rills,
    Where blossomed many an incense-bearing tree;
    And here were forests ancient as the hills,
    Enfolding sunny spots of greenery.
    But oh! that deep romantic chasm which slanted
    Down the green hill athwart a cedarn cover!
    A savage place! as holy and enchanted
    As e’er beneath a waning moon was haunted
    By woman wailing for her demon-lover!
    And from this chasm, with ceaseless turmoil seething,
    As if this earth in fast thick pants were breathing,
    A mighty fountain momently was forced:
    Amid whose swift half-intermitted burst
    Huge fragments vaulted like rebounding hail,
    Or chaffy grain beneath the thresher’s flail:
    And ‘mid these dancing rocks at once and ever
    It flung up momently the sacred river.
    Five miles meandering with a mazy motion
    Through wood and dale the sacred river ran,
    Then reached the caverns measureless to man,
    And sank in tumult to a lifeless ocean:
    And ‘mid this tumult Kubla heard from far
    Ancestral voices prophesying war!

    The shadow of the dome of pleasure
    Floated midway on the waves;
    Where was heard the mingled measure
    From the fountain and the caves.
    It was a miracle of rare device,
    A sunny pleasure-dome with caves of ice!

    A damsel with a dulcimer
    In a vision once I saw:
    It was an Abyssinian maid,
    And on her dulcimer she played,
    Singing of Mount Abora.
    Could I revive within me
    Her symphony and song,
    To such a deep delight ‘twould win me
    That with music loud and long
    I would build that dome in air,
    That sunny dome! those caves of ice!
    And all who heard should see them there,
    And all should cry, Beware! Beware!
    His flashing eyes, his floating hair!
    Weave a circle round him thrice,
    And close your eyes with holy dread,
    For he on honey-dew hath fed
    And drunk the milk of Paradise.

    Through sunlit caves of ice, roses unfurl amidst dancing waves of serpentine opium smoke and amber tobacco, golden sandalwood, champaca, tea leaf, sugared lily, ginger, rich hay absolute, leather, dark vanilla, mandarin, peru balsam, and Moroccan jasmine.

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    Kumari Kandam Perfume Oil

    The hollow scent of a vast antediluvian civilization, now frozen and buried, smothered by a thick sheet of ice and trapped deep beneath the ocean. Thick incense, clay, stone, and hothouse blooms with a spike of frost, a hint of decay, and heavy, dolorous aquatic notes.

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  • Kumiho Perfume Oil

    Nine-tailed fox demon of Korean lore who transforms into the visage of an irresistible beauty in order to seduce men and lead them to their doom.

    A sharp, biting blend of crisp white tea and ginger.

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  • Kyoto Perfume Oil

    A gentle, soothing blend of cherry blossom, white sandalwood and star anise.

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    La Bella Donna Della Mia Mente Perfume Oil

    My limbs are wasted with a flame,
    My feet are sore with traveling,
    For, calling on my Lady’s name,
    My lips have now forgot to sing.

    O Linnet in the wild-rose brake
    Strain for my Love thy melody,
    O Lark sing louder for love’s sake,
    My gentle Lady passeth by.

    She is too fair for any man
    To see or hold his heart’s delight,
    Fairer than Queen or courtesan
    Or moonlit water in the night.

    Her hair is bound with myrtle leaves,
    (Green leaves upon her golden hair!)
    Green grasses through the yellow sheaves
    Of autumn corn are not more fair.

    Her little lips, more made to kiss
    Than to cry bitterly for pain,
    Are tremulous as brook-water is,
    Or roses after evening rain.

    Her neck is like white melilote
    Flushing for pleasure of the sun,
    The throbbing of the linnet’s throat
    Is not so sweet to look upon.

    As a pomegranate, cut in twain,
    White-seeded, is her crimson mouth,
    Her cheeks are as the fading stain
    Where the peach reddens to the south.

    O twining hands! O delicate
    White body made for love and pain!
    O House of love! O desolate
    Pale flower beaten by the rain!

    Soft, lush myrtle and dry, sweet melilot with wild rose, pomegranate juice and peach blossom against a background of deep aquatic notes and a twirl of melancholy autumn breezes.

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  • La Belle au Bois Dormant Perfume Oil

    The Sleeping Beauty. A gentle, lovely scent, slightly soporific, but beautiful in its quiet repose. Plumeria and white pear, Damascus rose, tuberose, magnolia and evening dew.

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  • La Petite Mort Perfume Oil

    Seduction, sensuality, the Act, and the aftermath all in one. The scent of warm, damp skin flushed with the glow of passion, touched by the luxuriant potency of ylang ylang and myrrh.

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    Ladon Perfume Oil

    The hundred-headed dragon that guards the garden of the Hesperides: dragon’s blood resin, golden apple, apple blossom, white musk and hyacinth.

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    Lady Macbeth Perfume Oil

    The essence of ambition, covetousness and manipulation: sweet Bordeaux wine, blood red currant, thyme and wild berries.

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  • Lampades Perfume Oil

    The Lampades are the darkly beautiful nymphs of the underworld, also called the Lethe Nymphae Avernales. They are the daughters of the Gods that govern the many rivers of Hades. The Lampades are Hecate’s torch-bearers and accompany the Goddess on her hunts, quests and revels. Their scent is the crisp, inviting bittersweet tang of cranberry with smoky dark lilies, heady, sensual musk, a tingle of ginger and a brush of Mediterranean spices.

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    Languor Perfume Oil

    An opiate torpor, soporific, trancelike, and sublimely languid. A poet’s morphine dream, a listless journey into a gentle dream and the precipice of intoxicated madness. Paperwhite and black narcissus, three lilies, black poppy and tuberose and a hint of hypnotic opium den haze.

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  • Lawful Perfume Oil

    Rigid oak, blue chamomile, rhubarb, and fig leaf.

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  • Le Lèthè Perfume Oil

    Viens sur mon coeur, âme cruelle et sourde,
    Tigre adoré, monstre aux airs indolents;
    Je veux longtemps plonger mes doigts tremblants
    Dans l’épaisseur de ta crinière lourde;

    Dans tes jupons remplis de ton parfum
    Ensevelir ma tête endolorie,
    Et respirer, comme une fleur flétrie,
    Le doux relent de mon amour défunt.

    Je veux dormir! dormir plutôt que vivre!
    Dans un sommeil aussi doux que la mort,
    J’étalerai mes baisers sans remords
    Sur ton beau corps poli comme le cuivre.

    Pour engloutir mes sanglots apaisés
    Rien ne me vaut l’abîme de ta couche;
    L’oubli puissant habite sur ta bouche,
    Et le Léthé coule dans tes baisers.

    À mon destin, désormais mon délice,
    J’obéirai comme un prédestiné;
    Martyr docile, innocent condamné,
    Dont la ferveur attise le supplice,

    Je sucerai, pour noyer ma rancoeur,
    Le népenthès et la bonne ciguë
    Aux bouts charmants de cette gorge aiguë
    Qui n’a jamais emprisonné de coeur.

    – – –

    Come, lie upon my breast, cruel, insensitive soul,
    Adored tigress, monster with the indolent air;
    I want to plunge trembling fingers for a long time
    In the thickness of your heavy mane,

    To bury my head, full of pain
    In your skirts redolent of your perfume,
    To inhale, as from a withered flower,
    The moldy sweetness of my defunct love.

    I wish to sleep! to sleep rather than live!
    In a slumber doubtful as death,
    I shall remorselessly cover with my kisses
    Your lovely body polished like copper.

    To bury my subdued sobbing
    Nothing equals the abyss of your bed,
    Potent oblivion dwells upon your lips
    And Lethe flows in your kisses.

    My fate, hereafter my delight,
    I’ll obey like one predestined;
    Docile martyr, innocent man condemned,
    Whose fervor aggravates the punishment.

    I shall suck, to drown my rancor,
    Nepenthe and the good hemlock
    From the charming tips of those pointed breasts
    That have never guarded a heart.

    Red musk and sweat-damp golden skin musk with labdanum, golden amber, nutmeg, tobacco absolute, black orchid, and hemlock accord.

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  • Le Serpent Qui Danse Perfume Oil

    When, as by glaciers ground, the spate
    Swells hissing from beneath,
    The water of your mouth, elate,
    Rises between your teeth —

    It seems some old Bohemian vintage
    Triumphant, fierce, and tart,
    A liquid heaven that showers a mintage
    Of stars across my heart.

    A sinister, darkly seductive scent inspired by poetry of Charles Baudelaire. Violet entwined with vanilla and gardenia.

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  • Leanan Sidhe Perfume Oil

    “Most of the Gaelic poets, down to quite recent times, have had a Leanhaun Shee, for she gives inspiration to her slaves and is indeed the Gaelic muse — this malignant fairy. Her lovers, the Gaelic poets, died young. She grew restless and carried them away to other worlds, for death does not destroy her power.” – W.B. Yeats

    The name translates to “fairy, love of my soul”. A vampiric spirit and a dark muse, the love of the Leanan Sidhe is both a gift and a curse. These eerily beautiful Irish spirits drain the sanity and lifeforce of the men they inspire to artistic greatness. Her kiss infuses a man with depth of vision and feeling, otherworldly passion, and a sudden and ineffable understanding of the unending sadness that plagues mankind. Her perfume is a crush of Irish herbs and flowers, Gaelic mists, and nighttime dew.

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  • Les Bijoux Perfume Oil

    My well-beloved was stripped. Knowing my whim,
    She wore her tinkling gems, but naught besides:
    And showed such pride as, while her luck betides,
    A sultan’s favored slave may show to him.

    When it lets off its lively, crackling sound,
    This blazing blend of metal crossed with stone
    Gives me an ecstasy I’ve only known
    Where league of sound and lustre can be found.

    She let herself be loved: then, drowsy-eyed,
    Smiled down from her high couch in languid ease.
    My love was deep and gentle as the seas
    And rose to her as to a cliff the tide.

    My own approval of each dreamy pose,
    Like a tamed tiger, cunningly she sighted:
    And candour, with lubricity united,
    Gave piquancy to every one she chose.

    Her limbs and hips, burnished with changing lustres
    Before my eyes, clairvoyant and serene,
    Swanned themselves, undulating in their sheen;
    Her breasts and belly, of my vine the clusters,

    Like evil angels rose, my fancy twitting,
    To kill the peace which over me she’d thrown,
    And to disturb her from the crystal throne
    Where, calm and solitary, she was sitting.

    So swerved her pelvis that, in one design,
    Antiope’s white rump it seemed to graft
    To a boy’s torso, merging fore and aft.
    The talc on her brown tan seemed half-divine.

    The lamp resigned its dying flame. Within,
    The hearth alone lit up the darkened air,
    And every time it sighed a crimson flare
    It drowned in blood that amber-coloured skin.

    Skin musk and honey, blood-red rose, orange blossom, white peach, red apple, frankincense and myrrh.

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    Les Fleurs du Mal Perfume Oil

    The scents of the blossoms of darkness, condensed into one perfume. Features a rose base, softened with lilac and wisteria.

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  • Lightning Perfume Oil

    Lightning slashing the midnight skies over the endless reaches of the ocean. The electric tang of ozone, marine notes, and a drop of sharp rain.

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    Lion Perfume Oil

    The dry, glorious warmth of the Savannah. A golden, spiced amber, proud, regal and ferocious.

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  • Lizardfolk Park Ranger Perfume Oil

    The scent of ancient trees, vast shadowed canyons, rocky snow-tipped peaks, and rushing rivers, with notes of pine needle, oak bark, sweet birch, stream-polished stones, lichen, dark mosses, nootka, hazelnut, rivulets of amber, and blackcurrant bud.

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  • London Perfume Oil

    Venerable Victorian Tea Rose… twisted, blackened and emboldened with wickedness.

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  • Loup Garou Perfume Oil

    The wild, untamed essence of lycanthropy. Primeval in its raw power and insatiable hunger: juniper, cypress and galangal with the barest touch of eucalyptus.

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  • Love Me Perfume Oil

    A commanding, dominant oil that increases sexual magnetism, creates an intense and irresistible air of attraction, and amplifies potency.

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  • Lucy’s Kiss Perfume Oil

    Created to represent the essence of Bram Stoker’s tragic heroine, Lucy Westenra. Seductive, wanton and deadly, but underscored with a soft, wistful innocense. The gentle scent of rose and a blend of Victorian spices

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  • Lurid Perfume Oil

    Shocking, horrific, fierce, savage, sensationalized, luminous and hazy: black currant, Bulgarian lavender and white musk with a dollop of thick resin and a voltaic charge of ozone notes.

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    Lust Perfume Oil

    Uncontrollable passion and insatiable sexual desire: red musk, patchouli, ylang ylang and myrrh.

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    Lyonesse Perfume Oil

    Then rose the King and moved his host by night
    And ever pushed Sir Mordred, league by league,
    Back to the sunset bound of Lyonesse —
    A land of old upheaven from the abyss
    By fire, to sink into the abyss again;
    Where fragments of forgotten peoples dwelt,
    And the long mountains ended in a coast
    Of ever-shifting sand, and far away
    The phantom circle of a moaning sea.

    Golden vanilla and gilded musk, stargazer lily, white sandalwood, grey amber, elemi, orris root, ambergris and sea moss.

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  • Machu Picchu Perfume Oil

    Sweet tropical fruits burst through deep, wet rainforest boughs, enormous steamy blossoms, over thin mountaintop breezes, mingled with the soft, rich golden scent of Peruvian amber.

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    Mad Hatter Perfume Oil

    A gentlemen’s lavender-citron cologne unhinged by the feral pungence of black musk and a paroxysm of pennyroyal.

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  • Maenad Perfume Oil

    Orgiastic mayhem in the extreme: sweet strawberry and orange blossom distorted by carnation, black poppy and hibiscus.

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  • Mag Mell Perfume Oil

    The Plane of Joy, eternal reward for a lifetime of valor and glory. A place of eternal youth and beauty, strength and honor, music and revelry.

    The warmth of amber, the puissance of white ginger and the clarity of verbena, with fresh green grass, lush sage and cleansing droplets of summer rain.

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  • Mage Perfume Oil

    All mystique and thrumming power: gurjum balsam, Sumatran dragon’s blood resin, olibanum, galangal, oleo gum resin, and frankincense.

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    Magus Perfume Oil

    An ancient blend, swollen with arcane power: galangal, high john essence, frankincense, cedar, and sandalwood.

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  • Maiden Perfume Oil

    A gentle vision of purity, goodness and virtue: white tea, carnation and Damask Rose.

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    Malediction Perfume Oil

    Evil incarnate. Revel in your dark side with this romantically cruel scent. Contains red patchouli and vetivert.

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  • Manhattan Perfume Oil

    Sexuality, power, confidence. A meeting of modern, sleek elegance and rich, passionate history: sheer amber, black leather, white mint, lemon peel, white tea, grapefruit, kush, teakwood and orchid.

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  • Marie Perfume Oil

    A blend of sinuous violet and elegant tea rose: the chosen scent of France’s Demigoddess of Debauch: Marie Antoinette.

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  • Mary Read Perfume Oil

    Salt air, ocean mist, aged patchouli, sarsaparilla, watered-down rum, leather-tinged musk, and a spray of gunpowder.

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    Mary Shelley Perfume Oil

    It was the secrets of heaven and earth that I desired to learn; and whether it was the outward substance of things or the inner spirit of nature and the mysterious soul of man that occupied me, still my inquiries were directed to the metaphysical, or in its highest sense, the physical secrets of the world.

    The scent of absinthe, lightning, stormclouds, and laudanum crashing through a veil of soft Victorian perfume.

    Illustrated by Abigail Larson.
    Purchase the tee here!

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  • Masquerade Perfume Oil

    A festive, dazzling blend, layered in mystery and intrigue. Patchouli, ambergris, carnation and orange blossom.

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  • Mata Hari Perfume Oil

    A renowned exotic dancer and courtesan, possessed of aristocratic elegance, matchless charm, an iron will and a streak of fearlessness. The actual events of her life have met with much speculation, and to this day it is unclear whether or not she was truly a German spy. Despite shaky evidence of her guilt, she was tried for espionage by a closed court-martial and was executed by a French firing squad in 1917.

    Her scent is striking and bold with a delicate yet dark undertone: five roses with soft jasmine, warmed by vanilla, fig, tonka bean and mahogany, spiced with a drop of coffee bean

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  • Medea Perfume Oil

    Granddaughter of Helios, Hecate’s chosen: Medea was one of the greatest sorceresses of the ancient world. She is the embodiment of ruthless power, indomitable will and furious vengeance. Night-blooming cereus, black orchid, black currant and myrtle leaf enshrouded in the incense of Hecate’s cypress and myrrh, and the dark rage of magickal labdanum and intoxicating poppy.

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  • Miskatonic University Perfume Oil

    A venerable New England university, whose vast library holds many rare, diabolical and obscure arcane works, including one of the few surviving legitimate copies of the Necronomicon. Home to innumerable scholars of the esoteric and the occult, and the notorious Dr. Herbert West.

    The scent of Irish coffee, dusty tomes and polished oakwood halls.

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    Monk Perfume Oil

    Sandalwood incense, ti leaf, and honeyed saffron.

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    Morgause Perfume Oil

    Earth sorceress and mother of Mordred, she is, in essence, the harbinger of King Arthur’s doom and the downfall of Camelot. She is a sister, or sister-self, to Morgan Le Fay. A bouquet of five night-blooming flowers deepened by dusky violet, purple fruits and the barest breath of medieval incenses.

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  • Moscow Perfume Oil

    A rich, bold blend of imperial rose, carnation, lush jasmine, lily of the valley, dark musk, amber, bergamot and gilded tangerine.

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    Mouse’s Long and Sad Tale Perfume Oil

    ‘Fury said to a
    mouse, That he
    met in the
    house,
    “Let us
    both go to
    law: I will
    prosecute
    YOU. –Come,
    I’ll take no
    denial; We
    must have a
    trial: For
    really this
    morning I’ve
    nothing
    to do.”
    Said the
    mouse to the
    cur, “Such
    a trial,
    dear Sir,
    With
    no jury
    or judge,
    would be
    wasting
    our
    breath.”
    “I’ll be
    judge, I’ll
    be jury,”
    Said
    cunning
    old Fury:
    “I’ll
    try the
    whole
    cause,
    and
    condemn
    you
    to
    d
    e
    a
    t
    h
    .”

    Vanilla, two ambers, sweet pea and white sandalwood.

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  • Muse Perfume Oil

    A light, invigorating floral and citrus blend. Tuberose, lotus and jasmine with a hint of lime.

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    Namaste Perfume Oil

    A Sanskrit blessing and word of greeting that bears a powerful symbolism. It represents the Oneness of all of existence, the union of matter and spirit, perfect wholeness. It is accompanied by a gesture: Anjali — hands pressed together, fingertips heavenward, pressed together over the heart’s chakra.

    This oil blend is a serene, soothing Indian blend, created to bring calm and joy to the heart and peace to the spirit. Sandalwood, jasmine, rose, patchouli, cedarwood and lemongrass.

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  • Nephilim Perfume Oil

    Dark children conceived from the union of Fallen Angels and the Daughters of Men. According to lore, the angel Shemhazai led a group of his angels to earth to instruct mankind in the ways of piety and righteousness. After a time, the angels became prey to earthly desires and began to lust after the daughters of man, and thus they fell. They instructed their mortal mates in the arts of conjuration, summoning, necromancy and other magickal arts. The fruits of their union are the Nephilim: possessed of superhuman strength, cunning, and infinite capacity, and hunger for, sin. Venerated as heroes by some, vilified by most, the Nephilim eventually annihilated one another in a cataclysmic civil war instigated by the angel Gabriel as punishment for their transgressions.

    Holy frankincense and hyssop in union with earthy fig, defiled by black patchouli and vetiver, with a chaotic infusion of lavender, cardamom, tamarind, rosemary, oakmoss and cypress.

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  • Neutral Perfume Oil

    A flawless skin musk.

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  • New Orleans Perfume Oil

    Reminiscent of hothouse blooms on a humid night, ripe, but touched with decay. Sweet honeysuckle and jasmine with a hint of lemon and spice.

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  • Night Gaunt Perfume Oil

    No one ever found what the night-gaunts took, though those beasts themselves were so uncertain as to be almost fabulous. Carter asked them if night-gaunts sucked blood and liked shiny things and left webbed footprints, but they all shook their heads negatively and seemed frightened at his making such an inquiry. When he saw how taciturn they had become he asked them no more, but went to sleep in his blanket.

    Their scent of their slick, rubbery hides is bittersweet, ticklish, and skin-creeping: something akin to yuzu, white grapefruit, and kumquat mixed with the snow-dusted flowers of Mount Ngranek.

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  • No. 93 Engine Perfume Oil

    Beeswax candles reflect flickering light onto a brass-coated boiler engraved with the words “Solve Et Coagula”. The gargantuan boiler sends torrents of steam into rigid pipes that exert force onto innumerable pistons and turbine blades. The motion is harnessed to propel energy into gargantuan cogs and gears that move liquid metals, herbs, and resins into a series of alembics.

    Balm of Gilead, benzoin, frankincense, balsam of peru, beeswax, saffron, galbanum, calamus, hyssop, mastic, lemon balm, and white sage.

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    Nocturne Perfume Oil

    An olfactory serenede. A somber, contemplative scent — dreamy and subdued. Deepest violet touched with lilac and tuberose.

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  • Nosferatu Perfume Oil

    We’ve finally caved in to years of requests for vampiric scents.

    As soft as grave dust and as dry as a breath drawn within a long forgotten crypt, this is Nosferatu: desiccated herbs and gritty earth brought to life with a swell of robust and sanguineous red wines.

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  • Nyarlathotep Perfume Oil

    And it was then that Nyarlathotep came out of Egypt. Who he was, none could tell, but he was of the old native blood and looked like a Pharaoh. The fellahin knelt when they saw him, yet could not say why. He said he had risen up out of the blackness of twenty-seven centuries, and that he had heard messages from places not on this planet. Into the lands of civilisation came Nyarlathotep, swarthy, slender, and sinister, always buying strange instruments of glass and metal and combining them into instruments yet stranger. He spoke much of the sciences – of electricity and psychology – and gave exhibitions of power which sent his spectators away speechless, yet which swelled his fame to exceeding magnitude. Men advised one another to see Nyarlathotep, and shuddered. And where Nyarlathotep went, rest vanished; for the small hours were rent with the screams of a nightmare.

    Brooding, yet electric: the scent of buried secrets, roiling nightmares, the essence of the Crawling Chaos, the Father of Knives and Locusts, the Hunter in the Dark. This is the blackest of ritual incenses charged with flashes of ozone.

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  • Nyx Perfume Oil

    Named in honor of the primeval Greek Goddess of Night. A scent reflecting inky black skies and eternal desolation. Night-blooming jasmine, warmed by myrrh, lifted by the promise of rose.

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    O Perfume Oil

    The scent of sexual obsession, slavery to sensual pleasure, and the undercurrent of innocence defiled utterly. Amber and honey with a touch of vanilla.

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  • Obatala Perfume Oil

    The King of the White Cloth, King of the Orishas, the First Among Equals. He is the King of Power, and his weapon is wisdom. He is the essence of honored maturity, wisdom through age and experience, purity of intention, virtue, humility, tolerance, judicious use of power, the knowledge of what is truly right and wrong, the moral code, and the obligation to do what is right. Obatala is the Creator God, who first fashioned mankind from clay; thus, he is also the first sculptor and potter. The human head itself is Obatala’s creation, and it is through it that he grants us the ability to discern genuine morality as opposed to oppressive, mistaken and arrogant self-righteousness. His is not the falsehood of societal boundaries, His Truth is the understanding of one’s own character and the obligations that we all have to our world, our Gods, and one another. He is the Benevolent Judge, calm and lucid, and he governs rational deliberation. His color is white, as His spirit is free from any soil or stain, and His energy radiates sanctified purity, great wisdom, happiness and internal peace. He is associated with cloth, as that was one of His gifts to mankind. The aspects of Obatala are symbolized by the chameleon, boa constrictor, elephant, gorilla, and snail. Obatala is the Lord of Laughter, for it is through wisdom that one may see the joy in life, and through laughter we are able to see the follies of mankind not with cynicism and derision, but with humor, compassion and understanding. Obatala’s Laughter helps soothe the pain of life’s rigors, and takes the sting out of the harshest of life’s lessons. Obatala’s ofrenda is soft, white and pure: milk, coconut meat, shea butter and cool, refreshing water.

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    Oberon Perfume Oil

    Orchid, white musk, and bergamot wafting over juniper berries, with a gentle touch of soft, earthy patchouli.

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    Oblivion Perfume Oil

    Salvation found in darkness beyond darkness, the blessed sleep of nothingness. Dark musk, wood spice, labdanum, patchouli, dark African woods, and saffron.

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  • Ode on Melancholy Perfume Oil

    No, no, go not to Lethe, neither twist
    Wolf’s-bane, tight-rooted, for its poisonous wine;
    Nor suffer thy pale forehead to be kiss’d
    By nightshade, ruby grape of Proserpine;
    Make not your rosary of yew-berries,
    Nor let the beetle, nor the death-moth be
    Your mournful Psyche, nor the downy owl
    A partner in your sorrow’s mysteries;
    For shade to shade will come too drowsily,
    And drown the wakeful anguish of the soul.

    But when the melancholy fit shall fall
    Sudden from heaven like a weeping cloud,
    That fosters the droop-headed flowers all,
    And hides the green hill in an April shroud;
    Then glut thy sorrow on a morning rose,
    Or on the rainbow of the salt sand-wave,
    Or on the wealth of globed peonies;
    Or if thy mistress some rich anger shows,
    Emprison her soft hand, and let her rave,
    And feed deep, deep upon her peerless eyes.

    She dwells with Beauty — Beauty that must die;
    And Joy, whose hand is ever at his lips
    Bidding adieu; and aching Pleasure nigh,
    Turning to poison while the bee-mouth sips:
    Ay, in the very temple of Delight
    Veil’d Melancholy has her sovran shrine,
    Though seen of none save him whose strenuous tongue
    Can burst Joy’s grape against his palate fine;
    His soul shalt taste the sadness of her might,
    And be among her cloudy trophies hung.

    Beauty, joy, pleasure and delight: devastated. This is the scent of the hopelessness, torment and despair of love. Lavender and wisteria, heart-wrenching pale rose, desolate white sandalwood and thin, tear-streaked white musk.

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  • Odin Perfume Oil

    Odin is highest and eldest of the Æsir: he rules all things, and mighty as are the other gods, they all serve him as children obey a father.

    The All-Father, Lord of Wisdom and War. Odin’s name itself translates to “fury”, “excitation” and “poetry” and that is the core of His essence. He is the God of Victory, and holds sway over hunting, verse, war-lust and berserkers, magic, illumination, foresight, death, plots and machinations, and He dispenses the Mead of Inspiration to poets from his sacred vessel, Óõ-rœri. He gifted mankind with runes, both sacred and mundane, and the ability to use them for both communication and magical work. He grants glory and madness, inspiration and courage, power and wisdom. He commands the einheriar of his Hall, Valhalla, and the Valkyries that claim the souls of valiant warriors. Lord Odin’s favored weapon is the spear Gugnir, which he uses to claim those chosen to die in battle. He is accompanied by his ravens, Hugin and Munin [thought and memory], and his wolves, Geri and Freki [the Greedy], and rides an eight-legged horse, Sleipner, that is, in itself, symbolic of death. His scent is dry elm bark, amaranth, warrior’s musk, and Odin’s Nine Herbs of Power.

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  • Ogygia Perfume Oil

    On to Pieria he stepped from the upper air, and swooped down upon the sea, and then sped over the wave like a bird, the cormorant, which in quest of fish over the dread gulfs of the unresting sea wets its thick plumage in the brine. In such wise did Hermes ride upon the multitudinous waves. But when he had reached the island which lay afar, then forth from the violet sea he came to land, and went his way until he came to a great cave, wherein dwelt the fair-tressed nymph; and he found her within. A great fire was burning on the hearth, and from afar over the isle there was a fragrance of cleft cedar and juniper, as they burned; but she within was singing with a sweet voice as she went to and fro before the loom, weaving with a golden shuttle. Round about the cave grew a luxuriant wood, alder and poplar and sweet-smelling cypress, wherein birds long of wing were wont to nest, owls and falcons and sea-crows with chattering tongues, who ply their business on the sea. And right there about the hollow cave ran trailing a garden vine, in pride of its prime, richly laden with clusters. And fountains four in a row were flowing with bright water hard by one another, turned one this way, one that. And round about soft meadows of violets and parsley were blooming. There even an immortal, who chanced to come, might gaze and marvel, and delight his soul; and there the messenger Argeiphontes stood and marvelled.

    Crisp sea air, kelp, and climbing vines, flame-singed cedarwood and juniper branches, cypress boughs, alder wood, violets, selino, parsley, glistritha, and white sage.

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    Old Demons of the First Class Perfume Oil

    We must have all the old demons of the first class, with tails, and the hobgoblins and imps; and then I think we ought not to leave out the death-horse, or the grave-pig, or even the church dwarf, although they do belong to the clergy, and are not reckoned among our people; but that is merely their office, they are nearly related to us, and visit us very frequently. 

    Siberian musk, black clove, opoponax, tonka, black pepper, and neroli.

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  • Old Scratch Perfume Oil

    Old Nick, the Devil himself, as seen through the eyes of Victorian New England. A jaunty, dapper scent, deceptively genteel: a lavender fougere with tonka, amber, rosewood and a whiff of diabolical patchouli.

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  • Orc Perfume Oil

    Field grey courgette musk, roughly cured leather, and vetiver.

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    Othello Perfume Oil

    Arabian musk with two roses and a bevy of Middle Eastern and Indian spices.

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  • Ouija Perfume Oil

    Lush parlor rooms draped in thick velvets and gilded in gold, unearthly whispering in the distance, fleeting flashes of wraithlike figures rushing just outside your vision, the chill of a phantom presence brushing by your cheek, the inscrutable knowledge that disembodied eyes are peering at you from darkened corners… this is the essence of Victorian-era spiritualism: rosewood, oak and teak notes with wispy blue lilac, tea rose, dried white rose and ethereal osmanthus.

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  • Paladin Perfume Oil

    Immaculate white musk, sweet frankincense, bourbon vanilla, white leather, and shining armor.

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    Paramatman Perfume Oil

    Like two birds of golden plumage, inseparable companions, the individual self and the immortal Self are perched on the branches of the selfsame tree. The former tastes of the sweet and bitter fruits of the tree; the latter, tasting of neither, calmly observes.

    Orange blossom, East Indian sandalwood, and champaca.

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  • Paris Perfume Oil

    Sensual, decadent, and enigmatic. Lavender, softly underscored by lotus and spice.

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  • Pele Perfume Oil

    Whimsical, temperamental, radiant and ravishingly beautiful Goddess of Volcanoes, Fire, Lightning and Dance. She is the Mother of Eruptions and the personification of destructive power. Volcanic eruptions are said to be a side-effect of her jealous rages and her epic quarrels with her siblings are legendary. This perfume embodies her gentler, benign aspect as the capricious Goddess of Dance: muguet and Hawaiian white ginger enveloped by warm, damp tropical blooms.

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    Penitence Perfume Oil

    Smell sanctified! A blend of pure, pious frankincense and graceful myrrh.

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    Penny Dreadful Perfume Oil

    Also called Gallows Literature. A dime novel rife with melodrama, horror, madness and cruelty; a ten cent analogy of vice and virtue in conflict. Soft perfume evocative of noir heroines over rich red grave loam.

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    Persephone Perfume Oil

    Daughter of Jove, almighty and divine, come, blessed queen, and to these rites incline:
    Only-begotten, Pluto’s honor’d wife, O venerable Goddess, source of life:
    ‘Tis thine in earth’s profundities to dwell, fast by the wide and dismal gates of hell:
    Jove’s holy offspring, of a beauteous mien, Praxidike, with lovely locks, infernal queen:
    Source of the Eumenides, whose blest frame proceeds from Jove’s ineffable and secret seeds:
    Mother of Eubouleos, Sonorous, divine, and many-form’d, the parent of the vine:
    The dancing Horai attend thee, essence bright, all-ruling virgin, bearing heav’nly light:
    Illustrious, horned, of a bounteous mind, alone desir’d by those of mortal kind.
    O, vernal queen, whom grassy plains delight, sweet to the smell, and pleasing to the sight:
    Whose holy form in budding fruits we view, Earth’s vig’rous offspring of a various hue:
    Espous’d in Autumn: life and death alone to wretched mortals from thy power is known:
    For thine the task according to thy will, life to produce, and all that lives to kill.
    Hear, blessed Goddess, send a rich increase of various fruits from earth, with lovely Peace;
    Send Health with gentle hand, and crown my life with blest abundance, free from noisy strife;
    Last in extreme old age the prey of Death, dismiss we willing to the realms beneath,
    To thy fair palace, and the blissful plains where happy spirits dwell, and Pluto reigns.

    Pomegranate and rose.

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  • Perversion Perfume Oil

    The perfect scent to wear to your next bondage ball, dungeon adventure or sojourn to your favorite pleasure dome. Smoky rum and black tobacco with a whisper of steamy leather with a splash of crystalline chardonnay, layered over a sensual, sweet, and deceptively magnetic base of tonka.

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  • Plunder Perfume Oil

    The scent of a pirate’s bumboat, overflowing with stolen wares: tea leaf, cassia, cinnamon bark, clove, allspice, sandalwood, tobacco, peppercorn, and nutmeg.

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  • Poisoned Apple Perfume Oil

    The queen stepped before her mirror:

    Mirror, mirror, on the wall,
    Who in this land is fairest of all?

    The mirror answered:

    You, my queen, are fair; it is true.
    But Little Snow-White with the seven dwarfs
    Is a thousand times fairer than you.

    When the queen heard this, she shook and trembled with anger, “Snow-White will die, if it costs me my life!” Then she went into her most secret room — no one else was allowed inside — and she made a poisoned, poisoned apple. From the outside it was red and beautiful, and anyone who saw it would want it. Then she disguised herself as a peasant woman, went to the dwarfs’ house and knocked on the door.

    Snow-White peeped out and said, “I’m not allowed to let anyone in. The dwarfs have forbidden it most severely.”

    “If you don’t want to, I can’t force you,” said the peasant woman. “I am selling these apples, and I will give you one to taste.”

    “No, I can’t accept anything. The dwarfs don’t want me to.”

    “If you are afraid, then I will cut the apple in two and eat half of it. Here, you eat the half with the beautiful red cheek!” Now the apple had been so artfully made that only the red half was poisoned. When Snow-White saw that the peasant woman was eating part of the apple, her desire for it grew stronger, so she finally let the woman hand her the other half through the window. She bit into it, but she barely had the bite in her mouth when she fell to the ground dead.

    The queen was happy, went home, and asked her mirror:

    Mirror, mirror, on the wall,
    Who in this land is fairest of all?

    And it answered:

    You, my queen, are fairest of all.

    A perfect, lovely, gleaming red apple whose sweetness masks a swirl of narcotic opium, oleander, and hemlock.

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  • Port Royal Perfume Oil

    The Sodom of the New World! — touted as the richest and wickedest city in all creation! Port Royal was the center of 17th century Caribbean commerce, a notorious safe harbor for pirates, and the site of our third flagship store, which was, sadly, destroyed in the earthquake of 1692. Spiced rum and ship’s wood mixed with the body-warmed trace of a prostitute’s perfume and a hint of salty sea air on the dry-down.

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  • Port-Au-Prince Perfume Oil

    Dark, decadent and incomparably exotic: the rich scent of buttered rum flavored with almond, bay, clove and sassafras.

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  • Prague Perfume Oil

    For Jenny, with love. Crocus with snowdrop and three lilies.

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    Pride Perfume Oil

    Vanity in extremis. The scent of rabid hauteur: Moroccan rose and narcissus.

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    Psionicist Perfume Oil

    A blast of mental energy: electric white mint, eucalyptus leaf, white frankincense, and blue-white musk.

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    Qandisa Perfume Oil

    The Moroccan Goddess of Carnal Desire. Dwelling in fresh-water springs and rivers, she is doom: her embrace drives men mad with mindless lust. Sacrifices are made to the Lady of Lust on the Summer Solstice in the hopes of placating her passions and driving her red-tinged gaze away. Black musk, blackened saffron, lemon peel, and vetiver draped over thick honey.

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    Queen Alice Perfume Oil

    At this moment the door was flung open, and a shrill voice was heard singing: 

    ‘To the Looking-Glass world it was Alice that said
    “I’ve a sceptre in hand, I’ve a crown on my head.
    Let the Looking-Glass creatures, whatever they be
    Come and dine with the Red Queen, the White Queen, and me!”‘
    And hundreds of voices joined in the chorus: 
    ‘Then fill up the glasses as quick as you can,
    And sprinkle the table with buttons and bran:
    Put cats in the coffee, and mice in the tea —
    And welcome Queen Alice with thirty-times-three!’

    Then followed a confused noise of cheering, and Alice thought to herself `Thirty times three makes ninety. I wonder if any one’s counting?’ In a minute there was silence again, and the same shrill voice sang another verse: 

    ‘”O Looking-Glass creatures,” quoth Alice, “draw near!
    ‘Tis an honour to see me, a favour to hear:
    ‘Tis a privilege high to have dinner and tea
    Along with the Red Queen, the White Queen, and me!”‘
    Then came the chorus again: 
    ‘Then fill up the glasses with treacle and ink,
    Or anything else that is pleasant to drink:
    Mix sand with the cider, and wool with the wine —
    And welcome Queen Alice with ninety-times-nine!’

    Carnation, posies, and white amber with a hint of inky treacle, sandy cider, and wooly wine.

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    Queen of Hearts Perfume Oil

    Lily of the Valley, Calla Lily, stephanotis and a drop of cherry.

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    Queen Perfume Oil

    For use only by women. An extremely potent passion blend, used to great effect when you’re converting feminine sexual energy into power.

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  • R’Lyeh Perfume Oil

    Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn.The sunken city of the Great God Cthulhu. A hellishly dark aquatic scent, evocative of fathomless oceanic deeps, the mysteries of madness buried under crushing black waters, and the brooding eternal evil that lies beneath the waves.

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  • Rakshasa Perfume Oil

    This haunting, exotic scent is named in honor of the shapeshifting demons from Hindu mythology. Sandalwood with rose and patchouli.

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  • Ranger Perfume Oil

    Untamed wilderness: buckskin accord with Terebinth pine, Russian birch, black ironwood, elder bark, hay, armoise, juniper, patchouli, galangal root, Spanish moss, and cabreuva.

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  • Rapture Perfume Oil

    Sensual ecstasy, the blinding red fire of the apex of sexual pleasure: Moroccan rose, Sumatran rose, mandarin, Egyptian myrrh, night-blooming jasmine, bergamot and neroli thrust into Arabian musk.

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  • Ravenous Perfume Oil

    An utterly feral, thoroughly rousing perfume. Red patchouli sweetened by orange blossom.

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    Red Queen Perfume Oil

    Deep mahogany and rich, velvety woods lacquered with sweet, black-red cherries and currant.

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    Robin Goodfellow Perfume Oil

    Now the hungry lion roars,
    And the wolf behowls the moon;
    Whilst the heavy ploughman snores,
    All with weary task fordone.
    Now the wasted brands do glow,
    Whilst the screech-owl, screeching loud,
    Puts the wretch that lies in woe
    In remembrance of a shroud.
    Now it is the time of night
    That the graves all gaping wide,
    Every one lets forth his sprite,
    In the church-way paths to glide:
    And we fairies, that do run
    By the triple Hecate’s team,
    From the presence of the sun,
    Following darkness like a dream,
    Now are frolic: not a mouse
    Shall disturb this hallow’d house:
    I am sent with broom before,
    To sweep the dust behind the door.

    Dark musk, moss-covered wood, ragwort, heather, and sage.

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  • Rogue Perfume Oil

    Soft, well-worn black leather, hemp, and rosin.

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    Rose Cross Perfume Oil

    A profound symbol of an individual’s personal initiatic process, spiritual refinement and evolution, synthesis, grace found as a result of trial and suffering, and the alchemical process by which we transform the raw essence of our souls through light in extension. This is a holy oil, a representation of the triumph of spirit over matter: purest rose with sacred frankincense.

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    Roses, Pearls and Diamonds Perfume Oil

    The youngest, who was the very picture of her father for courtesy and sweetness of temper, was withal one of the most beautiful girls ever seen. As people naturally love their own likeness, this mother even doted on her eldest daughter and at the same time had a horrible aversion for the youngest–she made her eat in the kitchen and work continually.

    Among other things, this poor child was forced twice a day to draw water above a mile and a-half off the house, and bring home a pitcher full of it. One day, as she was at this fountain, there came to her a poor woman, who begged of her to let her drink. 

    “Oh! ay, with all my heart, Goody,” said this pretty little girl; and rinsing immediately the pitcher, she took up some water from the clearest place of the fountain, and gave it to her, holding up the pitcher all the while, that she might drink the easier. 

    The good woman, having drunk, said to her: 

    You are so very pretty, my dear, so good and so mannerly, that I cannot help giving you a gift.” For this was a fairy, who had taken the form of a poor country woman, to see how far the civility and good manners of this pretty girl would go. “I will give you for a gift,” continued the Fairy, “that, at every word you speak, there shall come out of your mouth either a flower or a jewel.” 

    When this pretty girl came home her mother scolded her for staying so long at the fountain. 

    “I beg your pardon, mamma,” said the poor girl, “for not making more haste.” 

    And in speaking these words there came out of her mouth two roses, two pearls, and two diamonds.

    Red roses, dazzling crystalline musks, and pearlescent coconut-tinged orris.

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  • Santo Domingo Perfume Oil

    An exotic, sultry blend of tobacco leaf, bay rum and heady Caribbean blossoms.

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  • Satyr Perfume Oil

    Unleash the bawdy, unrestrained passion of the satyr! A ferociously masculine scent: sexual, vigorous, and truly wild.

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  • Scherezade Perfume Oil

    A master storyteller who possessed unfailing courage and compassion, a sharp, quick wit, and a true understanding of human nature. Saffron and Middle Eastern spices swirled through sensual red musk.

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    Schrodinger’s Cat Perfume Oil

    One can even set up quite ridiculous cases. A cat is penned up in a steel chamber, along with the following diabolical device (which must be secured against direct interference by the cat): in a Geiger counter there is a tiny bit of radioactive substance, so small that perhaps in the course of one hour one of the atoms decays, but also, with equal probability, perhaps none; if it happens, the counter tube discharges and through a relay releases a hammer which shatters a small flask of hydrocyanic acid. If one has left this entire system to itself for an hour, one would say that the cat still lives if meanwhile no atom has decayed. The first atomic decay would have poisoned it. The Psi function for the entire system would express this by having in it the living and the dead cat (pardon the expression) mixed or smeared out in equal parts. It is typical of these cases that an indeterminacy originally restricted to the atomic domain becomes transformed into macroscopic indeterminacy, which can then be resolved by direct observation. That prevents us from so naively accepting as valid a “blurred model” for representing reality. In itself it would not embody anything unclear or contradictory. There is a difference between a shaky or out-of-focus photograph and a snapshot of clouds and fog banks.

    A paradoxical scent experiment! – tangerine, sugared lime, pink grapefruit, oakmoss, lavender, zdravetz, and chocolate peppermint.

    No cats were mistreated during the formulation of this paradox, or in the process of creating this perfume.

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    Sea of Glass Perfume Oil

    Upon the Sea of Glass, glowing with the perfection of spiritual union and the radiance of true wisdom, rests the throne of God. A scent of inimitable purity, crystalline grace, and limitless light.

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    Sed Non Satiata Perfume Oil

    Strange goddess, brown as evening to the sight,
    Whose scent is half of musk, half of havanah,
    Work of some obi, Faust of the Savanah,
    Ebony witch, and daughter of the night.

    By far preferred to troth, or opium, or sleep,
    Love vaunts the red elixir of your mouth.
    My caravan of longings seeks in drouth
    Your eyes, the wells at which my cares drink deep.

    Through those black eyes, by which your soul respires,
    Pitiless demon! pour less scorching fires.
    I am no Styx nine times with flame to wed.

    Nor can I turn myself to Proserpine
    To break your spell, Megera libertine!
    Within the dark inferno of your bed.

    A pounding heartbeat coalesced into scent: demonic passion and brutal sexuality manifested through myrrh, red patchouli, cognac, honey, and tuberose and geranium in a breathy, panting veil over the darkest body musk.

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    Seraphim Perfume Oil

    A perfume sacred to the highest of the angelic hosts: calla lily, wisteria, white sandalwood, Damascus rose and frankincense.

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  • Shanghai Perfume Oil

    The crisp, clean scent of green tea touched with lemon verbena and honeysuckle.

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    Shango Perfume Oil

    The Wrath of God, the Most Beautiful Lord of Lightning, the Owner of All Palaces. He is the illumination of a lightning strike in the night sky, and is the retributive strike of the rightful king. Shango punishes those who are not living up to their responsibilities. He gives insight to the truth in all circumstances, and is the essence of the thrill and excitement in life that makes every day worth living. To love Shango is to live life to the fullest, no matter what pains the world inflicts upon you. He is Wrath, and his lightning bolts and gouts of fire remind all of his strength and power. It is said that Lord Shango only speaks to his children once; when the God illuminates an answer for you, you had best understand with no further questions. Shango is trial by fire, the honing and refinement of the spirit, the ability to distinguish between truth and lies. He is a dual-faced God: King and Exile, miser and philanthropist, just and ruthless, honest and devious. Shango is the Lord of Persuasion, and his glib tongue can intimidate, coerce, sway and seduce. He is quick wit, articulate words, and the ability to think on one’s feet. He is the King that can incite and enflame the masses with the power of his speech. His words are the sensual murmurs of the lothario, the slick wheedle of the grifter, the convincing argument of the barrister, the dangerous charm of the pimp, the inspiration of the warrior general, and the invigorating exhortations of the monarch. The Roar of Shango is a Universal Truth. Shango governs all professions that cater to the needs and weaknesses of the people. He is the absolute and perfect Male creature, and the rain that falls to earth is His blessed, sublime semen, giving life to the world. His abundant seed washes the land and replenishes Earth’s seas, rivers and oceans. He sneers at cowardice, and demands that all of his children have daring spirits, strength of will, nerve and *balls*. Courage is of the utmost importance, as it empowers us to face adversity with dignity and enables us to act decisively and with resourcefulness. Live, don’t simply exist. Shango’s gifts make it possible for us to find the shortest distance between two points, wring out the best from every situation, recover from every seeming loss and every defeat, and defy all odds to reach our goals. He teaches us wily strategies, masterful tactics, and shows us the value of friendship and camaraderie. His is the comfortable, casual friendship found in just hanging out and having a good time with the guys. Shango is Challenge, the concept of finding the best parts of yourself through conflict and adversity. Shango’s weapon is the double-headed axe, and His animals are the black cat and the leopard.

    The Master of Lightning’s ofrenda contains red apples, banana, chili pepper, coconut, pineapple, pomegranate and sugar cane.

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    Sherlock Holmes Perfume Oil

    My name is Sherlock Holmes.  It is my business to know what other people don’t know.

    A fastidiously clean scent, with a dash of pipe and cigarette tobacco. Faintly beneath, you catch the fragrance of a smear of greasepaint, a stray horsehair, and a whisper of Moroccan leather and rosin.

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  • Shoggoth Perfume Oil

    It was a terrible, indescribable thing vaster than any subway train – a shapeless congerie of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter.

    An amorphous, radiant, incandescent scent. Ever changing, protoplasmic and primordial: white amber, green coconut meat, iris, palmarosa, Chinese peony, lime, water lily, snowdrop, muguet, lemongrass, osmanthus, wisteria, glassy musk, and hinoki.

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  • Shub-Niggurath Perfume Oil

    Iä! Shub-Niggurath! The Black Goat of the Woods with a Thousand Young, the All-Mother and wife of the Not-to-Be-Named-One.

    The lust incense of a corrupted Astarte. A blend of ritual herbs and dark resins, shot through with three gingers and aphrodisiacal spices.

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    Sin Perfume Oil

    Thouroughly corrupted: amber, sandalwood, black patchouli and cinnamon.

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    Sjöfn Perfume Oil

    Seventh is Sjofn. She is much concerned to direct people’s minds to love, both women and men. Our song to the Norse Goddess of Love is scented with apples and birch and bound with apple blossoms.

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    Sloth Perfume Oil

    Thick, dark, sluggish and heavy with indolence: vetiver over black myrrh.

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  • Smokestack Perfume Oil

    Grey-brown flue gasses belch from colossal steel and concrete monoliths, forming bloated clouds in the dusk-dark sky.

    Creosote, coal, and industrial waste.

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  • Snake Oil

    Snake Oil was one of my first creations, one of the original BPAL scents, and is as bound up with my own history as it is with the history of Black Phoenix. It is the scent I wore on my wedding day, the scent I wore while giving birth to my child, and it is as much a part of me as my own eyes, breath, or limbs.

    Snake Oil has shed its skin, and is back — now with vintage patchouli and dark, rich, aged vanilla absolute. Snake Oil is our signature scent, our first perfume: deep, rich, earthy notes swirled with vegetal musks, sugared vanilla bean, and dark spices.

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    Snooty Rose Perfume Oil

    `It isn’t manners for us to begin, you know,’ said the Rose, `and I really was wondering when you’d speak! Said I to myself, “Her face has got some sense in it, thought it’s not a clever one!” Still, you’re the right colour, and that goes a long way.’ 

    `I don’t care about the colour,’ the Tiger-lily remarked. `If only her petals curled up a little more, she’d be all right.’ 

    Alice didn’t like being criticised, so she began asking questions. `Aren’t you sometimes frightened at being planted out here, with nobody to take care of you?’ 

    `There’s the tree in the middle,’ said the Rose: `what else is it good for?’ 

    `But what could it do, if any danger came?’ Alice asked.

    Red rose, oud, plum, bergamot, and red sandalwood.

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    Somnus Perfume Oil

    Named after the Roman God of Sleep. This blend helps bring on deep, restful, natural sleep.

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    Sorcerer Perfume Oil

    A golden, sparking surge of raw, wild magic: waves of amber, frankincense, red cacao, blood orange, and lavender touched by demonic incense and dragon’s blood.

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  • Spellbound Perfume Oil

    Perfectly enchanting! An irresistibly sexual, utterly rapturous blend of three roses, radiant amber, and sensual red musk.

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    Squirting Cucumber Perfume Oil

    Yikes! A spurt of wet, grassy greenness.

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  • Stimulating Sassafras Strengthener Perfume Oil

    Valuable in relieving the vapors and in reversing depraved conditions of the system. Doc Constantine’s tonics will make you happy, hale, and hearty.

    Sassafras, vanilla extract, oak leaf, CO2 butter extract and onycha.

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    Strangler Fig Perfume Oil

    A glorious parasite! Once the seeds of the Strangler Fig find root in the bark of a tree, snakelike roots erupt and reach graspingly at the sky. The Strangler Fig then sprouts numerous epiphytic vines that strangles and surrounds its unwilling host, and finally snuffs the life from it. Rooty, woody, with deep green tones.

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  • Sudha Segara Perfume Oil

    Named after the primordial ocean of milk where Lord Vishnu reclines upon the thousand-headed Naga. Sweet milk and warm, healing ginger with a touch of golden honey and our blend of Ambrosia.

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  • Sybaris Perfume Oil

    The pinnacle of wealth, luxury, self-indulgent pleasure, voluptuousness and sensuality.

    Bright violet with sweet clove, Mediterranean incense notes and tonka bean.

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    Tamora Perfume Oil

    Amber, heliotrope, golden sandalwood, peach blossom and vanilla bean.

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  • Tavern of Hell Perfume Oil

    Sometimes I would venture from my sepulchre to the jazz of night Paris, where having gathered the colours, I would think them over in front of the fire. I could be seen walking through a funeral corridor of my house and descending down a black spiral of steep stairs; rushing underground to Montmartre, all impatience to see the fiery rubies of the Moulin Rouge cross. I wondered thereabouts, then bought a ticket to watch frenzied delirium of feathers, vulgar painted lips and eyelashes of black and blue.

    Naked feet, and thighs, and arms, and breasts were being flung on me from bloody-red foam of translucent clothes. The tuxedoed goatees and crooked noses in white vests and toppers would line the hall, with their hands posed on canes. Then I found myself in a pub, where the liqueurs were served on a coffin (not a table) by the nickering devil: “Drink it, you wretched!” Having drunk, I returned under the black sky split by the flaming vanes, which the radiant needles of my eyelashes cross-hatched. In front of my nose a stream of bowler hats and black veils was still pulsing, foamy with bluish green and warm orange of feathers worn by the night beauties: to me they were all one, as I had to narrow my eyes for insupportable radiance of electric lamps, whose hectic fires would be dancing beneath my nervous eyelids for many a night to come.

    White gardenia, ambergris bouquet, lavender fougere, orange blossom, melissa, tobacco flower, coriander, ebony wood, ylang ylang, absinthe and aged whiskey.

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  • Tenochtitlan Perfume Oil

    The greatest of all Aztec cities, and capital of their empire. Amber, hyssop, coriander, epazote, Mexican sage, prickly pear and Mexican tulip poppy.

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    Tezcatlipoca Perfume Oil

    Lord of the Smoking Mirror, god of sorcery, nighttime, darkness, beauty, war, heroic men, beautiful women, and all material concerns. Tezcatlipoca is the Master Magician, a trickster god and shapeshifter, governing all worldly matters, and is also the Great Tempter, seducing men into evil acts and subsequently punishing them for their transgressions. Deep cocoa laced with patchouli, leather armor, ritual incense, and a touch of Xochiquetzal’s flowers.

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    Thanatopsis Perfume Oil

    A meditation upon death. Inspired by William Cullen Bryant’s poem.

    A deep, solomn earthen scent containing pine, juniper and musk.

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  • The Antikythera Mechanism

    Bronze gears spin inside a polished wooden case, and an entire universe dances within.

    Teakwood, oak, black vanilla, and tobacco.

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    The Apothecary Perfume Oil

    Tea leaf with three mosses, green grass, a medley of herbal notes, and a drop of ginger and fig.

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    The Black Rider Perfume Oil

    As she stood there a third man on horseback came galloping up. His face was black, he was dressed all in black, and the horse he rode was coal-black. He galloped up to the gate of the hut and disappeared there as if he had sunk through the ground and at that moment the night came and the forest grew dark.

    But it was not dark on the green lawn, for instantly the eyes of all the skulls on the wall were lighted up and shone till the place was as bright as day. When she saw this Vasilissa trembled so with fear that she could not run away.

    Black leather, oppoponax, tobacco, and black amber.

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  • The Black Tower Perfume Oil

    Say that the men of the old black tower,
    Though they but feed as the goatherd feeds,
    Their money spent, their wine gone sour,
    Lack nothing that a soldier needs,
    That all are oath-bound men:
    Those banners come not in.

    There in the tomb stand the dead upright,
    But winds come up from the shore:
    They shake when the winds roar,
    Old bones upon the mountain shake.

    Those banners come to bribe or threaten,
    Or whisper that a man’s a fool
    Who, when his own right king’s forgotten,
    Cares what king sets up his rule.
    If he died long ago
    Why do you dread us so?

    There in the tomb drops the faint moonlight,
    But wind comes up from the shore:
    They shake when the winds roar,
    Old bones upon the mountain shake.

    The tower’s old cook that must climb and clamber
    Catching small birds in the dew of the morn
    When we hale men lie stretched in slumber
    Swears that he hears the king’s great horn.
    But he’s a lying hound:
    Stand we on guard oath-bound!

    There in the tomb the dark grows blacker,
    But wind comes up from the shore:
    They shake when the winds roar,
    Old bones upon the mountain shake.

    A sepulchral, desolate scent. Long-dead soldiers, oath-bound; the perfume of their armor, the chill wind that surges through their tower, white bone and blackened steel: white sandalwood, ambergris, wet ozone, galbanum and leather with ebony, teak, burnt grasses, English ivy and a hint of red wine.

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    The Bow & Crown of Conquest Perfume Oil

    And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.

    Nobility and haughtiness befitting the Antichrist: sage, carnation and cedar with lavender, vanilla, white musk and leather.

    And when he had opened the second seal, I heard the second beast say, Come and see.

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  • The Coiled Serpent Perfume Oil

    A potent yogic oil that stimulates the kundalini, provokes spiritual awakening, and releases the energy seated in your root chakra.

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  • The Forest Reverie Perfume Oil

    ‘Tis said that when
    The hands of men
    Tamed this primeval wood,
    And hoary trees with groans of woe,
    Like warriors by an unknown foe,
    Were in their strength subdued,
    The virgin Earth Gave instant birth
    To springs that ne’er did flow
    That in the sun Did rivulets run,
    And all around rare flowers did blow
    The wild rose pale Perfumed the gale
    And the queenly lily adown the dale
    (Whom the sun and the dew
    And the winds did woo),
    With the gourd and the grape luxuriant grew.

    So when in tears
    The love of years
    Is wasted like the snow,
    And the fine fibrils of its life
    By the rude wrong of instant strife
    Are broken at a blow
    Within the heart
    Do springs upstart
    Of which it doth now know,
    And strange, sweet dreams,
    Like silent streams
    That from new fountains overflow,
    With the earlier tide
    Of rivers glide
    Deep in the heart whose hope has died —
    Quenching the fires its ashes hide, —
    Its ashes, whence will spring and grow
    Sweet flowers, ere long,
    The rare and radiant flowers of song!

    A sunlit ancient forest, dotted with wild roses, grape vine, and queenly lilies, clothed in swirls of opium smoke.

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    The Ghost Perfume Oil

    Softly as brown-eyed Angels rove
    I will return to thy alcove, 
    And glide upon the night to thee, 
    Treading the shadows silently. 

    And I will give to thee, my own, 
    Kisses as icy as the moon, 
    And the caresses of a snake 
    Cold gliding in the thorny brake. 

    And when returns the livid morn 
    Thou shalt find all my place forlorn 
    And chilly, till the falling night. 

    Others would rule by tenderness 
    Over thy life and youthfulness, 
    But I would conquer thee by fright!

    A thin, sinuous, creeping chill, the scent of glee-filled undeath: white iris, osmanthus, Calla lily, tomb-crawling ivy and a coffin spray of gladiolus, lisianthus and delphinium.

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    The Grave-Pig Perfume Oil

    We must have all the old demons of the first class, with tails, and the hobgoblins and imps; and then I think we ought not to leave out the death-horse, or the grave-pig, or even the church dwarf, although they do belong to the clergy, and are not reckoned among our people; but that is merely their office, they are nearly related to us, and visit us very frequently. 

    Fig, oakmoss, mushroom caps, and patchouli.

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    The Great Sword of War Perfume Oil

    And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword.

    Mandarin, tonka, saffron, black tea, cocoa, tobacco leaf, sanguine red musk and five classical herbs of conflict.

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    The Harlot’s House Perfume Oil

    We caught the tread of dancing feet,
    We loitered down the moonlit street,
    And stopped beneath the harlot’s house.

    Inside, above the din and fray,
    We heard the loud musicians play
    The “Treues Liebes Herz” of Strauss.

    Like strange mechanical grotesques,
    Making fantastic arabesques,
    The shadows raced across the blind.

    We watched the ghostly dancers spin
    To sound of horn and violin,
    Like black leaves wheeling in the wind.

    Like wire-pulled automatons,
    Slim silhouetted skeletons
    Went sidling through the slow quadrille.

    The took each other by the hand,
    And danced a stately saraband;
    Their laughter echoed thin and shrill.

    Sometimes a clockwork puppet pressed
    A phantom lover to her breast,
    Sometimes they seemed to try to sing.

    Sometimes a horrible marionette
    Came out, and smoked its cigarette
    Upon the steps like a live thing.

    Then, turning to my love, I said,
    “The dead are dancing with the dead,
    The dust is whirling with the dust.”

    But she–she heard the violin,
    And left my side, and entered in:
    Love passed into the house of lust.

    Then suddenly the tune went false,
    The dancers wearied of the waltz,
    The shadows ceased to wheel and whirl.

    And down the long and silent street,
    The dawn, with silver-sandalled feet,
    Crept like a frightened girl.

    The dead are dancing with the dead, the dust is whirling with the dust: angel’s trumpet, violet, white sandalwood, oude, copaiba balsam, angelica, white tea, olibanum, and oakmoss.

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    The Isles of Demons Perfume Oil

    Twin islands near Newfoundland, now lost, that were believed to be gateways to Hell. The scent is of wet, dark greenery, carnivorous flowers, volcanic gas, and the hot black musk of the demons and wild beasts that populated the islands.

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  • The Jersey Devil Perfume Oil

    It was about three feet and half high, with a head like a collie dog and a face like a horse. It had a long neck, wings about two feet long, and its back legs were like those of a crane, and it had horse’s hooves. It walked on its back legs and held up two short front legs with paws on them. It didn’t use the front legs at all while we were watching. My wife and I were scared, I tell you, but I managed to open the window and say, “Shoo”, and it turned around barked at me, and flew away.

    The scent of the wild, hauntingly beautiful Pine Barrens of New Jersey! Pitch pine with blackberry leaf, cranberry, cedar wood and tomato leaf.

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  • The Lady of Shalott Perfume Oil

    Heard a carol, mournful, holy,
    Chanted loudly, chanted lowly,
    Till her blood was frozen slowly,
    And her eyes were darkened wholly,
    Turn’d to tower’d Camelot.
    For ere she reach’d upon the tide
    The first house by the water-side,
    Singing in her song she died,
    The Lady of Shalott.

    The scent of calm waters just before a raging storm, limned with achingly-beautiful blooms, an icy scent, but somehow warm, and mirror-bright: bold gardenia, crystalline musk, muguet, water blossoms, clear, slightly tart aquatic notes and a crush of white ginger.

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    The Lights of Men’s Lives Perfume Oil

    When Death saw that for a second time he was defrauded of his own property, he walked up to the physician with long strides, and said, “All is over with thee, and now the lot falls on thee,” and seized him so firmly with his ice-cold hand, that he could not resist, and led him into a cave below the earth. There he saw how thousands and thousands of candles were burning in countless rows, some large, others half-sized, others small. Every instant some were extinguished, and others again burnt up, so that the flames seemed to leap hither and thither in perpetual change. “See,” said Death, “these are the lights of men’s lives. The large ones belong to children, the half-sized ones to married people in their prime, the little ones belong to old people; but children and young folks likewise have often only a tiny candle.” “Show me the light of my life,” said the physician, and he thought that it would be still very tall. Death pointed to a little end which was just threatening to go out, and said, “Behold, it is there.”

    The wax and smoke of millions upon millions of candles illuminating the walls of Death’s shadowy cave: some tall, straight, and strong, blazing with the fire of life, others dim and guttering.

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    The Little Wooden Doll Perfume Oil

    “My little Vasilissa, my dear daughter, listen to what I say, remember well my last words and fail not to carry out my wishes. I am dying, and with my blessing, I leave to thee this little doll. It is very precious for there is no other like it in the whole world. Carry it always about with thee in thy pocket and never show it to anyone. When evil threatens thee or sorrow befalls thee, go into a corner, take it from thy pocket and give it something to eat and drink. It will eat and drink a little, and then thou mayest tell it thy trouble and ask its advice, and it will tell thee how to act in thy time of need.” So saying, she kissed her little daughter on the forehead, blessed her, and shortly after died.

    Little Vasilissa grieved greatly for her mother, and her sorrow was so deep that when the dark night came, she lay in her bed and wept and did not sleep. At length she be thought herself of the tiny doll, so she rose and took it from the pocket of her gown and finding a piece of wheat bread and a cup of kvass, she set them before it, and said: “There, my little doll, take it. Eat a little, and drink a little, and listen to my grief. My dear mother is dead and I am lonely for her.”

    Then the doll’s eyes began to shine like fireflies, and suddenly it became alive. It ate a morsel of the bread and took a sip of the kvass, and when it had eaten and drunk, it said:

    “Don’t weep, little Vasilissa. Grief is worst at night. Lie down, shut thine eyes, comfort thyself and go to sleep. The morning is wiser than the evening.” So Vasilissa the Beautiful lay down, comforted herself and went to sleep, and the next day her grieving was not so deep and her tears were less bitter.

    Gently carved wood warm with a maternal love that reaches beyond death: rose-infused amber and soft golden sandalwood.

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    The Night-Raven Perfume Oil

    “You are invited to the elf hill for this evening,” said she; “but will you do me a great favor and undertake the invitations? you ought to do something, for you have no housekeeping to attend to as I have. We are going to have some very grand people, conjurors, who have always something to say; and therefore the old elf king wishes to make a great display…”

    “Croak,” said the night-raven as he flew away with the invitations.

    Indigo musk, wild plum, rose geranium, benzoin, night-blooming jasmine, and patchouli.

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  • The Obsidian Widow Perfume Oil

    Tinkling tiny feet scuttle across a massive oak desk, navigating through a flurry of papers and a maze of discarded books, wires, and bolts. Glistening green venom beads at its chelicerae, and a ruby hourglass flashes from the creature’s underbelly as it begins to weave.

    Pinot noir, dark myrrh, red sandalwood, black patchouli, night-blooming jasmine, and attar of rose.

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  • The Raven Perfume Oil

    Sleek, dark, and ominous. Violet and neroli mingled with iris, white sandalwood and dark musk.

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  • The Robotic Scarab Perfume Oil

    Pinpoints of red light beaming from its eyes scan the room, and in a flutter of leather wings, it scuttles across the wooden floorboards.

    Polished metallic notes, glossy leather, frankincense, star anise, and thin lubricating oils.

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    The Rose Perfume Oil

    When they found that their father must take a journey to the ship, the two eldest begged he would not fail to bring them back some new gowns, caps, rings, and all sorts of trinkets. But Beauty asked for nothing; for she thought in herself that all the ship was worth would hardly buy everything her sisters wished for. “Beauty,” said the merchant, “how comes it that you ask for nothing: what can I bring you, my child?”

    “Since you are so kind as to think of me, dear father,” she answered, “I should be glad if you would bring me a rose, for we have none in our garden.” Now Beauty did not indeed wish for a rose, nor anything else, but she only said this that she might not affront her sisters; otherwise they would have said she wanted her father to praise her for desiring nothing.

    The promise of a rose: red rose petals, fresh sap, and the sharp green scent of stem and leaf.

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    The Scales of Deprivation Perfume Oil

    And when he had opened the third seal, I heard the third beast say, Come and see. And I beheld, and lo a black horse; and he that sat on him had a pair of balances in his hand.

    Thin, dark, and shadowed. A scent that offers no sustenance, comfort or satiety: lemon peel, white sage, frankincense, lavender fougere, sandalwood, vetiver and labdanum.

    And I heard a voice in the midst of the four beasts say, A measure of wheat for a penny, and three measures of barley for a penny; and see thou hurt not the oil and the wine.

    And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see. 

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    The Sea Foams Blood Perfume Oil

    When you return go alone, just you and the children and when you approach the beach then call for me:

    Zilvine, Zilvineli,
    If alive, may the sea foam milk
    If dead, may the sea foam blood…

    And if you see coming towards you foaming milk then know that I am still alive, but if blood comes then I have reached my end. While you, my children, let not the secret out, do not let anyone know how to call for me.

    Blood rising through an ocean wave.

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    The Sea Foams Milk Perfume Oil

    When you return go alone, just you and the children and when you approach the beach then call for me:

    Zilvine, Zilvineli,
    If alive, may the sea foam milk
    If dead, may the sea foam blood…

    And if you see coming towards you foaming milk then know that I am still alive, but if blood comes then I have reached my end. While you, my children, let not the secret out, do not let anyone know how to call for me.

    Milk cresting on an ocean wave.

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    The Temple of Dreams Perfume Oil

    For use when working with the many Gods of Sleep, Dreams, and Nightmares.

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    The White Rider Perfume Oil

    The wood was very dark, and she could not help trembling from fear. Suddenly she heard the sound of a horse’s hoofs and a man on horseback galloped past her. He was dressed all in white, the horse under him was milk-white and the harness was white, and just as he passed her it became twilight.

    White leather and sandalwood.

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  • Thieves’ Rosin Perfume Oil

    Increases the chance of successfully picking pockets by 25%.

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  • Tiefling Therapist Perfume Oil

    A soothing, centering blend of white and red sandalwood, champaca attar, frankincense, and brimstone.

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    Titania Perfume Oil

    A nocturnal bounty of fae dew-kissed petals and pale fruits: white grape, white peach, iced pear, musk rose, sweet pea, moonflower and snapdragon.

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    Titus Andronicus Perfume Oil

    Dark musk and black amber with frankincense, red sandalwood, neroli and bergamot.

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    Tlazolteotl Perfume Oil

    It is the lady of midnight and she has arrived! She of Two Faces, She Who Eats Filth, the Death Caused by Lust – Tlazolteotl – is the Aztec goddess of the regenerative function of the earth, human sexuality, and fertility. She represents the active female principle in the eternal cycle of life feeding death and death feeding life. Her arms, dressed in flayed skins, embrace mirrored principles of sin and  purification: she inspires lust, depravity, overindulgence, vice, lechery, and licentiousness, and is also empowered to cleanse and forgive moral, spiritual, and fleshly sins. Her scent is a melding of her symbols and offerings: chapapote and black copal with cacao, black honey, maize, and cotton blossoms.

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  • Tombstone Perfume Oil

    A celebration of one of the first commercially produced perfumes of America’s Old West. A rugged, warm blend of vanilla, balsam and sassafras layered over Virginia cedar.

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  • Troll Perfume Oil

    They call me Troll;
    Gnawer of the Moon,
    Giant of the Gale-blasts,
    Curse of the rain-hall,
    Companion of the Sibyl,
    Nightroaming hag,
    Swallower of the loaf of heaven.
    What is a Troll but that?

    A lurching, hateful, bitter scent. This is a gruesome blend of ghastly greens and blacks: vetiver, pine pitch, troll musk, black basil, clove smoke, and scorched cumin.

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  • Tushnamatay Perfume Oil

    Pure internal harmony and spiritual bliss: the perfected meditation blend.

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    Tweedledee Perfume Oil

    Tweedledum and Tweedledee 
    Agreed to have a battle! 
    For Tweedledum said Tweedledee 
    Had spoiled his nice new rattle. 

    Just then flew down a monstrous crow, 
    As black as a tar-barrel! 
    Which frightened both the heroes so, 
    They quite forgot their quarrel.’

    Ridiculous! Kumquat, white pepper, white tea and orange blossom.

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    Tweedledum Perfume Oil

    Tweedledum and Tweedledee 
    Agreed to have a battle! 
    For Tweedledum said Tweedledee 
    Had spoiled his nice new rattle. 

    Just then flew down a monstrous crow, 
    As black as a tar-barrel! 
    Which frightened both the heroes so, 
    They quite forgot their quarrel.’

    Absurd! Green mango, fig, patchouli and green tea.

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  • Twenty-One Perfume Oil

    “I like to drink martinis
    Two at the very most.
    Three, I’m under the table,
    Four, I’m under my host.”
    — Dorothy Parker

    A tribute to New York’s 21 Club on West 52nd, formerly the speakeasy Jack & Charlie’s Puncheon Club. This is the scent of the perfect martini:

    “The Perfect Martini, as an idea, has infinite possibilities. For me, the Dry Martini remains an American symbol of elusive perfection, a kind of pagan Holy Grail. The dedicated Martini drinker views this deceptively simple cocktail as a true if fleeting, salvation, … As in religion, one may not have actually witnessed the Conception of the Perfect Martini, but one accepts on faith that it exists, and that it takes away the sins of the earth.”
    — The Martini, Barnaby Conrad III

    This scent is dedicated to all the mods on the BPAL forum as thanks for their hard work, friendship, and for all they do to make the forum a pleasant, safe, and friendly place.

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    Twilight Perfume Oil

    An enigmatic, otherworldly scent, brimming with power and mystery.

    Lavender and jasmine, with a touch of glowing honeysuckle.

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    Twinkle, Twinkle Little Bat Perfume Oil

    Twinkle, twinkle, little bat!
    How I wonder what you’re at!
    Up above the world you fly,
    Like a teatray in the sky.
    Twinkle, twinkle little bat!
    How I wonder what you’re at!

    A sparkly, batty little scent: green tea, melon, mint, lime rind, and champagne grape with lemon balm, mullein, and toadflax.

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    Two, Five & Seven Perfume Oil

    ‘Would you tell me,’ said Alice, a little timidly, ‘why you are painting those roses?’

    Five and Seven said nothing, but looked at Two. Two began in a low voice, ‘Why the fact is, you see, Miss, this here ought to have been a red rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we’re doing our best, afore she comes, to–’

    A huge bouquet of squished rose petals: Bulgarian rose, Somalian rose, Turkish rose, Damascus rose, red and white rose, tea rose, wine rose, shrub roses, rose, rose, rose…

    …and just an itty bitty bit of green grass.

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    Tzadikim Nistarim Perfume Oil

    Also called the Lamed Vev, two letters in the Hebrew alphabet that translate to the number thirty-six. In this violent, ugly, strife-riddled world of ours there are thirty-six men, the Hidden Just Men or Hidden Saints, who bear on their shoulders the burden of all our pain, sorrows and sins. The Tzadikim Nistarim move in obscurity, and are usually found among the poor, the downtrodden and the meekest among us, and are chosen for this task because of their righteousness, stalwart sense of genuine justice, and the true goodness of their souls. When one of these men dies, God chooses another to take his place. It is for their sake and for love of them that God does not destroy His imperfect creation. As long as the Lamed Vav serves humanity, the world will continue to plod on, but once one of them dies and God cannot find another worthy to take his place, the world will be destroyed. In Qabala, the thirty-six men of the Tzadikim Nistarim together combine to symbolize the seventy-two bridges, corresponding to the seventy-two names of God, that connect the concealed and revealed worlds of our universe.

    The scent is one of unadulterated spiritual purity, with a taste of the world’s eternal pathos, and the joy of suffering with grace: frankincense, olive, spikenard, hyssop and galangal.

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    Urd Perfume Oil

    Fate

    Muscadine, black and red patchouli, cereus and nag champa.

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  • Uruk Perfume Oil

    A city of mystery, wonder and majesty, said to have been built by order of Gilgamesh. Thick bitter almond and heady night-blooming jasmine with saffron, cinnamon leaf, red patchouli, river lilies, bergamot, fig leaf and the sacred incense of Inanna.

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  • Van Van Perfume Oil

    A venerable voodoo blend, used for purification of the spirit and to amplify positive personal power.

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    Vasilissa Perfume Oil

    “Take it, then,” the Tsar said, “and bid her do it for me.” The old woman brought the linen home and told Vasilissa the Tsar’s command: “Well I knew that the work would needs be done by my own hands,” said Vasilissa, and, locking herself in her own room, began to make the shirts. So fast and well did she work that soon a dozen were ready. Then the old woman carried them to the Tsar, while Vasilissa washed her face, dressed her hair, put on her best gown and sat down at the window to see what would happen. And presently a servant in the livery of the Palace came to the house and entering, said: “The Tsar, our lord, desires himself to see the clever needlewoman who has made his shirts and to reward her with his own hands.”

    Vasilissa rose and went at once to the Palace, and as soon as the Tsar saw her, he fell in love with her with all his soul. He took her by her white hand and made her sit beside him. “Beautiful maiden,” he said, “never will I part from thee and thou shalt be my wife.”

    So the Tsar and Vasilissa the Beautiful were married, and her father returned from the far-distant Tsardom, and he and the old woman lived always with her in the splendid Palace, in all joy and contentment. And as for the little wooden doll, she carried it about with her in her pocket all her life long.

    She herself had cheeks like blood and milk and grew every day more and more beautiful.

    Creamy skin musk and blushing pink musk with soft sandalwood, white amber, dutiful myrrh, and star jasmine.

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    Veil Perfume Oil

    A quiet scent, soft, calm and enigmatic. A perfume of mystery, of whispers, and of secrets behind secrets. White sandalwood, lilac, gardenia, violet, orris, lavender and ylang ylang.

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  • Velvet Perfume Oil

    Envelop yourself in the soft, sensual embrace of gentle sandalwood warmed by cocoa vanilla and a veil of deep myrrh.

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    Verdandi Perfume Oil

    Necessity

    Deep herbs and apple with black amber.

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  • Vial of Holy Water Perfume Oil

    The gleaming, indescribably clean scent of purified, ritually consecrated holy water.

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    Vice Perfume Oil

    Voluptuous and indulgent! A deep chocolate scent, with black cherry and orange blossom.

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    Vicomte de Valmont Perfume Oil

     I promised her my eternal love, and I actually thought that for a couple of hours. 

    Rake, scoundrel, demon in a frock coat. Devilishly seductive, ultimately tragic; a villain undone and redeemed by love. Based on an 18th century gentlemen’s cologne: ambergris, white musk, white sandalwood, Spanish Moss, orange blossom, three mints, jasmine, rose geranium and a spike of rosemary.

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  • Villain

    Villain

    A classic Victorian men’s cologne: a lavender fougere, with hints of lilac, lime, and citrus musk.

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  • Vixen Perfume Oil

    Lascivious, flirtatious, and vampy as hell. A true heartbreaker’s perfume. The innocence of orange blossom tainted by the beguiling scents of ginger and patchouli.

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    Voodoo Lily Perfume Oil

    Amorphallus, indeed. A breathtakingly exotic, wild, and grossly erotic spicy gold, purple-black, and burgundy lily.

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  • Voodoo Perfume Oil

    A midnight scent, evoking images of flickering golden firelight reflecting off the sheen of glistening skin and the jerking shadows of bodies suffused with spiritual ecstasy. A deep, powerful, resonant blend of myrrh, patchouli, vetiver, lime, vanilla, pine, almond and clove.

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  • Wanda Perfume Oil

    “And yet a restless, always unsatisfied craving for the nudity of paganism,” she interrupted, “but that love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you children of reflection. It works only evil in you. As soon as you wish to be natural, you become common. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only exorcise and curse me, or slay yourselves in bacchantic madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in penitential robes and expects flowers to grow from his withered staff, while under my feet roses, violets, and myrtles spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not disinter us. Pompeii was not built for you, nor our villas, our baths, our temples. You do not require gods. We are chilled in your world.”

    Along with Loviatar, she has become something of a Patron Goddess of all Dominatrixes, Wanda is the breathtakingly beautiful sable-wrapped marble queen of Sacher-Masoch’s fantasies. Her scent is a deep red merlot with a faint hint of leather, sexual musk and body heat over crushed roses, violets and myrtle.

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  • Water of Notre Dame Perfume Oil

    Brings peace to the spirit, a sense of calm and fulfillment, and attracts the aid of beneficial spirits.

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  • Whip Perfume Oil

    Agony and ecstasy: black leather and damp red rose.

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    White Rabbit Perfume Oil

    Strong black tea and milk with white pepper, ginger, honey and vanilla, spilled over the crisp scent of clean linen.

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  • Whitechapel Perfume Oil

    A gentlemen’s blend, possessed of dignity, charm and refinement, but in truth masking a corrupted, hideous, soulless core. White musk, lime, lilac and citron.

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  • Wicked Perfume Oil

    A paean to all the Wicked Queens, Evil Stepmothers, and other misunderstood villainesses throughout history and lore. Lends an aura of majesty, refinement, strength, and a deep, brooding malice. A sophisticated, womanly scent: rich myrrh and jasmine draped in the subtlest rose.

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  • Wilde Perfume Oil

    To stab my youth with desperate knives, to wear
    This paltry age’s gaudy livery,
    To let each base hand filch my treasury,
    To mesh my soul within a woman’s hair,
    And be mere Fortune’s lackeyed groom, — I swear
    I love it not! these things are less to me
    Than the thin foam that frets upon the sea,
    Less than the thistle-down of summer air
    Which hath no seed: better to stand aloof
    Far from these slanderous fools who mock my life
    Knowing me not, better the lowliest roof
    Fit for the meanest hind to sojourn in,
    Than to go back to that hoarse cave of strife
    Where my white soul first kissed the mouth of sin.

    A sophisticated traditional gentleman’s cologne, with just the slightest taint of patchouli’s passion, tonka bean’s decadence, the philanthropy of bergamot, moss’ cynicism, the sharp wit of lavender, and the hopeless romantic longing of jasmine and thyme.

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  • Wolf’s Heart Perfume Oil

    Grants courage under extreme conditions, helps overcome fear of death, and strengthens the fortitude of artists and businessmen, enabling them to further their goals.

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    Wrath Perfume Oil

    A scent aflame with rage, swirling in the red haze of hatred: dragon’s blood spiked with black pepper, clove, and cinnamon.

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    Xiuhtecuhtli Perfume Oil

    Patron of the Aztec pantheon, he is the personification of light within darkness, warmth in the cold, and life in, and after, death. He is a creative and destructive God of Fire and Light, and is appeased only by sacrifice, trial, and the slaughter of his people’s enemies. Copal, plumeria and sweet orange and the smoke of South American incense and crushed jungle blooms.

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  • Y’ha-Nthlei Perfume Oil

    We shall swim out to that brooding reef in the sea and dive down through black abysses to Cyclopean and many-columned Y’ha-nthlei, and in that lair of the Deep Ones we shall dwell amidst wonder and glory for ever.

    A great undersea metropolis located below Devil’s Reef. A swirling, lightless, effervescent scent: the deepest marine notes with bergamot, eucalyptus and foamy ambergris.

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    Yemaya Perfume Oil

    Lady of the Ocean, Queen of Mothers, Mother of the Children of the Fishes. She is the River of Life, the ocean is her womb, and she is the mother of many of the Orishas. Yemaya shares the oceans with her lover / brother / son / brother-self, Olokun, and She governs the uppermost part of the waters where the sun’s rays mingle with Her waters to promote life and growth. Yemaya is everlasting, She is motherhood, the universal drive for the survival of a species, the procreative urge, the instinct of a mother protecting her young, and She is the governess of all life on Earth. She is the Most Fruitful of Women, and both She and Olokun are the protectors and benefactors of those who wish to conceive. Yemoya, being the mother of Shango, also has jurisdiction over rain and snow. She has seven roads and seven manifestations, all corresponding to the Seven Seas. She is the blood that pumps through our veins, and the sound of our blood rushing through our bodies is Her lullaby. She is in constant motion, never resting, ever vigilant and though she may seem calm on the surface, there is always activity within Her waters. The Great Mother possesses breathtaking beauty, patience and a gentle hand, yet She is also fearsome, temperamental, moody and stern. She nurtures her children, but She is also a disciplinarian. She is symbolized by the fish, mermaid, seagull, wharf rat, ibis, vulture and duck, and She shares the beauty of the peacock feather with Oshun. Her ofrenda is a bounty of melons and grapes, strewn with the petals of the flowers of motherhood, draped with sea mosses.

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    Yggdrasil Perfume Oil

    The World Ash. Nine woods, nine leaves, and three herbs each for Ratatosk and Vidofnir, with three final herbs to placate Nidhogg.

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    Yorick Perfume Oil

    Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now?

    Grave dirt, bone, decay, angel’s trumpet, and moldering scraps of shroud: the essence of finality.

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  • Zephyr Perfume Oil

    A gentle white scent, breezes laced with the scent of springtime blooms and citrus. Lemon, lemon verbena, neroli, white musk, white florals, white sandalwood, China musk, bergamot and a drop of vanilla.

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  • Zombi Perfume Oil

    Dried roses, rose leaf, Spanish moss, oakmoss and deep brown earth.

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